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Esplendor Geométrico was a pioneer in the noise world and this record is one of his most edgy and advanced works of all. It is noisy, gauzy, confrontational and frankly weird for the way it mangles synths, layers up distortion and contorts vocals into dark apparitions and paranoid sound worlds. This is the first and only legitimate reissue of Necrosis en la Poya which was initially only pressed in very small quantities after an enigmatic fan decided to help out and stump up the funds. The artwor…
Released in 1986, Geboren stuns in the same way early Esplendor tracks do, with blasts of chugging, caterwauling noise sounding straight from the factory floor. Tietchens’ most monotonously rhythmic work to date, it lacks the esoteric primitivism of earlier records or just severely limits the spaces in between, emphasizing speed in a defiant and less calculating way. Here is the artist realizing that his own devotion to excavated and mechanized sound, nourished by insular years of homespun syn…