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*Warehouse fund* Recorded in 1957 and released on the Prestige label, "Sound of Yusef" features Lateef's quintet with Wilbur Harden - flugelhorn, Hugh Lawson - piano, Ernie Farrow - bass, and Oliver Jackson - drums. Lateef's aesthetic was a perfect mixture of hard-driving jazz and a variety of ethnic materials. Even though If compared to later works, "Sounds of Yusef" is still very much rooted in Jazz while the use of traditional ethnic instruments adds colors and flavors without really deviatin…
The jazz giant Thelonious Monk is here featured in this live recording in New York. Monk is in his best form during this ‘Village Gate’ gig, along with famed session men accompanying him here and forming this solid Quartet - namely, Charlie Rouse on Tenor Saxophone, John Ore on the bass and Frankie Dunlop on the drums. The album features three Monk’s originals (“Rhythm-A-Ning”, “Evidence”, “Jackie-ing”) and two jazz standards (“I’m Getting Sentimental Over You” and the immortal “Body And Soul” …
The so called 'Nightingale Of The Andes', a necessary introduction to the life and music of the one and only Yma Sumac. The Peruvian singer who startled audiences in the United States and Europe with her remarkable voice, beauty, and mysterious "Inca" princess/priestess persona. Literally bridging the gap from folklore to exotica, Yma Sumac was the forerunner of a new philosophy.
This collector's LP mostly features the 1963 Miles Davis Quintet (which included tenor-saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams) during a live apperance in St. Louis. The previously unissued music is reasonably well-recorded and gives listeners additional versions of such standards as "I Thought About You," "All Blues" and "Seven Steps to Heaven." - Scott Yanow, Allmusic.com
Cumbia is a folkloric genre and dance from Colombia. Hereby a compilation showcasing the early developments of a large crosspollination. Since the 1940s, commercial or modern Colombian cumbia expanded in fact to the rest of Latin America, after which it became popular throughout the continent, including Argentina, Bolivia, Chile, the Dominican Republic, Ecuador, Mexico, Peru, El Salvador, United States, Uruguay, and Venezuela.
Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi compose…
*In process of stocking* The well-known 1962 performance by the celebrated Ahmad Jamal Trio with Israel Crosby and Vernel Fournier at the Blackhawk Club in San Francisco. This formation of the group wouldn't last long, as Israel Crosby died in mid-1962.
The great Malcolm Earl "Mal" Waldron makes his debut on Naked Lunch with a collection of his own compositions recorded in New York City during the early '60s in a trio formation with George Tucker on bass and Al Dreares on the drums. The composing skills of Waldron as a post-bop key figure are here on full display on both sides, although pieces like "Modal-Air," "Summerday," "Ollie's Caravan," and "Quiet Temple" really demonstrate the creativity of the trio's playing, with Tucker and Dreares lay…
One more step into the eclectic world of Krzystof Komeda. This is the second Naked Lunch release dedicated to the music of the great late Polish pianist and film music composer. An outstanding compilation based on Komeda's early production featuring a variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europ…
"Newly launched independent label based in Italy Naked Lunch Records is another fine purveyor of now legendary industrial power electronic acts (Maurizio Bianchi…) and challenging contemporary artists in the field of abstract and noisy drone ambient. It sounds quite natural that Giuseppe Verticchio, mastermind of Nimh found a warm welcome there. With a quite singular, eclectic and dense musical production that goes from thrilling cinematic calmscapes, to ritualistic looped ambient and post-indus…
Recorded Live in Sweden in September 1961, the Uppsala Concert is an important document from Eric Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards such as Milt Jackson's Bags Groove, Monk's 52nd Street Theme, Cole Porter's What Is This Th…
The George Russell Sextet caught in a rare live recording from a concert held at Music Inn, in Lenox Massachusetts on September 1, 1960. George Russell's kaleidoscopic sound conception takes shape through the collective interplay of a brilliant tight band featuring George Russell himself on piano, Al Kiger (trumpet), Dave Baker (trombone), Dave Young (tenor sax), Chuck Israels (bass), and Joe Hunt (drums). A great example of challenging modern and yet swinging jazz, including highlights such as …
Naked Lunch present a reissue of Sestetto Basso Valdambrini's The Best Modern Jazz In Italy 1962. Back in the early '60s, the Basso Valdambrini Sextet represented without doubt the best Italian jazz example. Under the direction of tenor saxophonist Gianni Basso and trumpeter Oscar Valdambrini, there was a super-dynamic combo featuring a bunch of young, expert musicians, such as Dino Piana (trombone), Renato Sellani (piano), Giorgio Azzolini (bass) and Lionello Bionda (drums). As winners of the 1…
This is the legendary Krzystof Komeda Quintet caught live at the Jazz Jamboree Festival in Warsaw in 1963. A marvelous combo featuring some of the greatest Polish jazz musicians, such as Tomasz Stanko (trumpet), Michal Urbaniak (tenor sax), Maciej Suzin (bass), and Czeslaw Bartowski (drums). Komeda, Stanko, and Urbaniak were sort of pioneers who effectively opened up a way for jazz in Poland. Komeda's fluent modern jazz conception was a perfect synthesis between the American influence and a cert…