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Dawn presents Mike Osborne in both his earliest surviving recording, as a co-leader with John Surman of a quartet from 1966, and in 1970 with the first known recordings of his mighty trio with the transplanted South African rhythm team of Harry Miller and Louis Moholo. These unearthed recordings not only fill in important gaps in Osborne's own discography but in the history of British jazz as a whole. The first six tracks, recorded in 1970, are by his trio, his main vehicle as a leader and…
Mazurek finds a challenge irresistible, and this is one of his most exciting projects" – The Wire
Skull Sessions combines two of Rob's groups: Sao Paulo Underground and Starlicker with additional personnel. The band is an international cast of masters, including drummer John Herndon (of Tortoise), vibraphonist Jason Adasiewicz and flutist Nicole Mitchell, (both DownBeat poll winners on their respective instruments), Guilherme Granado on keyboards and electronics, Carlos Issa on guitar and …
Cuneiform Records is proud to announce the first-ever vinyl reissue of Chronolyse, the masterwork of 1970s analogue electronics that French electronic musician and guitarist Richard Pinhas created in tribute to Frank Herbert’s sci-fi classic, Dune. This special reissue, pressed on 180 gram white vinyl and featuring the original album artwork, celebrates Chronolyse’s conception nearly 40 years ago as well as the 50th anniversary of Dune, the first volume of which was published in 1965. Ch…
Rhizosphere, originally released in 1976, was Pinhas' first solo album. It consists of four solo pieces for synthesizer, plus a extended fifth synthesizer piece which is a duet with Heldon drummer Francois Auguer. I have always found it to be a mesmerizing work, on par with its influences of Terry Riley and Philip Glass, but completely different from them due to the usage of only Moog and ARP synthesizers. For this CD release, an additional 38' was added of a previously unheard, professio…
Composer, cornetist, electronic & acoustic sound specialist and musical director Rob Mazurek leads his largest regular ensemble, the Exploding Star Orchestra through one of his most ambitious recordings. While Galactic Parables: Volume 1 is a self-contained cosmos, marked by colliding melodic lines and startlingly beautiful passages, as the title indicates, it’s part of a larger work. Ever since Exploding Star Orchestra’s debut recording, Mazurek has been gradually building an epic science ficti…
"I have always thought of the idea of passing as a beautiful thing, in which the soul or life force of the individual is somehow transferred to the immensity and brilliance of the entirety. The idea of Heaven and Hell (and everything inbetween) has always been a hallmark within the limited spectrum of what we humans can come up with and the idea of God or Gods has, for some, been an interesting way of putting a life and circumstances into some kind of mysterious belief system that can at times b…
The previously unreleased show captured on Virtually, recorded 3/23/71, presents the classic quartet Softs [Elton Dean/Mike Ratledge/Hugh Hopper/Robert Wyatt] during their final European tour & just 4 months before their dissolution. The recording [licensed from German radio & taken from the master tapes] is superb for the time period, & the performance really sparkles, with everyone shinning, although special note must be made of Robert's drumming, as he plays with more gusto on this show than …
Noisette is the third in Soft Machine series, recorded January 4th, 1970 at the same concert as "Facelift" on Third, by the short-lived quintet formation of the group: Elton Dean & Lyn Dobson-reeds, Hugh Hopper-bass, Mike Ratledge-keyboards & Robert Wyatt-drums & vocals. Noisette features the rest of the concert, & showcases a band in transition from their earlier psychedelic/ progressive sound towards the jazz rock sound of Third & Fourth. It features the quintet performing versions of material…
This is a truly stupendous archival find, with broad appeal to both jazz and early fusion fans. This never before released album was recorded on October 7th, 1969 by John Surman and British jazz superstars. It is a mix between the vibrancy of late 60's uk jazz and spacey early electric jazz/rock ala "In A Silent Way"; listening to this album, you can hear that the fusion explosion is on the cusp of happening. Soprano/baritone saxophonist John Surman is one of the UK's best known jazzmen, having …
Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe's best known 'fusion' bands, their work continues to be name-checked by today's hip experimentalists. By mid 1973, Soft Machine had gone through a tremendous amount of personnel turnover and a shifting in t…
