We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2024 Stock. Sensitive sitar from one of the instrument's leading younger exponents, specializing in the vocal-derived gayaki style. Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the …
2024 Stock. The Sarangi remains not only the authentic and original Indian bowed instrument but the one which most poignantly, and in the hands of Ram Narayan, most revealingly expresses the very soul of Indian feeling and thought. I cannot separate the Sarangi from Ram Narayan, so thoroughly fused are they, not only in my memory but in the fact of this sublime dedication of the great musician to an instrument which is no longer archaic because of the matchless way he has made it speak
2024 Stock. Ustad Imrat Khan hails from a great tradition of musicians called the Imdadkhani Gharana, named after his grandfather. It has produced great masters of the sitar such as Ustad Vilayat Khan and his son Shujaat Khan, Shahid Parvez and Budhaditya Mukherjee. This renowned gharana specializes in gayaki; the vocal style of sitar playing, which is obvious when listening to this recording, as I can't help singing along with the Ustad's beautiful lyrical playing. Imrat Khan is the master of t…
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia's hauntingly beautiful interpretation of Raga Lalit probably is the best introduction to that raga for listeners unacquainted with Indian music. Lalit is a serene raga with a devotional mood to be performed at dawn, before sunrise. Most sandhiprakash ragas (to be performed at dawn or dusk) feature komal swaras (flat notes), which give them a certain dreamy, longing, even …
2024 Stock. The album presents a deeply meditative world, resonating with the mysteries of India. When it comes to sarangi - a forgotten Indian instrument that has been overshadowed by the violin in terms of popularity and accessibility - nobody can compare to Ram Narayan. Both Ram's growth and the ragas performed on this CD are deeply emotional. Additionally, the tabla playing is both powerful and precise. To experience the ethereal sarangi sound, this is a must-have.
Ram Narayan (1927-) is a…
2024 Stock. The Nimbus recordings of Hariprasad Chaurasia are among the best of his recorded repertoire. Hariprasad Chaurasia (born July 1, 1938, Allahabad, United Provinces, British India [now in Uttar Pradesh, India]) is an Indian flutist in the Hindustani classical tradition whose performances and compositions brought global recognition to the bansuri, a simple side-blown bamboo flute.
Unlike most other noted musicians of his generation, Chaurasia was not born into a family of musicians. Alth…
2024 Stock. Shivkumar Sharma's contribution to the Indian classical tradition is that he introduced the Santúr (hammered dulcmimer) to the classical Indian repertoire. That is no small feat, considering the conservative attitude that these performers take towards musical performance. "Sharma is credited with bringing this folk instrument, normally associated with the Sufi music of Kashmir, into Indian classical music. Indian music involves several of the elements I’ve been discussing in this lis…