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Montagne Noire

Fr​é​d​é​ric Lagnau
*200 copies limited edition* A half-voiced sieve whose method is the title (Je me souviens de do dièse majeur dans un prélude en do majeur de Jean-Sébastien Bach), an impressionist loop that becomes a groovy construction (À mesure et au fur), a repetitive mechanic that fuses (Solar loops), rocket scales that color each other (La gamme qui teinte), an ecstatic, pulsating teenage cantabile (Morning song of the jungle sun), a harmonic march that traverses the keyboard, out of phase with itself (Les…
Occam Hepta I
Edition of 250 copies. Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other for analog synthesizer (performed by Ryoko Akama). In Eliane Radigue's work, we oppose electronic works (composed until the early 2000s) to those written for acoustic instruments. From 2002, the artist began a series of compositions, Occam, orally transmitted living music. In her own words, she fully realized what s…
Noir Paradis
Mathieu Werchowski's latest album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.
Airs Trouves (2LP)
Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.
Musiques d'ordinateur
Sébastien Roux imagines new listening situations. He uses algorithms, games, movement, spatialisation, and diagrams to articulate two complementary notions: the perception of form and the forms of perception. Musiques d'ordinateur (Computer music) gathers pieces written between 2011 and 2020. The tracks on this CD are the more or less predictable results of more or less complex programs. The sounds and their organization (the score) are calculated. There is no editing nor mixing. The algorithm …
Désordre
**250 copies** Two instruments linked, calling to each other, leaping around, recalling and fooling around with the music of Joëlle Léandre, improviser, composer and double bass player, and Alexandra Grimal, composer, singer and saxophone player. With chaos, a joyful mess of unique moments, bright, plural and playful, the two musicians have no care for determinism: the music just is, and they simply follow it.
s/t
**250 copies** Two personalities. Two different instruments. Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, have produced a unique musical matter, both homogeneous and complex at the same time, showcasing a form of freedom hidden between the musical notes. The two musicians, free from the typical conventions in both their content and the shape of their work, become receptors and then transmitters of the vibrations surrounding every space. In unison, …
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