Six acousmatic works by Elizabeth Anderson from 1994 to 2014, mostly octophonic, from the voices of eighteen languages recorded for the Nazi fortress of Mimoyecques to sonified solar winds and a tesseract taken from A Wrinkle in Time.
Eight works by Roxanne Turcotte from 2009 to 2014, fixed media alone or with melodicas, narrator, guitars, shakuhachi and piano, from a bird and animal bestiary to field recordings of the 2012 Maple Spring protests in Montréal.
Five acousmatic works by Martin Bédard from 2004 to 2012 rooted in places, from the cells of Québec City’s old jail and the city’s archaeological digs to trains, a night watchman’s rounds and the 1907 collapse of the Québec Bridge.
Six works by Pete Stollery from 2004 to 2007: radio sports commentaries, a homage to Delia Derbyshire, three pieces mapping the sounds of rural Aberdeenshire, and a sound walk along the route of Claude Lelouch’s film C’était un rendez-vous.