★Magison
L'experience acoustique
A book + a DVD Rom around this piece from François Bayle, 'L'expérience acoustique' (1966 - 1972). Texts and analysis. On the DVD all the piece through different graphic representations + two animation films connected to it, 'Lignes et points' (1966) by Piotr Kamler, 'Trois portraits de l'Oiseau qui n'existe pas' (1963) by Robert Lapoujade.
Erosphère
A book on Francis Bayle's compostion 'Erosphère' (1978-80), including in depth analysis, images of the score, etc. (french language only). The DVD-Rom (multilingual: french, englsh, japanese, portugese, chinese) has a great animation of the whole 64 minutes piece which let's you see and hear the whole piece and follow the graphic score; plus pdf files of the score (130 pages, fullcollour) including translations of the notebook; plus a photo album from the archives of the Ina GRM, portraying Bayl…
L'Expérience Acoustique
WAREHOUSE FIND, few copies available: this is the long out of print Francois Bayle's 'L'Experience Acoustique', finished in 1972, is an early work, powerful and immense in its scope, which explores a universe of electronic sounds and sound relationships. The sounds are so striking because they're stated in such a simple way. Tracks 1-5 are 'thÅmes-sons' and tracks 6 - 22 consist of five parts: 'L'aventure du cri', 'Le Langage des fleurs', 'La Preuve par le sens', 'L'Äpreuve par le son', and 'La …
diabolus in musica
Half-book, half-screen, this François Bayle's composite work is meant not only to be read, but also to be heard-seen as well as perused in order to navigate through it more easily. The reader’s ear is solicited through diverse modalities that will bring into play the rapprochement of two intertwined approaches, however very different and opposable with the goal of observing the listening”. Bilingual : French-English. 151 musical examples grouped in 53 themes
Vol. 9 & 10 Son vitesse-lumière
A major work by Francois Bayle, 'Son Vitesse-Lumiere' ('Sound Speed-Light') was composed in parts during a period of several years. Of 'Grandeur Nature' (1980), Bayle writes, "Imagine an 'object' that is coming to 'visit' us from many light years away ..." Of 'Paysage, Personnage, Nuage' (1980), "It comes in snatches, like interference on a radio. The scene continues ..." Of 'Voyage au Centre de la Tete' (1981), "The object moves inside us ..." Of 'Le Sommeil d'Euclide' (1983), "This piece descr…