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In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to exper…
In Autumn 2017, eRikm and Anthony Pateras embarked on an acoustic encounter, a direct dialogue through their machines. Each brought their own experiences and know-how together with a shared desire to explore sound landscapes in complete freedom. From…
Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleu…
Aude Romary, cello. Jérôme Noetinger, electroacoustic devices. This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then p…
A nice adjunct to the trio of M.I.M.I. Festival LP documents that I recently shared, the particular shindig that this compendium commemorates corralled together a curious and disparate cast of characters from the worlds of R.I.O. and improv, and i…
Released in 1989. A few copies founded in the basement of the label. Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion). “Here’s an exuberant early Session by three Artists who have become stalwarts of the Eur…
In 1998, the Cultural Centre Andre Malraux of Vandoeuvre-Les-Nancy commissioned Michel Chion, Lionel Marchetti and Jerome Noetinger to collaborate on a work of musique concrete. Les 120 jours was the result - a fresco for which the composers exchange…
Anthony Laguerre, drums, Véronique Mougin, keyboards, Youssef Essawabi, trombone, Antoine Arlot, saxs, Emilie Weber, violin. This 10' comes as a follow-up release to the previous CD ('Murmures' vdo 1234). Limited to 300.
Isabelle Berteletti, Florent Haladjian, Jean-Christophe Feldhandler, Lê Quan Ninh. “D’une lumière” (1996) by Jean-Christophe Feldhandler for piano, electric guitar, melodica, percussions, etc., “Oscille” (1997) by Lê Quan Ninh for 4 stones, 4 lightni…
Recreating the idioms of some ethnic musics, Ghédalia Tazartès invents himself an imaginary world which seems to be inspired by differents forgotten traditions. Musician, genious handyman, singer to the improbable accents, Ghédalia Tazartès pours …