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A chronologically edited, audio document of the definitive recorded output of 'Les Sculptures Sonores', the instruments solely created by the French brothers Bernard and François Baschet, who from 1954 pioneered for over 45 years a completely new way…
"The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exp…
"An extended improvisation captured in 2023 at ASIS_Klangraum in MUCCA & dasvinzenz (Munich) from the trio of long-time collaborators Eric Zwang Eriksson on drums and Udo Schindler on bass clarinet, cornet & Tubax (an Eb contrabass saxophone) with gu…
"Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title …
"Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for s…
"Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the…
"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive imp…
"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansur…
The Derek Bailey transcription were performed at the Holywell music room in October 2005 as part of a concert organised by Fran Ryan, who wanted to hear me playpiano in a more composed setting. I agreed to play music based on Derek Bailey’s early rec…
'Well here is Max Johnson's picture, his snapshot of three men in a room making music, and as with any great composed shot, here would be his law of thirds for creating a great image.
First Law: Max Johnson (bass) has the ability to search out the be…