★Dinzu Artefacts

Seven pieces by Morgan Evans-Weiler (violin, electronics) and Carlo Costa (vibraphone, percussion), composed and recorded by Evans-Weiler in September 2025.

Saxophone, double bass and drums trio of Michael Foster, John Moran and Joey Sullivan, in two long parts recorded in Philadelphia on May 8th 2025.

A single 51-minute piece for four Wuhan cymbals played with bows, without electronics or amplification, timed on a recording of the composer's breathing while asleep. Recorded in Bristol in 2026.

Ithaca trio of Sarah Hennies, Willie B. and Keir Neuringer, three percussionists reaching into vibraphone, saxophone and piano. Eight studio improvisations, playful and energetic, held against a meditative core.

*100 copies limited edition* A Fine Chance for Permanence captures a pivotal moment in contemporary improvisation, where a new generation of musicians reshapes the language of spontaneous music in response to an increasingly fragmented, hyper-connected world. Drawing from decades of experimental traditions—from 1960s free music to the reductionist movements of the early 2000s—the album proposes a fluid, “both/and” aesthetic that resists fixed ideologies in favor of multiplicity, dialogue, and sh…

*75 copies limited edition* Aves de Nahá is the result of an interdisciplinary exchange of knowledge between anthropology, ornithology, and the Lacandon community of Nahá, Chiapas, México. It centers on the aural relationships between the Lacandon people and the birds of their jungle. The work invites us to listen to birds as sentient beings — creatures whose calls and songs announce shifts in weather and time cycles, accompany rituals, and participate in a shared environment where the jungle it…

*75 copies limited edition* Plumes emerges from a long-term sonic and ethnographic exploration of the Étang de Berre, a coastal lagoon near Marseille, France shaped by industrial pollution and ecological disruption. Recorded between 2021 and 2024, the album captures fragile entanglements between human activity and more-than-human life. Using hydrophones, ultrasonic detectors, and parabolic microphones, Bullock and Silva probe the lagoon's submerged acoustics, bat echolocations, and the overlappi…

*75 copies limited edition* Created from field recordings gathered during a 2023 residency in the Brazilian Amazon, Sonavira explores the intersection of ecology, culture, and sound. Captured in the rainforest, along the Amazon River, and near the Balbina Dam, these recordings reveal a dense sonic environment where wildlife, indigenous presence, and the sounds of modern infrastructure coexist in uneasy harmony. Its title combines Latin and Romance-language roots associated with sound, life, grow…

Tip! *75 copies limited edition* Ianua takes its name from the Latin word for “door,” drawing inspiration from the symbolism of Janus—the two-faced deity of beginnings, endings, and transitions. Conceived as a cyclical work where the end folds back into the beginning, the album is built entirely from guitar sounds, transformed through a Plumbutter and recorded to tape. Changes in tape speed and playback irregularities introduce subtle imperfections and shifting variations, allowing the loops to …

*75 copies limited edition* Piano Studies is a set of pieces recorded on a salvaged piano body at Elektronmusikstudion (EMS) in Stockholm. Using free-floating metal preparations and various mallets, these works use this alternative hammer escapement mechanism to coax a particular inharmonic resonance from its skeleton frame.

*75 copies limited edition* DNZ122 Drew Wesely – Silence is a Sharpened Blade Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence i…

*75 copies limited edition* A two-chapter suite for modular & FM synth, wind & string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog & digital abstraction. It begins with the tangible written material and human presence of the performers, which are systematically subjected to a process of erosion. The initial components are reduced to "digital dust” — meaningless data fragments — then recombined algorith…

Ebbing Ice Lines is Pablo Diserens’s attentive fieldwork voyage across the Arctic’s melting frontiers—a collection of sonic essays mapping disappearing ice through the sounds of water, animal life, and shifting glacial surfaces, bringing listeners into intimate proximity with an environment in flux.

*75 copies limited edition* On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined.

