★Relative Pitch Records
Setpieces
Setpieces captures Cath Roberts & Olie Brice at a new peak of focus and invention, distilling their long-running musical rapport into a set of raw, finely tuned improvisations. Roberts’ baritone lines carve out bold shapes and sudden whispers while Brice’s bass grounds and disrupts in equal measure, creating a vivid, unpredictable dialogue. A striking next chapter for two of the UK’s most distinctive improvisers.
Selections from the Gutter
“Selections from the Gutter” brings NYC saxophonist Michael Foster with the longstanding rhythm section of Swiss bassist Christian Weber (of Sudden Infant), and German drummer Michael Griener, a longtime fixture of the Berlin scene. The trio brings shocking, visceral energy to a distinct structural awareness; drawing suspense from form in each of the David Goodis-inspired titles. This is improvised music digging deep into a shared sense of history, form, and drama.
Penumbra
Recorded in a neighbourhood church in the city of Ghent, Belgium. Penumbra is a fully improvised album. It was born from a personal urgency of searching for ways to keep creating sound in moments of uncertainty. It grew from a desire to move beyond the limit of a single instrument, to experiment with different materials, objects, and instruments. Merging, melting, creating, sounds, poems, and acoustics that inspire me. Penumbra is a state of uncertainty and urgency, moving with freedom and doubt…
For Hind Rajab
For Hind Rajab is a deeply personal and meditative exploration of sound, memory, and sonic embodiment. Across the album’s intimate unfolding, Khoury draws on extended techniques, silence, and subtle timbral shifts to create a landscape where each gesture resonates with emotional and cultural depth. Inspired by and dedicated to Hind Rajab, the work weaves contemplative lyricism with bold experimentation, revealing the violin as an instrument of both introspective nuance and radical presence. The …
For Baritone Sax, Double Bass & Drumset
This 2013 meeting of baritone saxophonist Daunik Lazro, bassist Joëlle Léandre, and drummer Paul Lovens is a deep dive into spontaneous creation at the highest level of free improvisation, uniting three of Europe’s most adventurous and seasoned improvisers. Drawing on decades of individual and collaborative experience within the global improvised music scene, the album explores extended dialogues across timbre, texture, and breath, where Lazro’s rich, expressive saxophone language meets Léandre’…
Imprimiendo
This album is a mix of sounds from paper printers, recorded at two printing houses in Santiago, Chile, in March 2025, and improvisations played with these sounds at the Disonaureo studio in Santiago, Chile, in July 2025.
Rörane
Rörane showcases an adventurous blend of free improvisation and jazz-rooted exploration from Swedish experimental ensemble stalwarts. Recorded with bassist Nina de Heney, pianist Karin Johansson, and drummer Henrik Wartel, the project melds deep spontaneous interplay with Bothén’s decades-spanning creative voice in avant-improvised music. A boundary-pushing sonic journey that reflects both the collective’s empathic interplay and their shared drive toward expansive musical expression.
Live Bahdu
Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in Live Bahdu, a fierce musical union that music critic Byron Coley hails as “sheer wailing sonic pleasure.” Don, an untamed force who has spent over forty years shaping the explosive core of Borbetomagus, unleashes a volatile, lung-shaking roar, an unyielding take no prisoners wall of sound. Camille answers with her own ferocity, channeling raw, electric intensity through the disciplined edge of her …
Keep Telling Yourself That
“Keep Telling Yourself That” is the debut album of the New York City-based experimental bass-violin duo of Jennifer Gersten and Maggie Cox. It is a collection of improvised songs testifying to a frisky, impish, no-holds-barred imagination for acoustic string playing. Bassist Maggie Cox exploits her titanic expressive and dynamic range on an instrument outfitted with gut strings, and violinist Jennifer Gersten transforms a beater violin through object preparations into an engine of ghastly twangs…
Open Space
The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Espèces d’espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, generally needs a ‘void’ to move. It demands openness and, as such, is an invitation.
