Mike Kitcher's Processed Snippets falls firmly into the category of new exotica, a music created from a very specific location that becomes placeless through abstraction. Kitcher reworks moments recorded from the SWP Records re-mastered release of Congo Traditional 1952 & 1957 (SWP 046LP, 2014), a collection of recordings by Hugh Tracey. Tracey, a pioneering documenter of traditional music across the continent of Africa was notable for the extent of his travels and the breadth of his work, as well as his technique of live mixing multi-instrumental tracks with a hand-held microphone. This method produces tracks that focus on specific instruments with a shifting of foreground and background. In his work he, aimed to reflect the listening experience in the field. Kitcher's album reflects on Tracey's process by limiting each track to a limited sample and using basic EQ-ing alongside only one software processor: IRCAM's "the scrub". He foreshortens the landscape, by zooming in onto moments of breath, the moment of the release of contact from the instrument, bursts of silence, or processed modifications that transform vocals into the echo of ivory horns. Within this magnified view, the richness of the original material is turned over and seen from an array of angles. Kitcher notes that "inflections, harmony, expression, and pulsing modulations all grab my attention, frequently expressed through voice, conical drums, luma pipes or lamellaphones, among other instruments."