*75 copies limited edition* Emerging from the resonant stillness of a centuries-old monastery, Monastero unfolds as a series of improvised modern compositions — each track a spontaneous dialogue between space and sound. The instrumentation drifts fluidly between structure and abstraction, allowing reverb-soaked tones and percussive textures to breathe and bloom within the natural acoustics of stone walls and vaulted ceilings, giving the music a haunting, sacred dimension.

*75 copies limited edition* Layered improvisations converge to form a duo of longform drone harmonies, composed entirely with the bow chime. This esoteric instrument, comprising a large stainless steel resonating sheet paired with an array of tuned rods, produces a rich spectrum of tones and pitches when bowed. The recording emphasizes its deeply resonant qualities, unfolding in a continuous sonic line — fluid, unbroken, and immersive.

*75 copies limited edition* Meditated acts in inter-dimensional resonance; the acoustic vacuum-seal container of recording; context withheld. No possibility of representation. (Only the direct signal from the instrument(s) is presented.) Sympathetic, material connections between body, building and atmosphere in a studio. Extra frequencies can be heard in some places between speakers. Louder playback displays increasing detail. At 80dB+, the room often completes the piece. This release is meant t…

*80 copies limited edition* An improvised meeting between clarinet and a small, hand-built pipe organ. Sounds converge from these two instruments, coalescing and diverging to explore subtle nuances of resonance and timbre. The form of these pieces creates a unique space through stasis and repetition.

*80 copies limited edition* A mesmerizing blend of ambient guitar textures and loops layered on top of subtle field recordings, creating a tranquil yet mysterious atmosphere. Sparse, improvisational lines that gently unfold, reverberate and stretch out into spacious, meditative soundscapes.

Echo of Being / Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.

"Garden Variety" explores interdependence and intimacy through the emergent behavior of percussion instruments. Inspired by Anne Carson’s concept of Eros, the series blurs sonic identities, creating a composite instrument from motion. Amplification invites listeners into a tactile, resonant sound world.

*100 copies limited edition* "Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at Issue Project Room, presents two wor…

*110 copies limited edition* (lamentations) for éliane is a long form work for prepared euphonium that Barbier has created over the last four years utilizing under explored avenues of instrumental modification and acoustic irregularities inspired by the work of Éliane Radigue and John McCowen. In Paper blown between the spaces in my ribs, they explore intersections of vanishing sonic ecologies, sonifications of the interior world of untouched instruments, and a search for the safety and stabilit…

*110 copies limited edition* "I recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listen…

*75 copies limited edition* Henry Fraser bores into the sound of the double bass to explore the endless patterns of its otherwise hidden contours. The instrument acquires its own dynamic landscape, its own body, and its own mode of perception – opening a space of acute, granular perceptivity in which presumed boundaries are blurred: between center and periphery, sonic and tactile, instrumentalist and instrument, performer and listener."When the poet, Charles Olson wrote, “the HEAD, by way of the…

*75 copies limited edition* Featuring the 1885 pipe organ of Chiesa di San Martina a Maiano and using musical materials derived from Vincenzo Galilei's Fronimo (1581), these pieces articulate the evocative possibilities of sustained tones and low tessituras. The protracted durations of these skeletal structures foreground their lush and often unexpected harmonic progressions, each moment revealing a world of subtle mystery and drama.

*75 copies limited edition* Hold Music is a pair of expansive long-form loop pieces for alto saxophone and electronics, intended to be listened to on infinite repeat. Entrancing and prismatic, constantly spiraling, this is a music that adapts to any listening situation – equally well-suited as accompaniment to daily activities as it is rewarding to the concentrated listen.

Tip! *50 copies limited edition* "Austrian sound artist Matthias Urban crafted the two 20-minute, side-long tracks on SiAl out of field recordings he made in Iceland a few years ago. His source sounds are often recognizable, filled with running water, chirping birds, and wafting wind. What makes SiAl so compelling is the way Urban sequences those sounds, creating a subliminal narrative where each aural event feels like a new chapter in a story. There’s a stretch on side two that builds palpable …

Tip! *2024 stock. 20 copies limited edition* "Monumental Indifference attunes the listener to an insular world of surprising density and rich texture, pricking the ears towards hyper-awareness of the unpredictable movements of metallic objects and the subtle hues of whistling tones." – Adam Zuckerman

*75 copies limited edition* A wild and beautiful journey into the ecstatic regions of noise. Unfettered distortion ceaselessly billows and unfurls, harmonized and melodized in all sorts of unexpected ways. The momentum is undeniably forward in every direction, while the jarring suspensions that momentarily intervene to restrict the sound's movement serve ultimately to unleash its sublime energy all the more fiercely.