The eerie glow of jellyfish
LDL brings together soprano saxophone, amplified spinet and analog synthesizer in a finely balanced exchange of precision and volatility. Drawing from deep roots in European free improvisation and contemporary music, their music unfolds as a dense, hyper-attentive dialogue where structure and spontaneity are in constant negotiation
We Are. Profoundly. Predisposed. To Drowning.
The music of this trio is an ongoing conversation between three women about life as it unfolds between artistic practice and daily routines. Compassioned conversations about being someone’s mother, someone’s daughter, someone’s partner, someone’s friend seamlessly float into the musical sphere, where words and emotions are transformed into pitches, harmonies, rhythms and artistic gestures.
Three strong artists from the creative music scene of northern Europe has formed a trio that feeds from the…
Veins Of Rain
Masayo Koketsu and Nava Dunkelman met for the first time in this studio session. Koketsu’s inventive use of extended techniques and breath-infused wails filled the space with an experimental intensity. Dunkelman responded with a finely woven tapestry of percussive textures, her delicate rhythms binding their sounds together. Her sensitivity to nuance allowed Koketsu’s raw cries to blend effortlessly, as if the two had long shared a musical language. Their exchange was both electric and restraine…
Murmur
I am fascinated by the coordination and elegance of a flock of birds flying, forming beautiful murmurations, constantly changing, seemingly without effort. This communal act provides protection through the sheer number of birds and their changing position; it is an exchange of information amongst them and it has a clear collective ending when the flock decides to fly back to the ground. In Murmur, I want to explore how a large ensemble can make use of these instincts of communal movement, coordi…
Grazing (Two Live Cello Solos)
This solo release captures Hannah Marshall at her most immediate and expressive, presenting improvisations that pulse with presence and physicality. Her playing radiates warmth and curiosity, offering thoughtfully shaped improvisations that feel both spontaneous and deeply grounded.
Circle The Heart
Julius Hemphill was a visionary saxophonist and composer whose music fused avant-garde exploration with deep blues and gospel roots. Marty Ehrlich, one of Hemphill’s close collaborators and protégés, is a multi-reedist and composer known for his lyrical improvisation and commitment to extending Hemphill’s legacy through performance, composition, and curation.
This archival release of the duo from Julius Hemphill and Marty Ehrlich offers a rare, deep-listening window into their long-standing crea…
A Far Within
A shimmering meeting of three fearless voices, this new recording invites cellist Isidora Edwards, violinist Biliana Voutchkova and Hardanger-d’amore virtuoso Zosha Warpeha into a luminous space of spontaneous creation. Intuitive improvisation and rare timbres intertwine to explore liminal sound-worlds where silence breathes and time suspends. The result: an immersive sonic journey that defies genre, yet feels deeply human and unbound.
Spark Gap
Birgit Ulher and Nicolas Collins are pleased to announce the release of Spark Gap, the first record of their ongoing duo project. Two trumpets, two different approaches: one electronic, the other acoustic. While Collins programmed a computer to imitate hacked circuits and wired to a speaker inside the instrument, Ulher uses metal sheets, radios, milk frothers and other everyday objects to extend her sound palette from brass to silicon. The opposed approaches yield oddly similar sonic results.
Away, I Was
"Over 40 years of sustained performance and publishing, English saxophonist, improvisor and composer John Butcher has shaped much of what the soprano and tenor saxophone can do, and what their roles and vocabulary in improvised music might be. There’s a situated purposefulness to Butcher’s music. It is always concerned with its context, flexibility, space and company: how group playing works and flows; how aspects of improvisation fit into a living musical world; how and what the saxophone can b…
A Window, Basically
Peter Evans and Mike Pride push the outer limits of improvisation. Combining Evans’ explosive trumpet virtuosity with Pride’s kaleidoscopic drumming and percussion work, this collaboration is equal parts high-wire intensity and deep listening. With sharp turns, dense sound clusters, unexpected silences, and moments of raw, unfiltered expression, this is improvised music at its most daring and unpredictable. Whether erupting into chaos or threading through intricate interplay, Evans and Pride pro…