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Tip! * 300 copies limited edition* The story of Linien II's sound experiments is a story about how a handful of young, idealistic, self-aggrandizing and silly Danish artist dandies in 1948 by a detour invented their own concrete sound art, almost exactly at the same time as radio technician and composer Pierre Schaeffer worked on developing his musique concréte in Paris – and even presented their concrete sound works to the public at an exhibition in Copenhagen before Schaeffer's first and lan…
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
**2020 small repress** Outstanding! Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day, …
Bent Lorentzen is widely considered one of the key figures and pioneers of early Danish electronic music and he was one of a few classically trained composers seeking out the possibilities of the new technology in the 1960’s. Lorentzen composed a fairly large number of electronic works, – mainly in the 60's and 70'es. Furthermore, he developed a significant educational practice in and around electronic music, conducted workshops, taught at courses, and published articles in both national and int…
Ung Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each. Nørgaard’s wor…
Ung Dansk Kunst’s Tapeserie [Young Danish Art’s Tape Series] from 1969 is a series of 10 tape works, created by a central group of visual artists of the 1960es' experimental Danish art scene. The tape series is one of the earliest Danish examples of visual artists creating works of art in sound. Sound works that were conceptually, self-consciously and explicitly something other than music. The tapes could be purchased by mail order, and were initially limited to 20-30 copies each. Here is Stig B…
"This cassette contains different versions of a kind of static music consisting of humming sound formations. Various parts are combined in constantly different ways and activated or paused at a slowly changing pace. The three versions have different tempos with different characters ensuing. Simple looped motifs repeating themselves form the basis. Some of these are capable of modifying the pitch of each other. I have acted as a musician playing the computer sequencer by changing tempo, allowing …
Le Petit Duc [The Little Scops Owl] is a sound work by Danish artist Knud Viktor, made between 1978 and 1983. Viktor was classically trained as a painter at The Royal Danish Academy of Fine Arts in the 1950’s. Le Petit Duc is primarily composed of recordings Viktor made of an owls nest in the spring and summer of 1978. Narrated by Viktor himself and put together from recordings throughout a whole nesting season, Le Petit Duc tells the story of an owl family. The piece speaks to children and adul…
First ever release. The record is accompanied by a 24-page booklet illustrated with Knud Viktor’s photos, as well as an extensive essay. Only a few weeks ago, with their incredible 10", rescueing long lost works by the artists, Lene Adler Petersen, we were singing the praises of the Institute for Danish Sound Archaeology, one of our favorite imprints in the contemporary landscape of sound. Over the last couple of years, with an array of releases by Knud Viktor, Henning Christiansen, Per Norgard,…
This reissue documents Knud Viktor’s only two releases on record – Images and Ambiances – both released in 1972 on the french label L’Oiseau Musicien. These records have long been out of print and are hereby made available again, gathering the two separate albums on this double-release. Mstered and produced by Jonas OlesenThe utmost care has gone into creating a reproduction that is as faithful as possible to the original works. These have been transferred from the original analog master tapes a…
**Edition of 300. White vinyl edition, including leporello-folded booklet** Over the last couple of years, the Institute for Danish Sound Archaeology has been blowing minds, issuing a startling array of releases which singlehandedly reform the broad understanding of Denmark’s historic movements in sound. Not only were there revelatory reissues of works by Knud Viktor, Alison Knowles, Henning Christiansen, and Per Norgard, but there was that incredible Danish Tape Amateurs 1959 -1976 compilation,…
**Edition of 300** Henning Christiansen's handwritten score for 'Grundtone' [fundamental tone], opus 161 from 1984. Offset printed 1:1 reproduction in two colours. Format: A2 – 420 x 594 mm. Includes download code for Henning Christiansen's own recording of the piece. Released in collaboration with The Museum of Contemporary Art and The Henning Christiansen Archive.The piece 'Grundtone' [fundamental tone] (op. 161) is of central importance in the oeuvre of Henning Christiansen. It marks both his…
The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
Cassette tape by Danish avantgarde/mail art/fluxus artist Mogens Otto Nielsen. Comes with eight riso-printed inserts, as in the original. Originally released by Danish independent publisher Edition After Hand in 1977. Re-issued by Institute for Danish Sound Archaeology in collaboration with After Hand Archive by Antipyrine, in 2017.
Flexi disc with recording of a performance from 1985 by Alison Knowles. The flexi disc The California Sandals was originally released as part of a black cardboard box published by The Museum of Contemporary Art in Roskilde, Denmark in 1989, thus predating the official foundation of the museum in 1991. The box was part of a fundraising strategy to meet the requirements for the museum to gain state recognition. Museum shares were issued and sold for 1,000 DKK. Each share was accompanied by one of …
The most enigmatic and rare of Danish artist and composer Henning Christiansen’s albums Satie i høj sø is now re-issued by Institute for Danish Sound Archeology and the Museum of Contemporary Art in Roskilde, Denmark. The album collects five central works from Christiansen’s neo-romantic period in the 1970s. This completely overlooked and virtually unheard period in Henning Christiansen’s oevre contains perhaps his most fascinating and beautiful works.For 10 years from 1969-79 Christiansen turne…