★Ultramarine
Brand
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s moaning…
Sound Gates
Guitarist Ninni Morgia, after playing with countless improvisers such as Peter Evans, Daniel Carter, William Parker and lots others, is here in a duo together with master Italian drummer and percussionist Marcello Magliocchi. Marcello Magliocchi has been active since the early 70s and has played and recorded with amazing artists like Steve Lacy, Evan Parker, Peter Kowald, Mal Waldron, John Tchicai, Joelle Leandre and countless others. He also put out his work on Andrea Centazzo’s Ictus label and…
Two Couples
“Two Couples” is the collaboration between German artists/performers Kommissar Hjuler and Mama Baer and the Italian musicians Ninni Morgia (guitar) and Silvia Kastel (synth and voice).Kommissar Hjuler and Mama Baer are known for their provocatice, neo-dadaesque, often extreme art and performances and have previously worked with Smegma, Thurston Moore, John Wiese and many others. They have performed and exhibited all around the world and are part of the NY collective NO!Art Movement.Ninni Morgia …
Ever And Anon
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
Damned Revolutions
SUPERB! Dead C guitarist Michael Morley is finally back with a new Gate LP, after two years, and what a comeback! “Damned Revolutions” has all the traits of Gate’s classic LPs like “Guitar” and “The Monolake”: it starts with dark and fuzzy guitar drones, that build up to create a dense wall of distorted resonance, at times accompanied by sparse electronics and sustained by spectral beats and bass pulses. When vocals break in, it’s magical and poetic, his moaning reminiscent of pre-war blue…
Still Insane After All These Years
Eleven new & previously unreleased songs from BeNe GeSSeRiT, the cult Belgian minimal synth duo of Alain Neffe (various instruments including synth, beats, loops, strings…) and Nadine Bal (vocals). Alain started his Insane Music imprint back in 1981, he is a key figure of the European cassette culture and has been making some of the most creative and cross-boundary music since the early 80’s, also with other numerous projects like Pseudo Code, Human Flesh and more recently, his and Nadine’s duo …
The Eight Thumbed Hand Serenades
Underground’s finest couple formed by Dylan Nyoukis and Karen Constance are here to delight us with a massive mind-hammering tape, originally out in a uber-limited 4xCS boxset on their own Chocolate Monk label. A fair where Muezzin Nyoukis will twist & pull your brains, a choir of voices praying, gargling & ooing, discomfort and unclear clatter all over. At some point you will find yourself in a damp swamp, two sticky beings calling each other (the mutant cricket here is Karen), a little slice o…
Brand
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s mo…
Sound Gates
Guitarist Ninni Morgia, after playing with countless improvisers such as Peter Evans, Daniel Carter, William Parker and lots others, is here in a duo together with master Italian drummer and percussionist Marcello Magliocchi. Marcello Magliocchi has been active since the early 70s and has played and recorded with amazing artists like Steve Lacy, Evan Parker, Peter Kowald, Mal Waldron, John Tchicai, Joelle Leandre and countless others. He also put out his work on Andrea Centazzo’s Ictus label and…
Music for Sounding Sculptures
Twenty-three wonderful pieces recorded live in a tower in Tuscany, in which master percussionist Marcello Magliocchi plays sound sculptures byAndrea Dami, made of various metals including iron, brass, copper, steel, aluminium and featuring other elements like strings, stones and gongs. Imagine a mix between Indonesian Gamelan, Bertoia, Alvin Lucier, obscure recordings from Africa, Beaver Harris and Don Moye, all infused with Marcello’s unique approach to polyrhythm, dynamics and modulation, the…
Love tape
A concept tape packed with unconditional love to whoever hears/buys/does whatever with it.C30, white shells with watercolor labels by SK; each tape is unique.Edition of 60; also comes in a numbered limited edition of 9 with different covers, each one featuring an instant picture of/by Silvia Kastel.
Prism
“Prism” is the result of the collaboration between upright bassist William Parker and Italian guitarist Ninni Morgia. William Parker needs no introduction; a master player of his instrument, Derek Bailey described him as “one of the few ones left who play pure Free Jazz”. Ninni Morgia, after proving his talent and versatility on his previous works (Control Unit with Daniel Carter, The Right Moves, Quivers…) here reaches the top-level of avant guitar, his sounds ranging from Stockhausen’s ta…
Chora / Quivers
Chora is the British duo of Rob Lye and Ben Morris. Their music is a gorgeous mix of psychedelic free-form improvisation and ecstatic free jazz, with hypnotic percussion, cymbals, bowed instruments, eerie reeds, and an overall ritualistic, shamanic vibe. Quivers are guitarist Ninni Morgia and upright bassist Jordon Schranz, joined here by drummer extraordinaire Mike Pride, a Milford Graves student who has played with Anthony Braxton, John Zorn, Nels Cline and Keiji Haino among others. Their impr…
Eskra
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
s/t
Brooklyn-based guitarist Ninni Morgia (Quivers, The Right Moves), in this occasion with multi-instrumentalist Daniel Carter, one of the most active and talented musicians of New York’s free jazz community, who has played, among others, with: Sun Ra, Sunny Murray, Test, Matthew Shipp, Other Dimensions In Music, Plastic Ono Band… and drummer/percussionist Jeff Arnal, create a beautiful mix of psychedelic free jazz and Indian raga with a wide range of instruments like thumb piano, kalimba, bells, g…
A La Lu La
Amolvacy is Aaron Moore from Volcano the Bear, Dave Nuss from No-Neck Blues Band, and Sheila 16 of the Laboratory Theater Group, NYC. The band creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments. Recurring themes in Amolvacy’s texts are the pain of relationships, the affirmation of the feminine in myth, the hero’s journey, and continuous need to flame the passions of the heart. “A La Lu La” specif…
Dirty Pool
Electric guitarist Chris Forsyth (Peeesseye) and organist Shawn Edward Hansen (Phantom Limb & Bison) run rock music through a filter of transcendental experimentalism and improvisatory nerve. The result is a disorienting, psychedelic, and beautiful realignment of rock music’s form and function.
The End Of The Empire
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …