We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Released in conjunction with a live performance that took place at the 'Lagerhaus' Bremen on 26. September 2003. Exclusive tracks by all three artists. John Duncan's 'The Gossamer Dispatch' is another fine example of his work with Shortwave sounds and a sort of more aggressive version of his acclaimed 'Phantom Broadcast' CD. C.M. von Hausswolff delivers a spoken word piece for the first time 'The way The Breeze Lays'. 'The Gobblestone Is The Weapon Of The Proletariat. No 8' by Leif Elggren is a …
Minimalist sound artist CM Von Hausswolff gives his two cents on the state of overdevelopment in various urban environments the world over in this, his second disc for the Sub Rosa label. It's hard to say precisely how the music here relates to town planning: Von Hausswolff concentrates on conjuring the kind of stark, austere glitch-driven soundscapes found on his work for labels like Raster Noton, using what sounds to be entirely synthetic sources, so again, it's difficult to establish any conc…
Features two unreleased tracks recorded in 2006 - in his installation The Complete Operations Of Spirit Communication, Carl Michael von Hausswolff takes up central themes of his previous work and adapts them for a display especially created for the series O.K Spektral
Two amazing sound droning sculptures works by environmental sound artist Bill Fontana. In Fontana's words, "I was fascinated with how familiar sound sources had many possible acoustical perspectives, and how the simultaneous perception of these possible perspectives could transform the acoustical meaning of the sound." In 'Kirribilli Wharf' (1976), Fontana's goal was to capture the sounds of a water environment from multiple acoustical perspectives, and to accomplish that he placed microphones i…
Kenichi Kanazawa is a sculptor (born in Tokyo, 1956) uses cut and cracked iron plates mainly. He often performs during his exhibitions, the sounds of plates striked by sticks and scrubbed by rubber balls are very static and spacy like Harry Bertoia. All tracks in this first released CD was performed by artist and percussionist Sachiko Nagata. with 34pp full color booklet (texts in Japanese)
Sound Artist Akio Suzuki carried out an exhibition around Wakayama city (south of Osaka) in 2005. This catalog contains some photographs of installation, interview, drawing and text. Attended CD includes field recording on his action "Oto-date walk" (hearing the environmental sounds at points of walking area) and performance. Recording and mix by Hans Peter Kuhn. 86pp, text in Japanese, English and French.
an excellent and breathy recording with lush piano elegies awash in a radical sonic realm that is profoundly reminiscent of Charlemagne Palestine but in a very hectic/spirited way, truly an excellent and underrated recording that explores new piano possibilities. Beautiful digipack edition + large booklet
Using John Cage’s slogan “New Music: New Listening” as it's mantra, Polyphonix 1 is a compilation of 27 poets from both Europe and the United States, collected at poetry festivals held during 1979 to 1981. Originally released as a co-production of Cramps Records, John Giorno’s “Giorno Poetry Systems” and Association Polyphonix in 1982. Published by Multhipla Records, original and very rare nowadays, gatefold cov.+ inner
Original copy of this awesome double album by visionary futurist composer Alberto Savinio, issued in 1978 by Multhipla label. A very rare item, original and in new codition, for those into avant garde artists editions, fluxus related, broken music ecc.
long out of print, Produced in part by the Center for the Diffusion of Contemporary Music (CDMC), and the Spanish National Radio (RNE). Recordings made between 1990-1996 in tropical and sub-tropical forests of Brazil, Argentina, Venezuela, Costa Rica, Senegal, Gambia, and China. Composed during fall of 1996 at Messor Studios and Musica 2 Studio, RNE, Madrid.
1 copy only, long out of print - for many years, Pierre BASTIEN has developed his personal music based on musical machines made with Mecano. His orchestra MECANIUM is his backing band both on album and on stage. All this creates a tender, delicate and emotive machine music that seduced Pascal DOMELADE from the beginning. A terrific mixture of J. Dubuffet and John Cage
Rare and long out of print LP...This album, featuring solo piano compositions, was released in 1983. The work draws inspiration from Modest Moussorgsky's 1874 composition "Pictures at an Exhibition," which was based on ten etchings. Klaus Peter Brehmer reissued these etchings, while Philip Corner contributed his own interpretation. The repetitive melodies and rhythms reflect Russian folklore and minimalism, while the spatial arrangement resembles Japanese interiors. The succession of images in p…
Signed Copy. Original and very rare now, a double LP published by Edition Block, Germany. In 1978 George Maciunas, founder and chairman of FLUXUS, died in New York at the age of 47. In invert of these numbers the duration of the piano-duett, performed to his memory by Joseph Beuys and Nam June Paik was planned for 74 minutes. The end of this memorable evening at the Kunstakademie of Dusseldorf was determined by an alarm-clock, set for 9.14 pm. New
2014 repress! Finally, a CD reissue of Yoshi Wada's most important and most rare LP, Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on the India Navigation label. Yoshi Wada is a Japanese sound installation artist and musician -- he moved to New York in the late 1960s, and became well-known as a Fluxus artist with links to La Monte Young, and has been involved in many performances and sound installations. However, he has released only two recordings,…
another beautiful and totally spaced out super-deluxe 100 copies only box “my overall philosophy is to keep my kitchen closed. and the lid on the pot. i need to build up pressure; the only time i release pressure is when playing music. it's all about transformation. guess i need to have some distance between me/my music and the public. in fact i like to see the public as non-existent. releasing my work i only do for metaphysical reasons; to keep all psychic and physical channels open, and mainta…
Sculptor, painter, drawer and composer of electro-acoustic music. Active in music since 1988 both as a composer and in several different formations and projects. Releases have taken place on labels as Korm Plastics, La Scie Doree, etc. Since 2003 all his music has been published by Le Souffleur. In his solo-music the composer uses since a few years only acoustic sources, sometimes combining them with simple electronic devices to 'adjust the hard sounds of the outerworld to the soft sounds of my …
Two versions of David Tudor's electronic environment masterpiece, the first performed in 1968 by Tudor and Takehisa Kosugi for the Merce Cunningham Dance Company; the 2nd is an electro-acoustic environment from 1973. "'Rainforest' blends music and sculpture by placing music in space in extraordinary ways. The idea is to channel electronic output through an object rather than through the usual device, a loudspeaker. Dozens of unique and unlikely objects are suspended from the ceiling at about ear…
Re-release of Ira Cohen's legendary 1968 film, The Invasion of Thunderbolt Pagoda. Celebrated internationally for more than 30 years, and recently screened as part of the 'Day for Night' program at the 2006 Whitney Biennial."I must say this is the most chemically abused piece of cinema I’ve ever seen – I actually feel under the influence now, I don’t know if I’m safe to walk home. It’s so narcotic that I’m surprised it’s legal to buy over the counter… all this and it was made in 1968 – one ye…
A 7" that lives up to its title by the enigmatic man from Organum. Just the sound of machine guns. Not very much manipulation. The two tracks were produced using original archive recordings of the Imperial War Museum in London as a sound source. Second edition of 200 copies on black vinyl