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Nimbus Records

Rag Ramkali / Rag Jhinjoti
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), reco…
Rag Jhinjoti, Rag Pilu - Sitar And Sarod Jugalbandi
2024 Stock. Builds slowly from the statement of the melody to intense sections of stunning brilliance
Rag Lalit
2024 Stock. The Sarangi remains not only the authentic and original Indian bowed instrument but the one which most poignantly, and in the hands of Ram Narayan, most revealingly expresses the very soul of Indian feeling and thought. I cannot separate …
Rag Kaunsi Kanhra
2024 Stock. This sensuous evening raga for the bamboo bansuri flute was recorded with tabla by Sabir Khan.
Rag Miya ki Todi / Rag Bilaskhani Todi
2024 Stock. Ustad Imrat Khan hails from a great tradition of musicians called the Imdadkhani Gharana, named after his grandfather. It has produced great masters of the sitar such as Ustad Vilayat Khan and his son Shujaat Khan, Shahid Parvez and Budha…
Rag Lalit
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia's hauntingly beautiful interpretation of Raga Lalit probably is the best introduction to that raga for listeners unacquainte…
Rag Darbari / Rag Chandra Kanhra
2024 Stock.  The album presents a deeply meditative world, resonating with the mysteries of India. When it comes to sarangi - a forgotten Indian instrument that has been overshadowed by the violin in terms of popularity and accessibility - nobody can…
Rag Ahir Bhairav
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia (born July 1, 1938, Allahabad, United Provinces, British India [now in Uttar Pradesh, India]) is an Indian flutist in the Hi…
Rag Madhuvanti, Rag Misra Tilang
2024 Stock. Shivkumar Sharma's contribution to the Indian classical tradition is that he introduced the Santúr (hammered dulcmimer) to the classical Indian repertoire. That is no small feat, considering the conservative attitude that these performers…
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