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Piano

All records with piano · Solo piano only

In the Asylum
Chamber works by Irish composer Gerald Barry for solo piano, violin and piano, piano trio and piano quartet, played by the Fidelio Trio with Rose Redgrave and the composer. All but In the Asylum are first recordings.
Klang- Die 24 Stunden Des Tages: 3.Stunde: Natürliche Dauern Für Klavier
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are fascinating explorations of melodic and rhythmic contrast. These final, late-era piano pieces are truly beautiful postcards of shape and color.- Stockhausenspace.blogspot.com
Klavierstücke I-XIV
*2022 Stock. Includes a 86-page booklet.* Although several recordings of Stockhausen's cycle for solo piano have been recorded over the decades, notably by David Tudor and Aloys Kontarsky, this set is the definitive edition, with Ellen Corver presenting the first 14 Klavierstücke, working directly under Stockhausen's supervision and incorporating his latest corrections/additions. Stockhausen first started working with Corver in 1982, and these tracks were recorded in 1997/98. The 86-page booklet…
Stars & Silence
*Numbered edition of 200, with a risoprinted cover.* Ultraääni Records is releasing Otto Taimela - Stars & Silence 7'' on june 15, 2022. "Two imperfect naive piano pieces inspired by the Stars & Silence, a moment in moonless air and a walk in the path of invincible love." Composed, played and recorded by: Otto Taimela in Kimmeltie, 2021.
Cecil Taylor / Bill Dixon / Tony Oxley
Cecil Taylor, Bill Dixon and Tony Oxley in concert at Victoriaville on 19 May 2002: piano, trumpet and percussion in an intimate, often delicate trio set.
The Bishop's Move
Evan Parker's trio with Alexander von Schlippenbach and Paul Lytton meets Peter Brötzmann's trio with William Parker and Hamid Drake, live at Victoriaville on 19 May 2003: two tenor saxophone giants face to face.
I Like To Think Of Harriet Tubman
Chamber works by Christian Wolff from 1950 to 1987, mostly first recordings, including the Serenade written at sixteen, the Harriet Tubman setting for voice and trio, and For Morty, played by The Barton Workshop under James Fulkerson.
Vom Klang Des Lebens / Of The Sound Of Life, Stundenbuch / Book Of Hours, Buch Der Sterne / Book Of Stars (Edition Of Contemporary German Piano Music)
Vom Klang Des Lebens/ Of The Sound Of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus. Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of life. Long before his spirit attempts to differentiate experiences, develop ideas or make his mark on the path of…
The Complete Piano Music Of Georges I. Gurdjieff And Thomas De Hartmann
The music produced from the remarkable collaboration of Georges Ivanovich Gurdjieff and Thomas de Hartmann typifies the creative explorations undertaken by many artists just after the turn of the 20th century. In visual art, Wassily Kandinsky (1866-1944) explored abstraction in both sight and sound, while composer Alexandre Skryabin (1872-1915) proposed an æsthetic format through his compositions that entailed the collaboration of colors, sounds, scents and movement. Each of these artists and th…
42'37"
*120  copies limited edition* 42’37’’ is forty-two minutes and thirty-seven seconds long.Track 7 is named Sept.42’37’’ is filled with sounds and silences.Track 4 is named Quatre.42’37’’ is an imaginary musical seascape where time is in suspension.One can listen to 42’37’’ for 34’22’’ or any other length.42’37’’ is composed by Wladimir Schall and released on parisian label AmiciMiei.
Makrokosmos
George Crumb's Makrokosmos, Books I and II (1972-73), both complete on one disc, in composer-supervised recordings by pianist Margaret Leng Tan, a leading exponent of extended piano techniques.
Solos, Volume 2
Joachim Kühn (piano & piano électrique). Solos, vol. 2 (Inédit). Recorded 19th march 1971 at studio Europasonor Paris.
Symphony No 106
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.
Codebreaker
Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell. Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s vocabulary. On his latest a…
Dyspnea (parts I-IX)
Limited edition of 100 copies. "Here are two new releases by Manuel Mota, our man on the guitar and as before, he presents one disc with the music of his own making and one in collaboration with another musician. In this case that is Giovanni di Domenico. He plays the Fender Rhodes. I believe he is from Brussels, which is also where this CD was recorded, at the Theatre La Balsamine. This was for me a good moment to look at what the Fender Rhodes is, having only a vague notion. I would have calle…
Organic Music Tapes Vol. 1
As its almost tradition now we start the year with a meditative album from Portuguese pianist and composer Tiago Sousa. Using the piano as its primary tool of expression, Tiago has been slowly cementing his place as one of the most distinct voices to emerge out of the modern wellspring of piano driven minimalism. After last years Angst (CREP81, Discrepant) and 2015’s Um Piano nas Barricadas (CREP23, Discrepant), Tiago returns with a deeply meditative album of synesthetic organic musical patterns…
Unhinged
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
Obstacle 80: Indices
"This LP forms an index to a body of artwork called Obstacle Corpus, encompassing drawing, writing, photographic and book works, video and sound. For the recording, I alternated between the same note on two pianos, played at once, with a spoken text. The text was written in two parts, using the titles of 75 artworks made during 2019, interspersed with a field text, written as a form of drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano …
Ghost Birds
Brian Thummler’s  Ghost Birds combines piano improvisations and noise to create a uniquely compelling musical duality. These 7 pieces, selected by John Brien, are inspired by a lifetime of experience, art & poetry as well as Cage, Merzbow, Satie, Sun Ra...... Ghost Birds takes flight with experimental simplicity. The interaction of noise and piano, a synergy that also pushes and pulls, creates profound musical dimensions available to the attentive listener.Ghost Birds was recorded in a studio an…
The Malady Of Elegance (LP)
Originally released in 2008 on CD and in a very limited vinyl edition, "The Malady Of Elegance" by Goldmund aka Keith Kenniff finally gets its long-deserved vinyl re-release, featuring a new artwork and remastered audio by Taylor Deupree.Taking cues from 'Corduroy Road' Keith Kenniff (aka Helios) again restricts himself to the piano in conjuring up his humble soundscapes and again we are pulled into a deep, meditative and filmic world as the notes glide to a slow, pensive meter. Keith's preceden…