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In this brilliant collection, path-breaking figures of American experimental music discuss the meaning of their work at the turn of the twenty-first century. Presented between 1989 and 2002 at Wesleyan University, these captivating lectures provide rare insights by composers whose work has shaped our understanding of what it means to be experimental: Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Steve Reich, James Tenney, Christian Wolff, and La Monte Young. Collected here for th…
An illustrated monograph documenting and extending Resynthesizers, a project by artist Florian Hecker combining electroacoustic, olfactory, and textual elements, staged at the modernist Fitzpatrick-Leland House in Los Angeles.
Florian Hecker is an artist whose work is realized through the technical manipulation of sensory data. By utilizing machinic scales and registers, Hecker creates environments marked at once by overwhelming complexity and vexing subtlety, where audience members are led to d…
Following the success of “A Brief History of Curating” (now available in nine different languages, in its sixth reprint, and as an e-book), this publication gathers together interviews with pioneering musicians of the 1950s to the 1980s. The book thus brings together avant-garde composers such as Elliott Carter, Pierre Boulez, and Karlheinz Stockhausen; originators of electro-acoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis, Robert Ashley, and Peter Zinovieff; Minimalist a…
Why does the letter 'M' stand alone as the title of this book by the author of Silence and For the Birds? The dictionary gives the definition of 'M' as the 13th letter of the alphabet, the symbol for 1000, and if you think they fit, they do. Or you may find clues in Cage's topics, words beginning with M that figure among the author's concerns: including music, mesostics, Marcel Duchamp and making matters worse. From Buckminster Fuller to Chairman Mao, from Merce Cunningham to mushrooms - here ar…
John Cage (1912-1992) was an American composer, philosopher, poet, music theorist, artist, printmaker and amateur mycologist. He is arguably the most influential composer of the mid-twentieth century. He dedicated himself to the search for new horizons in musical composition. His method of composition: an amalgam of chance operations, latitude in performace, the use of electronic sound and the inclusion of ambient noise. His aim: to increase the territory of his art and to celebrate the richness…
From iconoclastic writer and musician Adele Bertei comes a wholly original hero's journey that wages war on the cliché of the “misery memoir.” Set in a 1960s and ’70s American neighborhood rife with poverty and violence, fatherless Irish mothers and Italian mobsters, and women crucified into madness by misogyny, Bertei speaks through her electrically alive avatar Maddie Twist to flip the victim script. Through her unshakable belief in imagination, poetry, music, and community, she transforms tra…
Stereolab are one of the most fascinating groups of the past fifty years, a source of constant reinvention and illuminating contrasts, where political ideology meets the sweetest pop melodies and driving guitars rub along with space-age jazz. They are perhaps the greatest Anglo-French collaboration since Concorde: a hugely respected, highly influential group whose fan base grows larger by the year, stretching from chart-topping hip hop artists to underground indie stars. And yet their appeal rem…
Art Edition, 20 copies. Xong collection - artist records, a vinyl-only publishing project initiated by Xing in 2021 with original creations by artists linked to the worlds of live performativity, reaches its final form with a box set of 19 artist records on white vinyl.
Xong collection - artist records was born in 2021, in the shadow of COVID and the restrictions faced by artists and organizations in the live arts. That moment made it even clearer how those working in the field of performance h…
"In late 1975, Annea Lockwood realised her composition World Rhythms. It represents one of the first creative works exploring the potentials of field recordings in a multichannel setting. It is a landmark work and a composition that, on its 50th anniversary, has gently carried forward over the decades, but arguably now is only starting to come into true focus, and be understood for exactly how revolutionary it was. World Rhythms was a work concerned with a practice of sustained listening into th…
Small repress soon available. 30th anniversary edition. Revised and expanded printed book edition of The Crack In The Cosmic Egg. Thirty years after its original publication, Steve Freeman and Alan Freeman return to print with an anniversary edition of their encyclopaedic work on Krautrock - the most comprehensive and authoritative ever published on the subject. A long-awaited return: previous printed editions have been out of print for years and are now collector's items.
This new edition - A4,…
On Every Color Moving (1988–2003), Steve Roden’s first 15 years unfold across six discs: from noisy, searching experiments to the hushed, “lowercase” worlds that would define his quietly radical, object‑based approach to sound and space.
On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one breathing organism.
*2026 stock* “So...what are we doing?” ask [something's happening] in Turn, and it is a difficult question to answer. Somewhere near the centre of France an event was cancelled. Over the course of five days conversations were translated from French to English, mangled, remoulded and repeated aloud. Field recordings were taken and rebroadcast. From these overlapping text and sound processes this strange and unpredictable album emerged. Buzz is generated from open- ended protocols where processes …
"The primary instrument here is an empty industrial workspace, which funnels the sounds of the outside through a process of grand refraction. The offhand trills of tiny birds are gathered and stretched into the stirrings of an imaginary orchestra, while the murmurs of distant crowds are recast as choral hums that seep out of the building’s surfaces. Contact mics are attached to the walls, floors and windows – a process through which Vickridge inverts the typical depiction of industrial spaces as…
*2026 stock* In the rural terrain of Prespes, Greece, Viv Corringham emits a croak that mimics both a passing bee and the clucking of a distant chicken, straddling their sonic similarities, drawing both animals into unexpected kinship. In Muenster, Germany, she traces the undulation of air billowing through a train station, suddenly dragging the rhythm to the foreground of our attention. As with the first instalment of Soundwalkscapes, her voice is used to revive a “lost river”, this time focusi…
An all-aluminum guitar, 100-watt amplifiers pushed to blowout, two sides charting alternate trajectories through sludge, drone, and ferocious free improvisation.
The third in the Travelogue project on Touch. finds von Hausswolff and Shukla rounding off another whirlwind 9 days in Southeast Asia in the unusual setting of the Lanna Kingdom (Kingdom of a million rice fields) of Northern Thailand. A multifaceted location where Thailand shares borders with Myanmar, Laos and China in what is known as The Golden Triangle, a commercial trade zone between the nations. This frontier region is home to hill tribes, countless Buddhist monasteries, stupas, The Mekong …
On Interview with a Cat, Marcel Broodthaers turns a deadpan Q&A with a meowing interlocutor into a razor‑sharp miniature of conceptual art: a five‑minute 1970 audio piece where questions about painting, markets and museums collapse into one insistent “miaow.”