"We take it for granted today, but not too long ago, integrating electronics into a rock setting was something exotic and strange..... Heldon and Richard Pinhas are considered building blocks for whole schools of experimental rock music, and one of the few who rarely fail to deliver on the hype." –Pitchfork Media"Richard Pinhas demonstrates that he is capable of contstructing some of the most formidable but exhilharating sonic edifices ever heard by mortal ears." – Bill Tilland, All Music GuideM…
Recorded live, the sound on Tabligh veers from a sound akin to early electric jazz ala "In A Silent Way" and especially 'the lost quintet' of Miles in late 1969/early 1970, to both more sparse and modern jazz fare, all of it informed by the distinctive personalities of these four players and their leader's musical concepts."Smith is working at his highest level since the mid '70s. This quartet - with its combination of maturity, craftsmanship, and sense of adventure - is the perfect band to real…
Spiritual Dimensions is a double album that features two very special groups, both filled with truly great and legendary musicians! Both discs were recorded live to capture the energy and spirit that Smith's shows have. The first disc is by his Golden Quintet. This disc is a modern/avant jazz release that has some distinctive electric touches and features many of the hallmarks of Wadada's work; space, depth, melody and abstraction. The second disc is the first-ever release of Wadada's Organic gr…
Released for the very first time here is the Soft Machine's television broadcast, recorded for Germany's famous "NDR Jazz Workshop" on May 17, 1973. This performance was one of the earliest shows by the quartet of Roy Babbington (electric bass), Karl Jenkins (oboe, baritone sax, soprano sax, electric piano), John Marshall (drums) and Mike Ratledge (electric piano, organ). This was a very high profile appearance by the group and for this performance Soft Machine made it a special show. They perfo…
In Metal/Crystal, French experimental guitarist and electronic musician Richard Pinhas summons the assistance of noise artists Merzbow (Masami Akita) from Japan and Wolf Eyes from USA to weave a spellbinding aural web that spans 2 CDs.Over the years, many artists in the 'noise arena' have expressed interest in his pioneering use of synthesizers and electronics in rock and contemporary music. Pinhas has likewise been intrigued by various areas of the ‘noise’ scene and Metal/Crystal, recorded "dur…
The NDR Jazz Workshop was a weekly show featuring all manner of jazzmen of the day. The taping of this NDR show was around the same time as Surman was recording his second album as a leader, How Many Clouds Can You See, so this is a unique chance to get an expanded view of his formative work as a leader and also at the early work of his musical compatriots who appear with him here. For this occasion, Surman led a ten-piece ensemble featuring the cream of modern British jazz players: John Surman …
Trumpeter/composer Wadada Leo Smith’s Ten Freedom Summers is the work of a lifetime by one of jazz’s true visionaries, a kaleidoscopic, spiritually charged opus inspired by the struggle for African-American freedom and equality before the law. Triumphant and mournful, visceral and philosophical, searching, scathing and relentlessly humane, Smith’s music embraces the turbulent era’s milestones while celebrating the civil rights movement’s heroes and martyrs. This four-disc set documents a stunnin…
Smoke Signals compiles all previously unreleased performances - selected & sequenced by Robert Wyatt biographer Mike King - from the band's most intense gigging period. The set list is mostly drawn from Little Red Record, but the way the band performed the pieces live is quite different from the heavily overdubbed versions found on the studio disc. Despite their very short lifetime, Mole developed an individual sound based on the players idiosyncratic musical styles, that was a unique take on fu…
Working in a melodic vein, The Nuclear Observatory Of Mr. Nanof veers from ethereal solo keyboard electronics to scores for lyricon and small chamber ensemble. Lovely, yet also rich musically.
Piero Milesi (Milan, 1953; Levanto, 2011) was an Italian musician, composer, andmusic arrangerer. Milesi began his career by studying cello, composition, and experimental electronic music. He joined the International Folk Group of Moni Ovadia in 1977 as a performer and composer. The composition Modi was cr…
David Borden is one of the foremost exponents of live electronic and minimalist music. He has been active on the new music and contemporary classical scenes for two decades. He first came to attention as the driving force behind Mother Mallard, the world's first all synthesizer ensemble.
The Continuing Story Of Counterpoint is a remarkable 12 part musical cycle that Borden composed between 1976-87. Lasting 3 hours, Cuneiform has released this seminal work on 3 CDs, each containing 4 parts. The m…