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Internationally acclaimed sound artists Helmut Schäfer and Zbigniew Karkowski met for the first time in 1997. From then on, they maintained a close friendship and worked together on several collaborations, performances and music projects. Then years later, in April 2007, Helmut passed away. "Eminent Risk Factor" gathers recordings from the last 2 concerts and studio session they ever made together. The master was finished on the last day they ever saw each other.
In memory of Helmut Schäfer (19…
Limited edition black chrome cassette + 16 page booklet, offset printed on Munken Lynx Rough, 100 gsm, black ink."Russell says that what he does isn't music and has nothing to do with music. Dave is of a similar mind in that he doesn't give a fuck. Maybe we could pike out like Eddie Varèse and call it 'organised sound'. But no. My first impression is that listening to these tracks entails undergoing some intense physical experience in real time. It's like being punctured with something, I suppos…
EVOL's Alku imprint present a one of a kind new LP of bird noises produced on an array of autonomous synthesizers and composed by Oswald Berthold, Chris Brown, Anders Dahl, Joe Gilmore, Fredrik Olofsson, Tim Perkis, Roc Jiménez de Cisneros & Peter Worth.
Having been presented as a multichannel installation in 2011 (CosmoCaixa, Barcelona) and 2016 (Entzumen Behatokia, Donostia) Alku present a canary-yellow cassette edition of the Rara Avis project, clocking in at nearly 70 minutes in lengt…
Inspired by the current crop of very good rave music currently being produced by Lorenzo Senni and Evol, Goodiepal composed these two tracks and fired em over to EVOL to see the light of day on the duo's Alku imprint. Quick disclaimer - there is no audio for this release anywhere - we have been told told that the files got lost in a HD crash last week and there is no backup - so the only way to enjoy this glorious slab of wax is to stick it on your turntable and absorb the sounds that emer…
Aweseome!!!!!This is the Goodiepal's long lost first ever album, recorded in 1990 and never before published. For years even the Goodiepal considered this to be lost, but he found the master some months ago, so we're proud to be releasing this in all its vinyl glory. The LP comes with two inserts printed in graphite black ink on heavy golden yellow paper, with liner notes and autostereograms to enhance the powerful New Age vibe. Cut by Simon at The Exchange Mastering Studios, London.
EVOL pay tribute to Rotterdam Termination Source's gabber classic 'Poing' (1992) on 'Something Inflatable'. Notorious as one of the most annoying and hilarious International '90s chart busters, 'Poing' is and was a fairly radical, if knuckle-headed, bit of dancefloor lunacy, and therefore in key with EVOL's "hooligan computer music aesthetic." Their 30 minute tribute of sorts contains no samples but does feature a load of demented squelches, boingy kicks and "dyschronometric gabber". This…
Binaural recording of Van der Heide's homonymous installation, in which a horizontal plane of pneumatic valves is used to produce wind, pressure and sound, thus creating a continuum between rhythmical perception of sound, spatial perception of sound and the perception of pitch.
In the installation Pneumatic Sound Field a continuum is being created between rhythmical perception of sound, spatial perception of sound and the perception of pitch. A horizontal plane of pneumatic valves is used to pro…
Side A of this tape contains a sample which made the duplication process more challenging than usual. Here is an excerpt of the email we got from the first factory we tried: the audio department is working on your project today and they have come across a copyright issue. From the beginning of side A to about 08:16 and again at 32:54 there is a sample taken from P*** F****’s “M***y”. We cannot duplicate that material. Let me know if you want to submit new audio or how you would like to proceed.
Limited edition black chrome cassette, few copies available. A super sweet tape of original material and remixes by the Milanese avant-trancemaster, Lorenzo Senni, slipped out by EVOL's outta-sight Alku imprint. Using the same Roland JP-8000 synth explored on the blinding 'Superimpositions' on Boomkat Editions, Lorenzo explores the potential of a single, modulated arpeggio across the mesmerising A-side 'EVOLVER' until we're floating a foot off the 'floor. B-side he offers two remixes of in…
Ben Vida is one of the most interesting experimental electronics musicians in New York right now. His work with sound is quite astonishing and idiosyncratic. Closer in purpose to sound art. His stock as a recording artist has risen over the last couple of years thanks to high-profile collaboration with Keith Fullerton Whitman and brilliant album "esstends-esstends-esstends" for PAN Records. "Monoblock..." is quite an advanced listening reminding of the work by likeminded musicians, such a…
Bestiario is a series of short Enrico Malatesta compositions for acoustic percussions, recorded live with no overdubs or editing; these pieces are meant to explore a multi-directional sonic dimension, still keeping a high level of tension. All the studies in the series feature extremely dense micro-structures, broken rhythms and fast tempi. The third and last volume of the series is composed by two pieces for cymbal, frame drum, bow and the crackling effects between the cymbal's edge and the ski…
Two pieces for hand-held agitated unfilled extended geometric figures made of synthetic ersatz substance with straight parallel sides and a circular round section at each end.Presented as recorded in real-time without any edits, overdubs or effects added. This recording contains unprocessed acoustic sounds only.Headphone listening recommended. Play very loud, at 45 RPM!!! Available in small hole only.
In 2012 the University of Sheffield commissioned Mark Fell to collaborate with Dr. Jonathan Howse, a leading nanoscientist based in the Department of Chemical and Biological Engineering. Their collaboration led to several works including a multichannel sound installation, a series of prints and the recordings presented on this record.The inserts contain graphics, an essay by Dr. Howse and a conversation between Mark Fell and British researcher Peter Worth.
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
In 2009 we started working with the Gæoudjiparl on a publication featuring some of his graphic notation work. Almost three years in the making, this epic work has become a 192 page long book which includes tons of challenging theory, brutally detailed illustration, mind-bending scores, obscure links, a long conversation between the Goodiepal and Roc Jiménez de Cisneros, and loads of Scandinavian fun to further expand the Goodiepal's never-ending descent into the abyss of Radical Computer Music. …
'Three hundred grams of latex and steel in one day' is the second totally acoustic piece in our ever expanding Punani series. Just as Hiller, Isaacson and Baker set off to figure out how much composition, as a system with rules specific to genre and style, could be implemented as computer algorithms [1] in their so called experiments during the 1950s, this series of acoustic pieces was conceived as an attempt to test a similar principle in reverse: is it possible to use physical and chemica…
Limited edition 12" vinyl. Comes in a 140 micron polished finish PVC sleeve. Contains 2 locked grooves and a palindrome. 45 RPM. A double blow of brutalist composition and raw electronic music. Key words: extreme rave, radical synthesis, computer music for hooligans.
Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
Formed in 1977 in the San Francisco Bay Area, The League of Automatic Music Composers (John Bischoff, Jim Horton, Tim Perkis, Paul DeMarinis, Rich Gold, David Behrman) is considered to be the world’s first computer network band/collective. 'ARCHIVE 1978-1981' features over 12 hours of previously unreleased archival tapes, documents, interviews and video from these electronic music mavericks. Compiled and edited by Jon Leidecker and presented in a lush limited edition wooden USB flash drive. 968.…