New Arrivals / Last 4 weeks
Dedicate to Forget
Thomas Carney, also active as Giugno and as sound technician mixing and mastering in an audio spectrum going from techno to hardcore punk, delivers here seven delicate blossoms recorded while traveling Europe and in NYC. Fragmentary poetry, with a fi…
![Metal Machine Music: Power To Consume [Vol. 2]](https://cdn.soundohm.com/data/products/2026-05/metal-machine-music-power-to-consume-vol-2-jpg.jpg.500.jpg)
Metal Machine Music: Power To Consume [Vol. 2]
Metal Machine Music: Power To Consume Vol. 2 pushes Lou Reed’s feedback inferno into a new era, unleashing Merzbow, Masonna, Lydia Lunch, Blixa Bargeld, Martin Rev and more in a maximalist, Record Store Day 2026 hallucination of infinite noise.
![Metal Machine Music: Power To Consume [Vol. 1]](https://cdn.soundohm.com/data/products/2026-05/metal-machine-music-power-to-consume-vol-1-jpg.jpg.500.jpg)
Metal Machine Music: Power To Consume [Vol. 1]
On Metal Machine Music: Power To Consume Vol. 1, a coalition of noise heavyweights channels Lou Reed’s most infamous album into a new crucible of feedback, tape rot and industrial grind, where extremity becomes form and chaos is sculpted into brutal,…
Duo
On Duo, Bugge Wesseltoft and Henrik Schwarz erase the line between jazz club and club culture, weaving live piano and deep house sensibilities into a remastered, 180g hymn to groove, melody and open‑ended improvisation.
Lunng
On Lunng, Sam Slater weaponizes his own contradictions, crashing drone metal, brass bands, industrial folk opera and black‑metal flashbacks into a volatile, hyper‑emotional surge of sound that feels both deeply personal and magnificently unstable.
In the Beginning
On In the Beginning, Gadea scores Ala Nunu’s animated essay on anthropocentrism with a delicately disorienting language: hushed electro‑acoustics, ghosted field recordings and Marina Herlop’s voice tracing fragile halos around three surreal, all‑too‑…
Forza G
Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio M…