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Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.
Rudolph Johnson's 1971 debut for Black Jazz, a quartet date with John Barnes, Reggie Johnson and Raymond Pounds moving between bebop, soul jazz and Coltrane-like tenor. Real Gone reissue on black vinyl, remastered.
The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. Japanese edition.
Gal Costa's essential 1969 Tropicália album, with Caetano Veloso's Baby and Divino Maravilhoso by Caetano and Gilberto Gil, arranged by Rogério Duprat, Gil and Lanny Gordin, reissued by Vampisoul on 180g vinyl.
Solo percussion by Sven-Åke Johansson, recorded at his SÅJ Studio in Berlin in March 2010: fifteen short pieces named after Swedish surnames, rolls, cymbals and a towel flicking on the drum skin.
Alexander von Schlippenbach on piano and Sven-Åke Johansson on voice, accordion and drums, live at Onkel Pö in Hamburg in March 1978: a free improvised take on the German Lied, recorded by NDR.
Live double album from Perujazz's 2023 European tour, with concerts in Norway, Austria, Germany, the UK, Spain and France: the Lima group founded in 1984 mixing cajón, Afro-Peruvian and Andean sounds with jazz, rock and funk.
Solo percussion album recorded in August 1980 by Masahiko Togashi, alone with drums, gongs, bells and hand percussion on a kit of his own design, reissued on LP with obi and liner notes in the Spin This Now! series.
First reissue of the private press album recorded in 1980 by Puerto Rico's The MD's: ten raw, catchy songs between punk, proto-hardcore and new wave with a prominent Minimoog, plus an insert of previously unseen photos and notes.
First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.
The second chapter of Gong's Radio Gnome Invisible trilogy, first released in 1973, remastered from the original BYG tapes and cut at half-speed by Lewis Hopkin, in a gatefold sleeve with a 16-page booklet replicating Daevid Allen's guide to the saga…
Illegal Crowns, the quartet of Taylor Ho Bynum, Mary Halvorson, Benoît Delbecq and Tomas Fujiwara, recorded at Firehouse 12 in June 2022, with three compositions each by Fujiwara, Halvorson and Delbecq.
Two duo albums by pianist Matt Mitchell: Oblong with Kate Gentile on drums and Aplomb with Ches Smith on drums, percussion, vibraphone and timpani, recorded in Brooklyn in summer 2022 and mixed by David Torn.
George is John Hollenbeck's quartet with Anna Webber, Aurora Nealand and Chiquita Magic: voices, saxophones, flute, keyboards and drums, recorded in Montreal in January 2022. 180g black vinyl, limited to 400 copies.
Debut album by Abenaki bassist, singer and composer Mali Obomsawin, built on songs and stories of her family, with Savannah Harris, Miriam Elhajli, Allison Burik, Noah Campbell and Taylor Ho Bynum. First pressing on black vinyl.
Debut of the trio Secret People: Nathaniel Morgan on alto saxophone, Dustin Carlson on guitar and Bass VI, Kate Gentile on drums and vibraphone, recorded in August 2019.
Debut album by alto saxophonist David Leon with Sonya Belaya on piano, Florian Herzog on bass and Stephen Boegehold on drums, recorded in Brooklyn in February 2020, with liner notes by Kris Davis.
The final recording by bassist Mario Pavone, made in March 2021 two months before his death, with his Dialect Trio of Matt Mitchell and Tyshawn Sorey and Dave Ballou on trumpet and arrangements.
Cellist Christopher Hoffman's quartet with Bryan Carrott on vibraphone, Rashaan Carter on bass and Craig Weinrib on drums, plus David Virelles on one track. Translucent red vinyl, limited to 200 copies.
Solo record by drummer and percussionist Scott Clark, also on harmonica, recorded live in Richmond, Virginia, in May 2019 and named after Rilke's poem Let This Darkness Be a Bell Tower.