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2009 release ** ""TimeBank" is a collection of exclusive compositions recorded by Cyclotimia in 2003-2007 and for some reasons left out of the main albums. The material presented here is hard to fit in the Procrustean bed of common musical styles, but we can try to list the ingredients from which this post-industrial "dish" was cooked: both cyber jazz and idm, neoclassics and trademark technological ambient, old-school electronics and atmospheric new age, experimental and many more can be found …
2010 release ** "As the title suggests, the new work by Russian masters of electronic soundscapes represents a score to an imaginary sci-fi movie. The musicians call themselves admirers of old-school Sci-Fi / Cyberpunk genres, and for a long time they have felt a desire to make some music inspired by soundtracks of sci-fi blockbusters from 70-80-s... Spaceship battles, alien colonies, teleportation and mysterious droid ceremonies are only part of the images created by this music. The album conta…
2007 release ** Limited edition of 250 hand-numbered copies. "The Infant Cycle is a project of the Canadian artist Jim DeJong working under this name since 1992. It may seem surprising, but all these 15 years he remained in the underground of experimental music, and his name is well-known only to inveterate enthusiasts and explorers of this strange phenomenon. The project has put out 6 full-length albums on cassettes and CD-Rs, several singles and an amazing series of minions called "Clear Shape…
2011 release ** Limited edition of 150 copies. ""A Score for Iron Blues" is already the eighth full-length album of the project Hypnoz - a brainchild of Dmitry Zuboff (Zuboff Sex Shop, Circle Of Iron Tape, BRZB) coming from Moscow region. This music will primarily appeal to the fans of old school industrial - the raw and moderately rough sound of the album is based on the use of overdriven and otherwise processed bass guitar and voice samples. With the help of these simple means comrade Zuboff m…
2010 release ** "Noises Of Russia (Шумы России in Russian) is one of the most active experimental Russian projects performing electronic music. It was founded in 2000. It is an institutor and ideologist of international annual Noise vs. Glamour festival and Electroindustry label and Secret Assembly music events in which the different stars of Russian and foreign electronic music take part. Humility is exactly what we have dared to hope and expect from Noises of Russia in recent years. It is cra…
2007 release ** Limited edition of 250 hand-numbered copies in a card sleeve. "Russian project Erthad, originating from Kazan, exists since late 90-ies, but until now still hasn't made any official releases and preferred to stay in underground, recording music only for himself and his friends. We have been endeavouring to change this situation for a long time and now we're glad to present this wonderful disk to your attention. "Gma" was recorded in 2002 with the use of voice and software noise s…
2011 release ** "A collaboration album by two prominent Russian post-industrial projects Majdanek Waltz and Sal Solaris. The conceptual core of the record is the poetry of Paul Celan, one of the major German-language poets of the post-World War II era. His cryptic fractured lyrics spoken in a specific estranged way by Pavel Blumkin is enchased by a weird fusion of avant-garde neoclassic and dark ambient music. This record will seem unusual even for those who are already familiar with the works o…
2025 stock ** "The 7th full-length album from the Russian masters of "stockmarket industrial". "Styx" is the most mainstream-oriented work in the Cyclotimia discography. The music here is free of experimental and academic explorations traditional for the band; here the emphasis is made on the rhythmical component. Inexorable like an economic recession and steadfast like a financial indicator chart, eleven compositions depict the sickly technogenic reality of the planet wrapped by networks of glo…
2025 stock ** ""Celestis" definitely stands out in the discography of this project, known mainly for its post-industrial and avant-garde recordings. It would be no exaggeration to say that this is their most accessible work (in a good sense) correlating with the best examples of such acclaimed masters of the "space genre" as Jean-Michel Jarre or Klaus Schulze. At the same time the music on "Celestis" is in no way secondary, it is modern and quite craftily made."
"Monochrome" is a eulogy to Dmitry Vasiliev, a music enlightener, a label owner, a journalist, an ardent devotee of experimental music. Initially the composer Eugene Voronovsky conceived the album as a futuristic 'hi-res' mass, an alchemical fusion of angelic chorales and dub techno pulsations. A dream-like transparency of the material is deceptive in masking its technical complexity.