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You Can’t See Speed is a limited-edition vinyl accompanying the artist’s major solo exhibition at the Australian Centre for Contemporary Art. Attending to the interconnected and multisensory experience of film beyond vision, You Can’t See Speed features vocal resonances and spoken descriptions written and recorded in collaboration with participants from Stefanou’s film works, alongside music composed by the artist. A cacophony of lived experience, oral storytelling, and vocality.
The B-side cent…
A drastic left turn from NM label head Simon J Karis, following some notable 2024 output. The manic jubilance of both last year’s ‘Thrash’ (his collaborative effort with UK experimental/club royalty Actress) and his hugely evocative, slightly foolish solo full length ‘So Little Sorrow’ (accompanied by a book of 50 watercolour paintings by legendary ambient musician and visual artist Andrew Chalk) commanded new ears and scratched heads further across the globe than Karis had enjoyed prior. So wit…
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
A new album by Simon J Karis, the follow up to 2017's 'Madrugada'. Widely available digitally and in a limited CD edition, housed in a deluxe bound A5 book of watercolour illustrations by Andrew Chalk. Mastered by Kane Ikin.
Following releases on Altered States Tapes, Bunyip Tracks and Moontown, NM presents ‘Ladder To Wave’ - a spectacular new recording from anonymous Australian producer HHOST, in high resolution digital audio.
Nice Music Label presents ‘Trash’ - an incendiary new collaborative recording from indefinable, incomparable modern giant of electronic music Actress (Darren Cunningham) and NM’s own label head, capricious sound artist Simon J Karis. Actress and SJK stir up their intertwining trademark elements into a clandestine symmetrical arc over three tracks - each of them bestowing their own edit of ‘Thrash’, with Karis’ urgent acid thumper as a centerpiece. Both drastically remapping their razored hardwar…
NM is very, very satisfied to announce 'Where The Sidewalks Are Safe For The Little Guy', a new release from tape recordist, conversationalist and punk music vocalist Mark Groves (Index Clean, Red Wine and Sugar, Voice Imitator) as Absurd Cosmos Late Nite.
NM presents a new work from Naarm/Melbourne producer Rita Revell, 'Folded Volume 33'. Her flawless, uncategorisable self-release ‘Depozit’ (2022) and subsequent live shows led us to virtually demand more material from this largely mysterious, protean sound assembler.
Nice Music presents 'Lagash' - the brand new album from Dunedin, New Zealand's legendary experimental songwriter, multi-instrumentalist and tape music idol Alastair Galbraith. His quietly stunning output in recent years includes the solo LP 'Seconds Mark III' (A Colourful Storm), last year's 'The Drum Is The Shaman's Horse' from his long running duo A Handful Of Dust (with The Dead C's Bruce Russell) and a lawless scattering of self released material and ashen ephemera along the way. Throughout …
Andrew Cowie of Angel Eyes (Bedroom Suck, Not Not Fun) brings new material as Match Fixer to Nice Music for the first release proper under this name on 'Attempts' - four epic dialogues dense with the weight of information, experience and tumult. Cowie's frantic tempos affectingly mimic the relentlessness of time passing in the modern age, unforgiving and mechanically moving forward despite the emotional distraction emanating from its core. Impossibly forlorn synth pads routinely swell and warble…
Andrew Cowie of Angel Eyes (Bedroom Suck, Not Not Fun) brings new material as Match Fixer to Nice Music for the first release proper under this name on 'Attempts' - four epic dialogues dense with the weight of information, experience and tumult. Cowie's frantic tempos affectingly mimic the relentlessness of time passing in the modern age, unforgiving and mechanically moving forward despite the emotional distraction emanating from its core. Impossibly forlorn synth pads routinely swell and warble…
Nice Music presents the debut full length from Melbourne's Simon J Karis, 'Madrugada' - an all-encompassing work, earnestly detailing the anatomy of the nighttime psyche. Karis has crafted an ambitious narrative arc, tangible through the presence of sculpted sound and ecstatic melody alone rather than words or literal description. Visceral thought patterns both fleeting and consuming during leisure time swarm and writhe for their place; ingrained neurosis, the pursuit of pleasurable life experie…
Wph is the alias of Melbourne guitarist/sound artist Nathan Pilch. With his self titled debut offering for Nice Music, Pilch specialises in spatially organised, low dynamics cycles in high fidelity, using just the guitar. Expertly rendered shimmer and drift is captured as if bottled from a constant stream with no discernable beginning or end. These sounds are massive and environmental if the listener allows them close enough - a compelling, obscured topography of colourfully heathered landscape.…
Nice Music is pleased to present 'I', the stunningly beautiful debut release from Sydney's Skyline, comprised of Del Lumanta (one half of duo Video Ezy with Nina Buchanan, Paradise Daily) and David Akerman of Dead Farmers (RIP Society). The duo's thoughtful attention to crystalline sonic detail conjures a rich glow around the edges of their elongated ambient synth and piano plateaus. Dutiful care has been taken with the mix over these four pieces, each gleaming with a warm and very genuine incan…
NM is thrilled to present the new album from Mulubinba/Newcastle's J. Campbell. 'Erosion Of Memory' is profound innervision - a dramatic sandstorm through near-beatless landscapes, mapping Campbell's intrinsic understanding of family, familiarity and the firmament surrounding him. Whilst welcomed with swells of distant sawmills, sub-bass and tree hollow synth pads on the titular opening track, Campbell bookends a variety of instrumentation with the blustering tonal constellations and cadenced pe…
NM presents 'Soundtrack', the second album from LOU (aka. Sarah Hardiman - ex-Deaf Wish, Moon Rituals, Brick Head). Taking huge leaps onward from the eternal glimpses of reduced rock washout on their much loved debut 'For The Morning' (2021), 'Soundtrack' offers us a more plaintive, intricate set of arrangements and unexpected instrumentation. First and foremost a wildcard guitarist in the truest sense, Hardiman's sequencing on 'Soundtrack' sways between wicker basket/pastoral acoustic picking a…
Following on from his widely praised work for piano, percussion and large ensemble ‘The Horror Of The Avant Garde(S)’ in 2023, NM is pleased to announce the release of Melbourne/Naarm bassist and composer Joseph Franklin’s debut solo album, ‘a thousand tiny mutinies’. Franklin is led here to ‘a thousand tiny mutinies’, a voyage of unhinged polyrhythmic expression and textural investigation. A paean to the systematic deconstruction and rebuilding of the tools of formal training throughout his car…
Nice Music is thrilled to announce the long awaited new full length release from Melbourne/Naarm-based producer Andrew Cowie as Match Fixer. Tantalising with a string of self-released tracks over the last 3 years and following the cloistered urgency of instant NM classic 'Attempts' (2017), 'Hits For The Bin' populates the glowing expanse of his sound world with restrained beat structures, cloaked in Cowie’s signature lush drift and squelched melodic riffing. A foaming wave of relief when compare…
*2023 stock* Nice Music is pleased to announce the return of cult electronica duo Pretty Boy Crossover with their first new material in 15 years, 'Echoes In The Sound Mirror'. Cailan Burns and Jason Sweeney first made an impact in 2000 with their acclaimed 'The Building and Formation' full length on Ian Hamilton, James Reid and Tim Koch's Surgery label, which introduced much of Adelaide's coy and abstract rhythms to the global audience of that era. Since the 1990s they have toiled endlessly with…