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Huuuuuge TIP! Sedimental is honored to release the newest work, ARITHW, from Paris based based electronic musician and sound artist Kassel Jaeger (François Bonnet), realized during a week long artist residency at Epsilon Spires in Brattleboro, Vermont in June of 2023. In addition to creating and performing ARITHW he also performed Eliane Radigue’s L'île resonante, bookending the week.
ARITHW (A Rift in the Horizon's Wall) was developed during an artist residency at the Epsilon Spires art center…
*100 copies limited release* Elevator Bath and Sedimental are honored to co-release the newest work from legendary Texas-based electronic musician Rick Reed, arguably the linchpin of Austin's experimental scene for the past few decades. Reed's distinguished reputation has been justifiably lauded and this new collection of works is thus cause for celebration. The Symmetry of Telemetry, Reed's first new release since 2018, was recorded at his home studio during 2020 and 2021. Reed employs Buchla a…
* 2021 Stock. Last copies. * A singularly brilliant work for baritone, tenor, contralto & soprano whistling kettles from this unpredictable Argentinian collective Reynols seems to be more active than ever. Responsible for a bunch of highly conceptual projects such as the '10.000-chicken Symphony', 'BlanTapes', 'Fire Music', 'Reynols Plays the Eiffel Tower', etc. this sound-art piece redefines a traditional format in classical music, 'the quartet', in order to expand its boundaries and possibilit…
**200 copies** Sedimental proudly brings you a remarkable new document from Pisaura, released for the Summer Solstice the 3rd week of June. Pisaura is Michael Pisaro-Liu and Zizia (Amber Wolfe+Jarrod Fowler). Asteraceae presents a hermetic world of shifting densities, dynamics, and spatialities that rewards endless listening as sequenced or on shuffle play.
The 72-minutes of Asteraceae were composed from field recordings of performances around Los Angeles during winter 2018-2019. Pisaura used as…
Tip! **200 copies** Sedimental is honored to partner with Skell to release the latest majestic work from Mike Griffin’s Parashi: Tape from Oort Cloud. Griffin has honed an aesthetic that few are capable of attaining let alone comprehending: elegence and refinement fused to intense, sonic, noise-based electronics and sound sources. Over the two sides and four tracks Griffin conjures complex, heavy and nuanced terrain that triggers buried images and emotions without being emotional and that acts a…
Debut release from Linda Aubry Bullock, a long-time fixture on the Boston-area experimental music scene through her various groups (including, not mentioned below, the please, a trio with Hubby Mike Bullock & Brendan Murray) ...
This set’s a neat mix of throbbing industrial electronics & sound-art-lineage mood pieces (such as the vibrating-plate mechanics of the segment in the sound-sample) all played by a revolving quartet including Linda, Mike, Eric “Rambutan” Hardiman (proprietor of the exce…
The first full length cd from Byron Westbrook’s Corridors project. Meticulously and seamlessly mixed live guitar drones specifically assembled for this release. Limited to 500 copies and housed in a custom oversized sleeve.
This album consists of recordings of the audio component of three works for multi-channel audio and video. Each piece was performed with the same distribution system, using either treated recordings of instrumental performances or live guitar feedback as the sound source. The…
Sedimental deviates from its carefully fostered experimental music identity to release the debut of this Austin based indie trio. Given the quality of the songs, the simplicity and clarity of the musicianship, and the pedigree of the musicians themselves it was a rather easy and natural decision, not to mention indulging our own personal, highly eclectic tastes in the process. With its hypnotic drumming, driving bass, boy/girl dream-pop vocals, and chiming arpeggiated guitars building to swirlin…
"The album's arc from patience to brightness is as natural as an orbiting planet, but Weird Weeds do that one better at the end, stuffing a miniature solar system into one seven-minute track. True to form, this closing piece builds intensity not through change but momentum, starting with a four-note guitar figure and slowly adding accents and atmosphere...What matters most about The Weird Weeds is how it furthers this band's stature as the kind that others should be compared to." - Pitchfork
"We…
200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another.
The cover of the album is a porcelain piece…
Olivia Block's Karren is a two-movement electroacoustic-orchestral composition. The first movement, Foramen Magnum, is an electroacoustic concrète piece created from heavily processed field recordings taken from orchestral rehearsals and various public locations, including museums and zoos. The second movement, Opening Night, is a layered orchestral score performed by the Chicago Composer's Orchestra, with whom I recorded and worked for several years in order to complete this project. Thematical…
Riccardo Dillon Wanke’s Caves was composed and recorded in 2006 in Alfama (historical district of Lisbon, Portugal) using acoustic and electric guitars, saxophones and natural sound elements starting from pure radical improvisation evolving into the investigation of drones and static and looped music related to minimalism. At the center of these works are the binaural beats in musical composition, the results lying between classical composition, minimalistic improvisation and a "folk" sensitivit…
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…
For Zwolfzungen I collected recordings of eleven languages I'm not, or partially, able to speak and understand. Eleven languages I encountered in my travels, whose sound I especially liked. Moreover, I invented a twelfth one, developed and learned during the past years and featured as a last installment of the series. Zwolfzungen could be translated as twelve languages as well as twelve tongues. I try to "misunderstand" each one of those languages as much as I can. They include, among ot…
This of course, was our first cd release from all the way back in 1994. Robert Ovetz (Ultrasound) mentioned this guy Adam who was doing amazing 4-track stuff at home. I think the name of the tape he gave me was called “Ombudsman”. The success of this release was a nice surprise and certainly having Joel at Cargo champion it, who was just getting Kranky going as well, certainly put us both out there. Ultimately, SOTL ended up at Kranky and are still making amazing recordings for them. Many say th…
Italian guitarist Stefano Pilia is best known as a member of concrete rock outfit 3/4HadBeenEliminated. He has also been releasing solo recordings over the past few years. 2005's Healing Memories and Other Scattering Times saw Pilia interrogating his basic musical language, framing various playerly tactics, shuttling between guitar drones, melancholy melodies and post-Durutti Column pointillism. For The Suncrows fall and tree, he shifts his focus to composition with two untitled tracks. Pilia re…
'Olivia block's 'Heave To' is her fourth full release under her own name (her first two are on sedimental, the most recent on jason kahn's cut label) and marks both a new maturity in her compositional prowess and also a new confidence. 'Heave To', a composition in three movements, is an investigation into the deep structures of maelstroms. A roiling mixture of crashing waves and wind, jagged strings, clanging metal, complex electronic textures, and clusters of chamber instruments. In our opinion…
“Sedimental’s release of the second cd from Chicago based electro-acoustic composer olivia block titled Mobius Fuse. This much anticipated follow up to her critically acclaimed debut Pure Gaze(sed cd028) continues her rich and unique exploration of both acoustic and electronic sounds reaching a depth and level of emotional intensity rarely heard in the field.olivia block is a contemporary composer who combines field recordings, scored segments for acoustic instruments, and electronically generat…
“Block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. Her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself “…
This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks with Ielasi (guitar) adding an almost alien warmth to the group sound. Intense sonic impact yet transparent and sparse enough to navigate with alert senses, the whole disc has an ambitious arc that one may miss when caught in the web. Doneda's comme…