Guitar
All records with guitar · Solo guitar only
Hieme
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
The Complexity Of Distance
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…
Loose Connection
*Limited edition of 100 copies. Includes 2 postcards.* Work from this French guitarist has been reviewed before, primarily his work with Sun Stabbed and the, quite frankly brilliant named La Morte Young, but also a solo release (Vital Weekly 1095). The previous one was primarily electronic, but he solely uses an electric guitar for this new one. "This LP present tracks recorded at home for the neighbourhood pleasure during lockdown", and unfortunately, no reactions from the said neighbourhood we…
Distels
"Gorgeous debut LP by a new Belgian duo made up of Annelies Monseré and Steve Marreyt. Steve has been active in a lot of places. I believe I first ran into his work as a member of the folk-psych collective, Silvester Anfang, but he has had his hands in a lot of pots (as it were). Annelies has a long recording history as well, with many fine and floating sides out there to prove it. The pair have known each other for a good long while. Steve appears on a couple of Annelies' albums, and they previ…
Eviyan Live
Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.
Echo Echo Mirror House
Anthony Braxton's septet live at Victoriaville on 21 May 2011, performing Echo Echo Mirror House music, where each musician plays an iPod loaded with Braxton's recorded history alongside their instrument.
Victoriaville Mai 2011
Richard Pinhas, Merzbow and Wolf Eyes together at Victoriaville on 20 May 2011: guitars, electronics, tapes, saxophone and voice in a spontaneous five-way noise session.
Paranza Corta
*250 copies limited edition* "I’ll definitely listen to Eric Arn & Margeret Unknown’s frantic, two-guitar improvisation LP Paranza Corta again for sure. When these two really get going with their unusually-tuned, well mic’d acoustic interplay, it sounds like the perfect soundtrack to an ant colony documentary, sped up 100x. It’s pretty berserk." - Jay Hinman, Dynamite Hemorrhage
Live in Cleveland 1976
"Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superb…
World in World
Black Truffle is pleased to announce World in World, the latest solo offering from prolific Berlin-based guitarist-composer Julia Reidy. Where the recent trilogy of LP releases – brace, brace (Slip, 2019), In Real Life (Black Truffle, 2019), and Vanish (Editions Mego, 2020) – focussed on increasingly lush electronic settings for Reidy’s propulsive fingerpicking and auto-tuned vocals, arranged into wide-ranging side-long epics, World in World finds Reidy refocusing on the core elements of their a…
Dayspring
Released in 1983 on a miniscule run of 300-self-financed LP’s, Dennis Taylor’s ‘Dayspring’ remains a lost masterwork of transcendental instrumental guitar. An important missing link between the 60’s folkloric experimentalism of John Fahey and Robbie Basho, and the new age atmospherics mined by William Ackerman and Michael Hedges in the early 80’s. Though Taylor’s guitar playing remains crisply unadorned on these 10 tracks, his technique and his compositions stretch beyond the folk roots of the g…
Bizzarrophytes
Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a ge…
Printemps 2021
René Lussier, Érick d'Orion, Robbie Kuster and Martin Tétreault live at Victoriaville on 21 May 2021, for the label's 35th anniversary: guitar and daxophone, electronics, drums and turntables in one hour of collaged noise.
Hello, I Must Be Going
Two masters who rarely play together--guitarist Fred Frith and saxophonist Evan Parker--performing together as a duo at the 30th Musique Actuelle Festival in Victoriaville, Canada for an amazing exchange of ideas and intensely subtle dialog.
Visitations
London-based guitarist and producer Leo Abrahams and NYC master musician (and boss of figureight records) Shahzad Ismaily unite for a unique imagining of guitar music on Visitations. The work of two highly skilled, highly celebrated musicians, Visitations marks a curious, mysterious, uncanny collection of music, offering a take on guitar playing that snakes and collides with unexpected turns. It encourages - requires even - a deep listening experience, every discordance balanced with harmony, ev…
Dyspnea (parts I-IX)
Limited edition of 100 copies. "Here are two new releases by Manuel Mota, our man on the guitar and as before, he presents one disc with the music of his own making and one in collaboration with another musician. In this case that is Giovanni di Domenico. He plays the Fender Rhodes. I believe he is from Brussels, which is also where this CD was recorded, at the Theatre La Balsamine. This was for me a good moment to look at what the Fender Rhodes is, having only a vague notion. I would have calle…
Absence Presence
**Limited edition of 300 copies. ClearVinyl** Pages torn from an imaginary sketchbook. Beneath the waves of noise, within the swarm on the senses, visions held in absence presence. Despite decades of magical acoustic evenings performed across the globe, this is the first release of this kind from The Telescopes. A rare document of the songs behind the noise. A penetrating glimpse into the eye of an all embracing maelstrom. The Telescopes house has many rooms. Absence Presence opens another doorw…
Mind Is Moving (IX)
Mind is moving (IX) is a composition for guitar by Michael Pisaro-Liu, affiliated with the avant-garde composers group The Wandelweiser Composers Ensemble. Pisaro's work can be characterized as experimental minimalism, often utilizing silence, a minimum of musical material, and extended composition durations. This version is executed by Slovenian guitarist Primož Sukič.
Dreams
The long awaited reissue of this rare eastern and psychedelic jazz LP by the famous Hungarian guitarist Gabor Szabo, originally released in 1968. This extended edition comes with 2 bonus tracks: the radio versions of "Fire Dance" and "Ferris Wheel" released as 7" single in 1969. Comes with long, exclusively written liner notes by the famous researcher and biographer Douglas Payne. Remastered by Martin Bowes at Cage Studios (UK).
Every Single Night
From a time before Covid, Brazilian singer/songwriter/producer Moreno Veloso began singing his children to sleep. After the virus set in, this habit took on added significance, a father's reassurance. The music he chose for these nocturnes was drawn from friends and heroes, a selection of beautiful tunes and lyrics that began to form itself into a songbook of sorts, and Veloso started recording these pieces after the kids were tucked in. Gently surrounded by the night sounds outside his apartmen…