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On Sähkömies, Jimi Tenor fuses lo‑fi drum‑machine electronics with smoky, Sun Ra‑indebted jazz, announcing himself as techno’s first cabaret surrealist. Recorded alone in a New York apartment and released on Sähkö/Puu in 1994, the album’s eight roughcast tracks turn bedroom gear, cheap synths and tenor sax into a playful, futuristic minimal‑acid songbook.
Bureau B present a reissue of Young Scientist's debut album Results, Not Answers,
originally released in 1979. When you think of the music to have
emerged from Seattle, grunge and Sub Pop are probably the first things
that come to mind. But Seattle was already home to a vibrant alternative
music scene back in the 1970s. One of the most prominent synthesizer
acts of the period was the trio Young Scientist. Influenced by the likes
of Cluster, Harmonia, and Tangerine Dream, they released thei…
LP version on 180 gram vinyl. After Curiosum (BB 038CD/LP, 1981), the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster (BB 171CD/LP, 1990) and One Hour (BB 172CD/LP, 1994). The duo also took to the road for live shows in Germany and Europe, followed by tours across the USA and Japan. Some of these concerts were recorded in digital quality a…
There’s something perversely fabulous about the thought of this warped masterwork wandering into 60,000 unsuspecting British homes in 1973. Faust’s second-and-a-half album hit the shops to celebrate their signing to the nascent Virgin Records, who were looking to take advantage of the zeitgeist for German music at that time. Undeterred by the fact the band’s unwillingness to engage with the commercial landscape had seen them dropped from Polydor, Branson and co cooked up a suitably spectacular m…
Momentaufnahme II extends Faust’s recent excavation of their 1971–1974 archive, presenting a second volume of unheard and under‑heard material from the Wümme years. Compiled from recordings that didn’t make it onto the mammoth 1971–1974 (50 Years of Faust) eight‑LP box, this collection functions not as an outtakes bin but as a parallel narrative: how Faust sounded when the tape kept rolling between “official” takes, and how their anarchic, avant‑rock mission permeated even the most fragmentary e…
Few debut albums arrive with the kind of self-contained logic and radical spirit found on Faust's self-titled 1971 statement. Released at the height of rock music's imperial phase, it marked the beginning of a project that would sidestep genre and expectation entirely, offering instead a fractured, exploratory take on what popular music could become. This Bureau B reissue offers a fresh opportunity to engage with one of the most curious and uncompromising records of its time. Faust emerged from …
Release the Beast marks CV Vision’s sixth studio album and his most gleefully hybrid statement to date, a follow‑up to Im Tal der Stutzer that turns genre fusion into its main organising principle. Rooted in an adventurous krautrock spirit, Berlin‑based Denis Schulze (CV Vision) treats psych rock, Detroit techno, distorted synthesizers, black metal and library music not as separate territories but as colours on the same palette. The record unfolds as a wild, cross‑style trip where meandering gui…
You might've caught CV Vision in Berlin, either on stage or behind the mixer at some of his favourite clubs like Arkaoda, Heiners or O Tannenbaum. He could be accompanied by synths, or drum kit, or even full band – channelling his love of Bo Hansson and Claude Larson, or Soft Machine and Picchio dal Pozzo. Always heavy on the backbeat, the songs awash with heady synths and expansive psych inversions. Taking inspiration from deep in the mediaeval mists of times long past, CV Vision comes riding o…
On Consequenz III, Conrad Schnitzler and Wolf Sequenza (Wolfgang Seidel) drive their most “pop‑adjacent” collaboration to a razor’s edge. Eleven short rhythmic études balance strict, serial electronics against near‑song structures, turning drum‑tight patterns and sequenced pulses into miniature, dance‑optional experiments in post‑Berlin‑school repetition.
As part of our series "Experimental Electronic Underground GDR", we are very pleased to be able to make a very special recording available again. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label Krötenkassetten. The elaborately restored original recording…
The German pioneer of electronic music Conrad Schnitzler (1937-2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. This release features con-structions by Baal & Mortimer who writes about it in the linernotes: It was exciting to break open existing material, peeling something out of the past and thus transgressing it and open…
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as…
Bureau B once again dive into the Sky archive, unearthing another overlooked masterpiece long due for rediscovery. Originally released in 1985, Voyage finds Dieter Schütz venturing beyond his Berlin School roots into a realm of lo-fi immediacy and New Age naivety. Every instrument is played by Schütz himself, except for the drums on 'Above,' which are performed with syncopated zeal by Michael Fecker. While its textured synthscapes and wistful melodies may echo the aesthetics of 2010s Vaporwave, …
Berlin-based project Silberstreif announces the release of their new album Ich suche dein Gesicht, available now on Bandcamp. With a name that translates to “silver lining,” Silberstreif crafts music that reflects both fragility and resilience, weaving together textures of ambient, electronic, and experimental sound.
Ich suche dein Gesicht (“I am searching for your face”) is more than an album: it is a sonic exploration of intimacy, distance, and the fleeting nature of human connection. Across…
LP version. When the Welttraumforscher (world dream explorer) started their journey on July 14, 1981, it was not foreseeable that it would last so long. For over 40 years now, Christian Pfluger from Zurich has been working with drawings, texts and songs on the idiosyncratic and fascinating universe of the imaginary trio. This has resulted in numerous cassettes, LP and CD releases. Most recently, a two-part retrospective was released in the spring of 2021 on Hamburg's Bureau B (, giving an insigh…
This first Bureau B retrospective devoted to Die Welttraumforscher covers the Swiss project's early creative period from 1981 to 1990. The eccentric, heartwarming pop songs now sound like documents from a parallel world, interwoven with idiosyncratic fantasy, surreal stories and dreamlike apparitions. All tracks have been remastered and the artwork has been lovingly crafted with the original Forscher drawings.Die Welttraumforscher is one of Switzerland’s most enigmatic musical projects, with a c…
This first Bureau B retrospective devoted to Die Welttraumforscher covers the Swiss project's early creative period from 1981 to 1990. The eccentric, heartwarming pop songs now sound like documents from a parallel world, interwoven with idiosyncratic fantasy, surreal stories and dreamlike apparitions. All tracks have been remastered and the artwork has been lovingly crafted with the original Forscher drawings.Die Welttraumforscher is one of Switzerland’s most enigmatic musical projects, with a c…
On War Pur War, Frieder Butzmann and Thomas Kapielski distill West‑Berlin’s 1980s absurdism into a Dada‑charged clash of electro‑pop and sonic collage. Minimal synth patterns, spoken fragments and everyday noises tangle into a wry, musique‑concrète‑like diary of a city thinking against meaning.
When in 2006 our Zonic Spezial "Voltage. Power. Resistance. Magnetic Tape Underground GDR 1979-1990" was published in cooperation with Verbrecher Verlag and the legendary label ZickZack, there was some amazement. Especially when the enclosed CDs were listened to from a Western perspective. Part of this weird Kassettentäter-Ost potpourri of swirling post-punk variety, which Bert Papenfuß, Bo Kondren, Bernd Jestram and Ronald Lippok compiled with well-founded interpretive authority, was also a pie…
CD version. Bureau B present a very special release: Kiosque Of Arrows 2 is Detlef Weinrich's (aka Tolouse Low Trax) first compilation for Bureau B. Echoing the spirit of the legendary samplers found on Les Disques Du Crépuscule or Made To Measure, this hybrid journal not only collates unusual pieces of music -- rare and undiscovered pearls from the experimental underground of the early 1980s through to contemporary unreleased recordings -- it also represents a reflective collage of cut-ups, obs…