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Tip! CD housed in 6 panel digisleeve. 12 pages booklet and Obi. Henry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition th…
Timothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence River…
Lukas de Clerck brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording. Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the…
About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of con…
2024 Repress. Ai Aso's immaculately crafted form of minimalist pop music skirts the edges of tensity with the manner and with the skill of a tight rope walker, calmly balancing repeatedly at every step, with a combination of surety and the risk of a slip, a fall, and an unknown uncoiling of events. Aso's capacity to capture, or inspire, the tension and attention from within the listener and observer are quite pronounced. At Aso's concert the performance constantly teeters near the brink, a sharp…
2024 Repress. Tokyo's Ai Aso is a Japanese psychedelic pop singer-songwriter whose work has a whisper-thin acid-folk quality to it. She started performing as a solo singer around 2000. Her solo work, infrequent collaborations with White Heaven members You Ishihara and Michio Kurihara, Yurayura Teikoku, and Boris bring a level of fragility and hypnotism to the stage, recalling lost memories, small flavors of Coil, and serial playing on the verge of evaporation. As for her recent activities, she h…
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
'Placelessness' by the trio of Oren Ambarchi on guitar, Chris Abrahams of the Necks on piano, and Robbie Avenaim on drums is a tribute to their seamless chemistry and has a free-flowing flood of sound
Softcover book with full color obi-dustwrap. Thread sewn softcover with green thread. 292pp. Edition of 500 copies. A New Guinea Journey" is Dr. Ragnar Johnson's 289 page manuscript concerning his ethnomusicology research in Papua New Guinea during the 1970s. Ideologic Organ has released three double LP/double CD titles of recordings from these extensive, immersive and assimilated research trips. This is the definitive writing on the topic.
»The recording of a male initiation ceremony with sac…
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.
"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location. The first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area. I have been fascinated by a…
** Edition of 700 copies, duotone artwork on inner & outer sleeves ** Runhild Gammelsæter and Lasse Marhaug are two Norwegian musicians/sound artists. Both started in the early 1990s music underground and have worked in many constellations with a wide range of collaborators. Despite knowing each other for a long time, Gammelsæter and Marhaug's first collaborative work was the Quantum Entanglement LP in 2014. The project lay dormant until Stephen O'Malley and Greg Anderson invited them to open fo…
*In process of stocking* Outstanding!!! Ideologic Organ presents the complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set, packaged in a hardcover slipcase with a pull ribbon, a 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer. "In 2012 Ideologic Organ released the 2LP set 12 Stationer VI (SOMA 00…
Tip! Ákos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours.
We can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images…
All composed and performed by Golem Mecanique and her special guest Thomas Bel. Personnel: Golem Mecanique - drone box; Thomas Bel - guitar. Recorded and mixed in December 2020 at home by the mountains. Mastered by Lasse Marhaug.Golem Mecanique: "Luciferis was composed as a dark doppelganger of the Nona, Decima et Morta LP (SOMA 033LP). Luciferis is the first act of a Trilogy I : Luciferis/canto XXXIV/ Satan. In Nona... I strove to create a lace of voices, an embroidery of several drones. I was …
Renowned Native American flutist Timothy Archambault adapts Anishinaabeg shaking tent chants on these stark, unaccompanied flute solos. 'Chìsake' is rare, deeply affecting music that arrives steeped in historical and cultural significance, singing of an age of North American art that's been sidelined for far too long. Transportive sounds for anyone who enjoyed Fis's collaborations with Rob Thorne or even Mary Jane Leach's "(F)lute Songs".
Chìsake [Algonquin]: to chant; to conjure; to cast a sp…
A ghostly visage on a cosmic scale, these remains of shocked, glowing gas haunt planet Earth's sky toward the constellation of Cygnus and form the Veil Nebula. The nebula itself is a large supernova remnant, an expanding cloud born of the death explosion of a massive star. Light from the original supernova explosion likely reached Earth over 5,000 years ago. Also known as the Cygnus Loop, the Veil Nebula now spans nearly 3 degrees or about six times the diameter of the full Moon. That translates…
Legendary pedal steel player Susan Alcorn presents her music as curated and arranged by cellist and composer Janel Leppin. This recording is from a live performance from her residency at Issue Project Room in July 2012. Leppin's arrangements and curation emotes the brilliance, transparency and resonance of the pedal steel guitar. Through this ensemble, the mastery of Susan Alcorn's compositions shine. Susan Alcorn has taken the pedal steel guitar far beyond its traditional role in country music.…
To be heard with ears half bent, or with one side facing what Maryanne Amacher calls “the third ear”. The great reverence in which the Tanpura is held by Indian classical music, its transcendental but occulted place in the tradition alongside its normal function as a drone, made a strong impression on the composer such that it has taken decades to formulate even a simple Tanpura Study.
The fundamentals, the Om, as well as the overtones, the music of the spheres -all these have their valid rights…