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* 2025 Stock *Time is a trickster on 5980 - Patto Generazionale, the latest offering from Sokushinbutsu Project. Massimo ODRZ Mascheroni and Enrico Ponzoni transmute the shimmer of late-’70s and early-’80s dance-floor forms into a suite of revisions,…
Monofonic Orchestra reanimates post-prog memory with Starless Variations, a double tableau weaving live piano with modular synths and expanded studio reworkings. The album takes King Crimson’s legacy as kindling for nocturnal explorations, unfolding …
Elena M. and Denis V. entwine instinct and control on 23, braiding their distinct sensibilities into an electroacoustic reverie. Each piece unfolds patiently, steeped in spectral resonance and subtle tension, yielding a collaborative terrain where st…
Two Rooms Records is excited to announce its tenth and most significant release yet, "Live on WUOM 1979" by Griot Galaxy. Nearly lost to history, this double-length release captures an extended radio performance by the seminal Afro-futurist jazz grou…
With "Why I Went To The Woods", I retreated once again into my hauntological dream worlds. With the woods being the place one traditionally goes to clear one's head, I went there with these recordings to fortify myself with a deliberate rejection of …
I started recording "Creature Comforts" with 'Allegiance' on the night of November 4th, as the election results were coming in. I found myself craving lullabies, but ugly and reflective ones, that saw the world with an acute sense of horror and bewil…
Welcoming elusive Japanese guitarist, Kouhei Fukuzumi, for his 3rd solo full-length as Ultrafog. ‘A Replica Screams’ emerges as a collection of drifting memories, a chain reaction of unique combinations of elements already present in the World. It em…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of…
The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The…
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specia…
Weaving a transient web, a dreamatorium with its own agenda thoroughly concerned about space—in—between, From island to island is a subtle sonification of deep musicality, real and surreal journeys, and a giant Maelström hiding the unknown multiverse…
*2025 stock* "Fero Király's How Much Can We Understand maps out some of the foggy territory where technological systems intersect with organic complexity. The album's two sidelong tracks were generated using “a cellular automaton with code 357”, a co…
Los Angeles-based sound artist, composer and Line imprint curator Richard Chartier returns to 901 Editions with “Eventual”, his first solo album for the label. This work follows two collaborations with fellow American artist Yann Novak (“Undefined”, …
Alexandra Cihanská Machová is a composer, electronic musician and sound artist from Slovakia. She has strong and persistent interest in rigorous listening to the world as a fundamental outlet for understanding and connection, leaning towards sonic ec…
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves…
Sissy Spacek’s Non-Linear detonates the idea of narrative from within, stitching decades of raw sessions and volatile improvisations into a panoramic fever-dream. Restlessly shape-shifting, the album spirals through states of collapse and acceleratio…
First ever vinyl issue for the 1993 Death Industrial underground classic. Schloss Tegal's The Grand Guignol threads horror’s darkest rituals into a tapestry of sinister atmospheres and forensic sound design. With a palette favoring unease over specta…
An act of concentration rendered explosive, Debt of Nature’s Robin Diamond’s Lungs lunges at complacency, fusing short-form assaults with caustic wit. The album is a lungful of serrated textures, stuttering rhythms, and a throughline of existential u…
After decades of working at the margins of experimental electronic music, French composer Manon Anne Gillis returns with Eyry, her ninth solo album and a stunning testament to her unique approach to sound as a tactile, sensory experience. Released on…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in J…