*75 copies limited edition* In February 2023, longtime friends Michelle Lou and Stefan Maier met for a week-long residency at UC San Diego, where Lou is faculty. With Lou on multi-channel computer synthesis and Maier on modular synthesis, the resulting long-form improvisation was recorded live in 28-channels and mixed down to stereo with minimal editing. Lou's constantly shifting cloud of spectral densities and angular textures are juxtaposed by Maier's throbbing drones and pointillistic interje…

*75 copies limited edition* The undulating waves and patterns of electronic sound are layered with field recordings that capture the incidental textures of daily life – together ushering in a mesmerizing sound world: elegiac, yet playful, and utterly sensuous. This world blossoms within the blurred space connecting interior and exterior life, wherein each sound recasts the other and each entanglement suggests hidden dimensions of experience.

Originally presented as a sound installation at the Buskerud Kunstsenter in Drammen, Norway, Joakim Blattmann’s Stegla is based on sound recordings of small movements in trees and of the insects living inside them. In the installation, these recordings were controlled in real time by bioelectrical signals from the trees themselves and then amplified through the trees via surface transducers. For this release, the recordings have been processed with electronics and tape machines to bring out the …

*100 copies limited edition* A strange and alluring admixture of guitar and sine tones, electronics, and field recordings. The sounds have a crystal-like clarity that allows for the perception of their depths and distances. Its episodic form is structured by a compositional spine — with its irregular vertebrae both cohering its shape and allowing it flexibility. As its title suggests, Looking For A Ruler is involved in the construction of space, the stitching together of a world wherein perspect…

*100 copies limited edition* With a microscopic focus on the snare drum, Jean-Baptiste Geoffroy extracts and manipulates its sound in a variety of tunings whilst maintaining a precision and simplicity of method and form. This exercise is a common one for the artist, in which he limits both the instruments used and the techniques with which its sounds are processed — in this case using only reverb and hard EQ-ing to engineer the final outcome. Even with these self-imposed restrictions, there is a…

*100 copies limited edition* Embracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener…

*100 copies limited edition* An absolutely gorgeous long-form piece for trombone, its sustained tones billowing into spectral rumbles that open up trance-inducing harmonic spaces. Simultaneously monumental in scale and introspectively meditative, This Is What People Think Mountains Look Like leaves the brain swirling for days with its reverberations. The venue is vital to the overall recording given its reverberant nature, allowing Barbier to follow the sound of their own trombone as it develops…

*200 copies limited edition* Unfettered harsh noise from the legendary Japanese noise artist Masami Akita aka Merzbow. Tirelessly churning layers of distortion are punctuated across two tracks with glistening, jagged feedback and thrashing pulsations that lash at the ears and utterly invigorate the senses.

*100 copies limited edition* Fen is a selective evocation and invocation of a Kildare fenland. Focusing on the vocalisations and physical communication sounds of three bird species, it is comprised of field recordings of Grasshopper Warbler, Sedge Warbler (both Summer migrant breeders) and Snipe (resident breeder), alongside tuned percussion and synthesiser textures. As a birdwatcher and sound recordist the communication and language of birds fascinates me. The singular sounds made by the these …

Daytimes / Nighttimes is a manifesto detailing the sonic possibility of abstraction through culture. Both works combine Trombone and SP-404 to create peaceful yet emotionally charged landscapes that juxtapose each other in character. Zekkereya El-magharbel is an interdisciplinary artist currently living in Detroit. They have been a member of the Pan Afrikan Peoples Arkestra (Los Angeles) for almost 10 years and have worked/studied with luminaries such as Angel Bat Dawid, Tyshawn Sorey, Corey Smy…