★Two Rooms
In the Moment
In the Moment is a retrospective of the solo, multi-phonic guitar work of underground rock and experimental musician Benjamin Miller. Utilizing extended techniques, prepared objects and implements, and an array of processing, his approach to the electric guitar on In the Moment is almost like a polyphonic sound generator, fully apart from the tradition of Chuck Berry, Clapton and company. Alien tongues, ambient soundscapes, the sounds of mechanization and technology breaking down all emerge in t…
Scale
Scale, addresses issues of observation, embodied transferences, telepathy and duration employing swipes, knocks, resonators and hypnotic patternings on the acoustic harp with the less controllable sounds of radio waves, homemade synths and feedback. Inspired by the timings and sensations of natural phenomena including daylight’s slow emergence at dawn and the pulsing ambiance of ocean currents. Nature as both utopic and disruptive. Attention is situated in an often luscious, contemplative sonic …
Vibration!
"For the years Columbus was lucky enough to call him ours, drummer Ryan Jewell was our leading proponent of Emily Dickinson’s maxim “tell the truth but tell it slant.” He placed an idiosyncratic, indelible, and always swinging stamp on any context he assailed, from the insidiously catchy quirk of Terribly Empty Pockets to the righteous brainy scuzz-punk of Pink Reason to spacy evocative noise with collaborators like Mike Shiflet and C. Spencer Yeh to shepherding Psychedelic Horsehit through thei…
Sclupperbep
Detroit saxophonist Skeeter Shelton and Chicago percussionist Hamid Drake didn’t know each other before Skeeter was subbed into a duo gig at Trinosophes (Detroit) after Hamid’s partner fell ill. Shortly before the performance, it was discovered that Skeeter’s father, Ajaramu Shelton, was Hamid’s drum teacher and mentor at Chicago’s Association for the Advancement of Creative Musicians. There was an instant bond. The set that night was fire. This should be no surprise, as keeter, through his fath…