★Care Of Editions
New Works For Realistic Mixer
2016 release. Following 2015's Teaspoon To The Ocean, Jib Kidder delivers an uncanny dance LP featuring no-input mixer sequenced together with drum machine. It steers the chaotic atmosphere of Lou Reed's Metal Machine Music (1975) towards an emotive tide of information that, whether too much or too little, makes it hard to grasp but easy to eat up. If electronic music has been made familiar (through musique concréte or Lee Gamble) with the conversion of noise into dance, New Works For Realistic …
Swallow
Limited edition of 118 copies. Scott Cazan's music is driven by a fascination in the fullness of sound as well as an interest in network and information theory. Like the writings of those who inspire him, such as Deleuze, Baudrillard, and Alexander Galloway, his work, for all its directness, has a dark and seductive aura. Swallow is an album that lingers at the borders between memory, ambience, and feedback.
Processed Snippets: Congo Traditional 1952 & 1957
Mike Kitcher's Processed Snippets falls firmly into the category of new exotica, a music created from a very specific location that becomes placeless through abstraction. Kitcher reworks moments recorded from the SWP Records re-mastered release of Congo Traditional 1952 & 1957 (SWP 046LP, 2014), a collection of recordings by Hugh Tracey. Tracey, a pioneering documenter of traditional music across the continent of Africa was notable for the extent of his travels and the breadth of his work, as we…
Ou
2015 release. Along the arc of Lucrecia Dalt's music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering? What is known, for starters, is that she made Ou immersed in a cinema of her own, curatorial creation. Ou's filmic quality is a direct consequence of…
Les Duresses
2014 release. Les Duresses emerges through a prism of speculative intonation. Marc Sabat uncovers an opening of tonal possibilities that he roots in an unfinished composition for solo violin by Morton Feldman. From its enigmatic notation and the conceptual tendencies expressed by Feldman, Sabat determines that the fragment is written in an alternate tonal space. Throughout Les Duresses, this space is given shape and consideration. Sabat draws on a sound world, not from Feldman, but like Feldman,…
At The Door
Limited edition of 118 copies. Henning Lahmann on Ezra Buchla's At The Door: "Ezra Buchla creates immersive, intricate, and at times overwhelming soundscapes carried by masterful viola and synth renditions, broken up only by his dark yet soft, almost hushed voice."
First / Dew, The Hikuioto Selection
2013 release. Boris Hegenbart takes a dub-like approach to musique concrète. Rich contrasts, drawn between synthetic and recorded sounds, allow texture and space to flourish in place of melody. First / Dewbranches away from the very beginnings of Hegenbart's [#/TAU] series. It takes his debut album, Hikuioto (a self-published CD released in 1996), and reimagines it on vinyl.