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Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet enough to allow the slightly-whispered vocals of the pair dominate the record. There's a strong sense of poetry here -- but without any of the stiffness or pretension that might imply -- and the re…
A brilliant collaboration between these two dark moody French singers -- every bit as great as their classics from the early 70s! Recorded in 1977, with enough material to make up 2 LPs, this set features 33 tracks that slip and slide into each other with cool sounds, spare instrumentation, and amazing vocals that are difficult to describe, but which cut you to the quick once you've heard them! Extremely haunting, with a feel that sounds like the wind blowing through an empty cottage on…
COMME A LA RADIO features vocalist Brigitte Fontaine backed by The Art Ensemble Of Chicago. Import reissue of 1971 album for the French vanguard pop chanteuse & The Art Ensemble Of Chicago. Here, the Art Ensemble provide the perfect mysterious ethereal backdrop for her vocal explorations. With strangely charted arrangements & mixing, the ten tracks here defy any & all conventions & result in the most provocative popular recording of 1971. The entire album runs all over the stylistic map while no…
A fantastic album by this enigmatic French singer -- one of her first truly experimental albums! The record differs from some of her other albums quite a bit -- and has a very strange mix of styles that go from straight ahead (only a track or two), to wildly experimental. Although longtime partner Areski did contribute to this album, the record also features work by Saravah labelmate Jacques Higelin, plus French jazz players like Georges Arvanitas and Philippe Mate. Great stuff all 'round, and t…