★Alga Marghen
Concerto Per La Mano Sinistra In Un Solo Movimento
The Concerto For The Left Hand In One Movement, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. This performance by Reinier van Houdt was recorded on April 29, 2015, at Onder De Linden in Valthermond, Netherlands, and is presented with liner notes by Gabriele Bonomo, translated from the Italian by Philip Corner. Composed in 1994, the Concerto For The Left Hand belongs to an ongoing series of works writte…
Free Psychedelic Poster Inside
Alga Marghen presents a reissue of Intersystems' Free Psychedelic Poster Inside (1968). Intersystems occupied a difficult-to-reach critical nook between the many tropes that had established to frame the various artistic trends of 1960s. Announcing itself with a quivering beam of fluorescent sound, the beginning of Intersystems' Free Psychedelic Poster Inside feels as though it's slowly piercing right through your frontal lobe. Blake Parker's poetry is a dark glimpse into mundane domesticity …
Peachy
Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…
Number One Intersystems
Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …
Intersystems
First historical edition! Limited to 500 copies. This three-disc box collects Number One Intersystems (1967), presenting the correct side sequence and (for the first time) the original tracks' sub-section divisions; Peachy (1967), with (for the first time) the correct track separations, timings, and titles; and Free Psychedelic Poster Inside (1968), with (for the first time) the original (double) track titles. All works remastered by Intersystems founding member John Mills-Cockell for this editi…
Mosconi Wagner
In one of the last projects he conceived, interrupted by his premature death, Davide Mosconi chose to absolutize as ‘concrete’ sonic data the complete cycle of Wagner’s “Ring”. Mosconi, an artist equally divided between the sonic universe and the visual sphere, perhaps could not resist the temptation of picking up the torch to intentionally fan the flame of he who made the Gesamtkunstwerk one of the theoretical groundings of his futuristic ideology and therefore inspiring a never-more-to-be-soot…
PoorManMusic
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
Wolman et son double
Is it to "en finir avec cette idée des chefs-d'oeuvre" ("be done with this idea of masterpieces"), as Antonin Artaud proclaimed, that Gil J Wolman calls his recording Wolman et son double, in a détournement of Artaud's famous essay collection and "masterpiece" Le Théâtre et son double (The Theatre and Its Double) (1938)? Artaud's Tête-à-tête performance at the Théâtre du Vieux Colombier on January 13, 1947, had a major impact on the future sound poets of the "poésie physique," François Dufrêne,…
Wave train
2015 remastered CD in digipak with 12-page booklet including liner notes written by the composer as well as diagrams and scores relating to the published works. Wave Train, originally released by Alga Marghen in 1998, collects experimental works by David Behrman recorded between 1959 and 1968, featuring the Sonic Arts Union. The CD starts with "Canons," a short piece created in Darmstadt over three weeks in the summer of 1959 with David Tudor on piano and Christoph Caskel on percussion. "Ricer…
CharleBelllzzz at Saint Thomas (Golden 666)
Presented in tri-fold digipak sleeve. Alga Marghen presents the "sixSIXsix"th installment of its Golden Research Charlemagne Palestine archive series: CharleBelllzzz at Saint Thomas. These previously unreleased recordings of Palestine's "Bells Studies" are both some of his earliest recordings and some of his darkest and most accomplished works. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell caril…
Bells Studies
Edition of 400 copies. Includes original photos from the recording sessions. High up in a tower, accessible only by a spiral staircase that led to a concrete platform above the whole city, Charlemagne Palestine's "HellsBells" became the sonic mainstay of 53rd Street and 5th Avenue, NYC, from 1963 to 1970. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell carillon at the St. Thomas Episcopal C…
The wolfman
Alga Marghen presents a 2015 remastered CD edition of its 2003 CD The Wolfman, a collection of pieces that introduce the listener to the most extreme experimental side of American composer Robert Ashley. Presented in digipak with 12-page booklet including liner notes written by the composer and the complete score of "The Wolfman," first issued in Source magazine. The program starts with "The Fox" (1957), Ashley's first electronic work, which displays his nascent electronic music theater style. D…
Tazartes
Remastered CD edition of Tazartès, Ghédalia Tazartès' 1987 fourth LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Tazartès and Diasporas, Tazartès' 1979 debut album, which is also now available in an expanded CD edition (TES 088CD). Immersive, transporting, and deeply arresting music from the revered autodidact and audio oddity. If you've never encountered Tazartès before, this is an excellent place to start, welco…
Diasporas
2015 Remastered CD edition of Diasporas, Ghédalia Tazartès' 1979 debut LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Diasporas and Tazartès' 1987 self-titled fourth album, which is also now available in an expanded CD edition (TES 089CD). In addition to the entire original release of Diasporas, this CD includes the first CD release of "Ferme ta gueule, Zarathustra," a composition largely based on materials pre-datin…
Une Éclipse Totale De Soleil
2015 repress and remastered. Remastered CD edition of Une éclipse totale de soleil, Ghédalia Tazartès' third LP, originally released in 1984. Far away from contemporary music intellectualisms and the works of synthetic noise purists, this album features a new form of musical expression and is certainly one of the most original and creative records of the '80s. The value of this work was at the time underestimated and only a few people had a chance to listen to this beautiful music. The rec…
Tazartes Transports
2015 repress. Remastered CD edition of Tazartès' Transports, autodidact and outsider composer Ghédalia Tazartès' 1980 second LP. This album probably represents the most original example of the artist's poetical and personal approach to sound organization. The tracks for Tazartès' Transports, recorded in 1977 at Tazartès' own studio in Paris, are blends of stream-of-consciousness rippling electro rhythms, outer-national singing styles, collaged field recordings, tape loops, and chants. The …
Les danseurs de la pluie
At Last!! This long overdue, and well deserved reissue if finally here in stock! An amazing 4xCD box set including the complete Ghédalia Tazartès recordings previously issued on CD by Alga Marghen. This edition is presented in a newly designed slipcase box including 4 CDs in elegant slim digipak sleeves. Diasporas is the CD edition of Tazartès' 1979 first album, also including "Ferme ta gueule, Zarathustra" (previously issued as side A of Granny Awards (ALGA 036LP)). Tazartès' Transports is th…
The Long Hot Summer/Interview Oct. 1969 /Waiting for Commercials
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
TV cello
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…