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"Splinters is remembered, indeed lionized by knowing UK jazz fans, as the monumental musical meeting of tenor giant Tubby Hayes, trumpeter Kenny Wheeler, saxophonist Trevor Watts, pianist Stan Tracey, bassist Jeff Clyne, and legendary drummers John Stevens and Phil Seamen. Split The Difference is the rare recording Trevor Watts made of the group's first public appearance, at London's 100 Club on May 22nd, 1972. Two extended sets of continuous collective improvisation comprise this full-length CD…
Reel Recordings presents a collection of newly discovered recordings from Harry Miller's Isipingo -- originally recorded 1975-78. South African bassist Harry Miller (1941-1983) retains stature as an internationally recognized player who possessed both technical virtuosity and limitless musicality. One needs to only consider his gorgeous bass playing within the Mike Westbrook Concert Band and the legendary Brotherhood of Breath, to cite but two. During the mid-'70s, Harry Miller formed Isipingo, …
This is a previously unreleased recording from the late '70s by Bob Downes Open Music. Bob Downes is a multi-instrumentalist composer possessing a distinctive musical personality and prowess. Through bodily breath emanates sublime sounds from an array of flutes, poignant patterns from his alto and tenor saxophone performances, and engaging expressions of complimentary vocalizations. Open Music is the moniker under which Bob has produced an eclectic range of records since 1968. However, none of t…
This is the first chance to hear a recently discovered recording from Command All Stars, a project involving widely recognized musicians from Keith Tippet Group, Soft Machine and King Crimson, among others. In February 1972, a group of young jazz musicians gathered in London's Command Studios, with producer Robert Fripp, to record a double album intended for Ronnie Scott's productions. The cast, consisting of pianist Keith Tippet, saxophonist Elton Dean, trombonist Nick Evans, trumpeter Mark Cha…
Ray Russell is a composer whose wild explorations and sonic extensions of the electrified guitar set him aside from the famed British guitar heroes of the late '60s and '70s. Ray's rhythm and blues roots with The John Barry Seven, Georgie Fame, and the Graham Bond Organisation were set aside by the urgent call of the free jazz movement, and a succession of classic recordings (Turn Circle, Dragon Hill, Rites & Rituals, Live at the ICA, The Running Man) gave rise to his most challenging and ultima…