We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Long-time touchstone of international experimental music presents his monolithic (and first) solo vinyl Sur quelques mondes étranges on Felix Kubin’s Gagarin Records. Jérôme Noetinger is known to most for the audio-visual trio Cellule d’Intervention Metamkine, alongside his countless recorded & live collaborations, compositions for radio & stage, and breathtaking multi-channel diffusions in the acousmatic tradition.
Discovering the ReVox B77 tape machine as his tool for live electro-acoustic mus…
Werke für Schlagzeug und elektroakustische Geräte (Works for Percussion and Electro-Acoustic Devices / Utwory na perkusję i urządzenia elektroakustyczne) is the second album of the Polish percussion duo Miłosz Pękala and Magda Kordylasińska.
8 years after the release of the acclaimed first Historical Recordings collection, Gagarin Records proudly presents Volume 2 of the series. Once again Felix Kubin has invested extensive research and time in compiling rare, unusual, and sometimes unsettling recordings of the past. The history of the 10 tracks of this edition spans a period from 1930 to 2002 including both analog and digital recordings ranging from gramophone records to reel-to-reel tapes, audio cassette and Digital Audio Tape (DA…
*2022 stock* In autumn 2013, Hamburg's formaldehyd electronaut Felix Kubin and the ominous ninepiece Warsaw orchestra Mitch & Mitch joined forces to produce an avant-pop-backwards-jazz-library-record. Inspired by the work of the BBC Radiophonic Workshop, Polish and Czech film soundtracks, easy listening, musique concrète and various other bizarre style icons, they invited German producer legend Tobias Levin to be their electric conduit. With their faces turned to the dark side of the moon and th…
*2022 stock* Live recording from Issue Project Room, 22 November 2009. Scott Haggart, Lary Seven and Felix Kubin further expand the territory of the original conceptual vinyl record, “1:17", a continuous and lifelong composition by Scott Haggart. The original edit was psychotopologically derived from a 0.7 millisecond recorded extract of sound from a concert performed by the then anonymous Scottish art collective, Diskono (2000). It took many years for the artist to further superimpose and expan…
*2022 stock* This fantastic musical journey, written by French composer David Fenech back in the year 2000, is entirely produced on 4-track cassette. Its title refers to the French word for "roller coaster" and "looping", as well as to the symbol of infinity. "Grand Huit" ("Big Eight") is a rare example of "cinema pour l'oreille" made of songs. The music already bears the strong handwriting of its creator: a unique mix of field recordings, outlandish singing (mostly in fantasy language) and exp…
*2022 stock* In 1930 the German composer Paul Hindemith (1895-1963) wrote a series of small pieces for school orchestras. It was described as a “play for children” depicting the construction and survey of a modern city. The unusual thing about it is the age of its inhabitants:“In our city the grown ups have no say (…) Our mayor is seven years old, and all uncles and aunties are children. Even the traffic warden is a child.” We Build A Town comes across as strange in more than one way. Firstly, …
Want bespoke jingles for your commercial productions? Require pre-tailored musical solutions for your dramatic creations? Need them quickly and cheaply? Here's the answer.
*2022 stock* On his first Gagarin release, Gunter Adler, formerly known as the vicious violinist of Groenlandorchester, created a soil-resisting electronic razor-record in his search for Miss Amanda Lear's true gender. He didn't even need to pay bounties for the cover girls who he fetched from Paris Moulin Rouge. While unpacking the goods, Gunter was suddenly overwhelmed by two hungry hyenas that he would never get rid of again. Hypnotized by the new sound they asked him for a hot bath in order …
Split LP of Brezel Göring and Japanese noise pop band Barom One. Göring, prime minister of Stereo Total and Count of Sinister Forests, where he creates his wacky scratchy minimal electro punk, pleases our filthy fantasies with swinging moods, from new wave disko to distorted Hawaii shuffle to fucked up Bollywood crash music. Barom One from Tokio create a blend of Euro-Disko-Gabba-Trash and pure noise with hysteric voices and catchy melodies. “Das ist eine anstrengende Schallplatte, Felix” says F…
Psychedelic visions, blackouts, and blinding lights reveal an unusual, sick, and feverish musicality. (…) Hospital-like beeps transmit a subtle uneasiness, as electrodes applied to the brain draw bewildering tracings. And while Athanasia represents the idea of immortality in Greek mythology, here the gods come back from the dead only to ensure us an existence nurtured by the freezing rays of a black sun. - Massimiliano Busti, Blow Up
Technical drawings is melissa st. pierre (prepared piano) and jesse stiles (electronics). in their debut release the ruined map, they pioneer a new genre that has been termed dub concrete, combining influences from neoclassicism, rock, gamelan, and hip hop with results both weird and electrifying. in one of the record's centerpieces, strange flora, the post-rap poet todd jones verbalizes the musical journey: we found an island on the edge of the world. with no name for it we made a claim for it.…
Previously unreleased recordings out of the years 1982-84. Long before digital sampling was affordable for everyone, A.K.Klosowski invented his Kassetteninstrument, a custom-made music apparatus consisting of eight Sony-Walkmen combined with a mute/demute mechanism. The outputs of the instrument could be controlled both by hand and by an automatic trigger module. In addition, a drum computer and some effect machines were fed into the circuit. This technique allowed for very intuitive and simulta…
Works for Percussion and Electro-Acoustic Devices is the second album of the Polish percussion duo Milosz Pekala and Magda Kordylasinska. The compositions Renaissance Gameboy #1 and #2 (2011) by Felix Kubin were originally written for violin, saxophone, cello, piano, drums and tape. The new versions arranged by the duo transport his pieces into the world of an extended percussion set, with marimba and vibraphone placed in the center. Additionally, several parts were recorded on tape. Blac…
Hauntologically pop, fragile and with a twisted psychedelic Beach Boys side, this album shows an undeniable songwriting craft. Esa Shield's androgynous voice together with the use of guitars, keys and analogue electronics tends to weave "wrong" notes and submarine harmonies into songs that range from psych-folk ("Shelley Duvall") to dark ambient ("Jenkins Other") and super catchy space-age pop ("Monde Capricorn"). Now and then a nostalgic and contradictory bout of fever unexpectedly appear…
Felix Kubin, the nuclear powered horseman of apocalyptical dance music, brings forth a new solo album. Zemsta Plutona strikes through our living room like lightning, leaving scorch marks and enlightened souls. The opening track, Lightning Strikes sets the path: The rhythm from a distorted human beatbox, enervating synth lines and an operatic chorus result in a Kubin hit par excellence. Atomium Vertigo opens the door to a magnetic groove to which Nicolas Ekla (Lem, Les Brochettes) murmurs …
After its introduction to the public 40 years ago, the compact cassette (aka audio cassette or cassette tape) quickly became the most popular medium for copying music, allowing consumers to record directly from radio or record player to tape. soon the record industry started to worry about a decline in record sales, which led to the notorious "home taping is killing music" campaign. as a side effect, the medium has produced an independent and distinctive underground music scene in the early 1980…
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…