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Chemistry for Gamelan and String Quartet is the culmination of a long-term collaboration between the JACK Quartet and composer and instrument builder Brian Baumbusch (b. 1987). Over the past ten years, Baumbusch has designed and built two separate se…
The harp is a strange and compelling instrument that in its technological ancientness beckons composers and listeners alike to bask in its heavenly aura. Like hand drums and acoustic guitars, the immediacy of a harp's sound production demands an inti…
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and fam…
Through her novel approaches to texture and melody, German-American composer Johanna Magdalena Beyer (1888–1944) became one of the most distinctive modernist voices of the mid-20th century. Beyer was the first woman known to have composed for electri…
*In process of stocking* Radiolorians (2018) finds Pisaro-Liu drawing inspiration from another gifted observer of this world-in-variation, the German zoologist, naturalist, and philosopher Ernst Haeckel (1834–1919), who promoted and popularized evolu…
music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer…
Starting with his music of the 1960s and early 1970s, with works such as For 1, 2 or 3 People (1964), the Prose Collection (1968–71), and Changing the System (1974), Christian Wolff (b. 1934) quietly re-invented chamber music. He created music in whi…
If you ask a random group of people familiar with contemporary classical music to categorize the style or type of music that Daniel Goode (b. 1936) creates, you would probably receive as many answers as the number of people in that grouping: minimali…
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD featur…
Fairy tale opera has been a challenging genre for composers, with even some of the musically most successful examples, like Humperdinck’s Hansel and Gretel of 1893, more often presented for children than for adults. Scott Wheeler’s (b. 1952) Naga, wo…
Tom Johnson (b. 1939) is a key figure in the contemporary music scene whose voice as a composer is instantly recognizable. A major champion of minimalism in the 1970s as a writer, he remains one of its most important adherents as a composer, although…
In response to the arguably self-righteous pronouncements made in the 1990s as to what jazz is and isn’t, Julius Hemphill (1938–1995) spoke up as he had done throughout his career. “Well, you often hear people nowadays talking about the tradition, tr…
In modern experimental music, and especially among a number of musician-composers emerging in America during the Sixties, a fixation on process and awareness became a structural hallmark, exploring the gradual change of sonic materials, built environ…
We want to fabricate a new music. We imagine a situation in which the sounding together of tones is never taken for granted, is continually renewed and reinvented. We know that the effect of any set of simultaneous tones, by means of the multiplicati…
Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, dr…
The title of this recording has multiple meanings for its composer, Larry Polansky (b 1954). These are the generations... is a translation of the Hebrew title for the second work on the program, Eleh Tol'd'ot, the first words of the thirty-fifth vers…
Wrestling with the notion of balancing both formal construction and creative spontaneity has allowed Scott Fields (b 1952) to compose a powerful body of work with ties to extramusical concerns from the realms of literature, philosophy, and science. S…
**2020 stock** I was born in Detroit (1931), studied chemistry and music at Princeton (1949–53), and after the army, pro-baseball, and working as a chemist at Cape Canaveral, I went to “Koln State” (Music School) in Germany on the GI Bill, (1959-63) …
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his clos…