★Orion Publishing
William S. Burroughs - A Life (Book)
It has been 50 years since Norman Mailer asserted, ‘I think that William Burroughs is the only American novelist living today who may conceivably be possessed by genius.’ This assessment holds true today. No-one since then has taken such risks in their writing, developed such individual radical political ideas, or spanned such a wide range of media – Burroughs has written novels, memoirs, technical manuals and poetry, he has painted, made collages, taken thousands of photographs, made visual scr…
Still in a Dream : Shoegaze, Slackers and the Reinvention of Rock, 1984–1994 (Book)
The definitive story of the slackers and shoegazers who reinvented rock. Twenty years after his acclaimed postpunk best-seller, Rip It Up and Start Again, Simon Reynolds tells the tale of what happened next: the underground explosion of noisepop, shoegaze, slacker rock and grunge that reverberated through the late Eighties into the early Nineties. Capturing the musical exhilaration of the era along with the alienation of youth during a period of ascendant conservative politics and glitzy mainstr…
As Serious As Your Life: Black Music and the Free Jazz Revolution, 1957-1977 (Book)
In As Serious As Your Life, photographer and historian Val Wilmer chronicles the free jazz revolution as a Black cultural vanguard, situating Ayler, Coltrane, Coleman, Sun Ra and others within the struggles, hopes and solidarities of 1960s–70s America.
Futuromania: Electronic Dreams, Desiring Machines and Tomorrow's Music Today (Book)
In Futuromania, critic Simon Reynolds assembles essays and interviews into a time‑spanning narrative of machine music, tracing how electronic pop, from Moroder to Burial, has channelled science‑fiction fantasies and anxieties into new futures for sound.
Volcanic Tongue: A Time-Travelling Evangelist's Guide to Late 20th-Century Underground Music (Book)
In Volcanic Tongue, David Keenan gathers decades of visionary criticism, charting late‑20th‑century underground sound through ecstatic essays, interviews and close‑listening dispatches that treat marginal scenes as the true engines of musical modernity.