We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
Erewhon Calling: experimental sound in New Zealand is a lavishly-illustrated new publication from the Audio Foundation and CMR. It is a survey of how a bunch of antipodean misfits and malcontents have forged new ways and new reasons to make noise, here at the end of the earth. Edited by Bruce Russell (the Dead C.), in association with Richard Francis and Zoe Drayton; the aim of this volume is to survey the full range of Ônon-standard' audio practices in contemporary NZ culture. The book's…
Dutch sound artist Roel Meelkop has been mining the same territory since the early ’80s, when he started the influential sonic art ensemble THU20. This transitional stage had Meelkop formulating and organizing his ideas on sound and contemplating how best to realize them. But it was only during the mid-’90s, through numerous collaborations with fellow electro-acoustic conspirators, such as Frans De Waard and Peter Duimelinks (who, together with Meelkop, form electronic rhythm group GOEM), along …
A former member of Merzbow, Mizutani has been creating his solo work since 1989, delving into areas of electronic noise, structural sound systems of feedback and instrumentation as well as natural compositional arrangements of field recordings. Yokosawa-iri falls into the latter category. All field recordings were made at this Satoyama<pi>, a traditional form of agricultural environment consisting of a mountain, a rice field and a small village where people and nature coexist in harmony. With be…