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Ecstatic Data Sets is a manual for a music-making machine of the near future. Whilst the technology already exists, these ideas are meant as a speculative projection, if read with a sympathetic ear this book could soon transform inside your mind and become the machine itself. Read it like a compressed file—unzip your imagination and consider a future where music can once again change the world.
Sanna Charles has been documenting tribes of Slayer fans around Europe for over a decade. She was drawn to their escapism, and the contradiction between this extreme music and the innocence of their often youthful fans.God Listens to Slayer is a snapshot of a culture that has endured defiantly unchanged over the past 32 years, and an homage to true fans around the world.
*Italian language edition* Se qualcuno, mettiamo una persona con un profondo deficit uditivo fin dalla nascita, ci ponesse la domanda “che effetto fa ascoltare?”, probabilmente noi non sapremmo cosa dire. Cosa succede quando ascoltiamo un brano musicale? E cosa c’è di diverso rispetto a quando percepiamo rumori ambientali o una persona che parla? È possibile pensare l’ascolto in modo da non doversi limitare a un solo specifico caso, come quello della musica, ma da poter affrontare la diversità d…
New volume of the Avant Marghen series, an ultra-limited splendid set in a numbered edition of 80 copies. This luxury black boxset edition actually includes the fifth group of 7 LPs previously issued for the VocSon series and now sold out. Each individual LP record includes a numbered Avant Marghen inner-sleeves
LP 1) Jean-Louis Brau "Instrumentations verbales" LP. First 80 copies from the original pressing of 350 copies issued in 2010. Jean-Louis Brau (1930-1985) approached everything in an exp…
Limited and numbered edition of 250 copies. Die-cut box, 5 inlays and extensive booklet (Libretto). The opera "juHrop" was recorded with great effort at the Studio für Komische Musik Berlin and at the studio of Diamanda Galas in New York from 1996 to 2001. It is orchestral music produced with electronic devices and voices of Chinese singer Wu Jiang, David Moss, Diamanda Galas, Udo Scheuerpflug, Margarete Huber and the Moabiter Motettenchor. It was broadcasted in full length on "Deutschlandradio …
Groundbreaking three-track 7" EP -- the very first aural glimpse of the future of progressive Europe at the hands of physical sound sculptures glaring in the face of premature technology. The Lasry-Baschet unison united husband and wife Jacques and Yvonne Lasry plus their son Teddy (later creating Magma with Christian Vander) and hard material sculptors François and Bernard Baschet (later working with William Klein). Promoting "Instruments Non-électroniques", Lasry-Baschet's humanistic music lat…
*Dutch Edition* Tuney Tunes shows the work of two sound artists: Nico Parlevliet and Paul Panhuysen. The visual aspect in their work is equally important. The book contains an extensive interview with the two artists plus a large selection of photographs.
Full Color, 60 pages + DVD 90 minutes.
** Hardcover. English edition. ** The first book dedicated exclusively to the female protagonists of Latin American electronic music. The book has been edited by independent curator, researcher and label head of Buh Records, Luis Alvarado, and experimental musician, multimedia artist and researcher Alejandra Cárdenas (also known as Ale Hop). Composers and sound artists featured in this historical account include: Alicia Urreta, Beatriz Ferreyra, Elsa Justel, Eulalia Bernard, Graciela Castillo, H…
Frédéric Acquaviva, born in 1967, has been since 1990 a sound artist and experimental music composer, creating chronopolyphonic installations and CDs (published by Al Dante) and playing in art galleries (Galeria Peccolo, Incognito, Lara Vincy, Archives and others), in museums (Palais de Tokyo, Centre Pompidou in Paris, Tate Modern in London, Neues Museum in Weserburg, La Fenice in Venezia and others) or in underground venues, such as Les Voûtes, le Donjon de Maîtresse Cindy, Festival Indisciplin…
A facsimile of the first works by Lettrist artist Broutin, who joined the French avant-garde movement in 1968. This pamphlet features asemic writing by Broutin, a kind of wordless writing characteristic of Lettrist art that has no meaning in terms of language.
The book contains Ecopolitik, an introduction as an epilogue by José Luis Espejo, a letter to the Huaorani people, two research texts and one bertso, descriptive texts and photos of recordings, a possible chronology, a glossary, a compilation of several texts with testimonies, reports and declarations from different people, groups, institutions, and publications in reference to the impact—direct or indirect—of the noise from the oil industry during its various phases of development on the peopl…
FO(A)RM no. 4 (topography) treats the movement over, through or across a landscape and the act of documenting, utilizing or noticing an interaction with that landscape. It concerns a mapping of the points between self and space – traversing and/or transforming natural and urban environments. Within these pages, intelligent perspectives find fertile soil.Included within are essays by sound theorist Douglas Kahn (Noise Water Meat) on spherics and and cultural theorist Steven Connor (Dumbstruck) on…
Recently The Guardian critic Jonathan Jones wondered scathingly if the late Terry Pratchett might have wanted his final posthumous novel “…pulped by a steamroller”; pulped…? Surely flattened more like. Here, as if plucked from a laundry list, then hung out to dry—aired in public maybe—this fourth issue has once again been naturally attracted to, whilst avoiding, some theme or other.
Five new Uniformbooks titles have been published so far this year: in the spring a new edition of the modernist se…
The following commentary was written about three books by Richard Long from the late 1970s: “Throughout these publications, the photographs are definitive records of moments within a landscape, whether of a single geometric form made with material from the particular terrain, or a composed view of a landscape from within the duration of a journey. Where a sculptural form has been introduced into the landscape, this will occupy a central, foregrounded position within the image. The language is di…
In Unshelfmarked: Reconceiving the artists’ book, Michael Hampton vets the medium’s history, postulating a new timeline that challenges the orthodox view of the artists’ book as a form largely peculiar to the twentieth century. Post-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, it…
A career-spanning catalogue featuring excerpts from Raven Chacon's scores, musical prompts, and drawings interspersed with full-color documentation and descriptive texts of installations, sculptures, and performances. The publication features newly commissioned texts including three long-form essays by Aruna D'Souza, Anthony Huberman, and Dylan Robinson/Patrick Nickleson; experimental short-form writing by Raven Chacon, Lou Cornum, Ingir Bål Nango, Marja Bål Nango, Eric-Paul Riege, Ánde Somby, a…
Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.