New Arrivals / Last 4 weeks
Issue 74 (Magazine)
*2025 repress. 50 copies limited edition* This issue of Audion magazine was first published in pdf format and then later also as a limited printed edition. The pdf version is available as two Bandcamp downloads: a pdf/multimedia edition and as a pdf only version. The pdf is viewable on all devices that support pdf files and can easily be printed. This multimedia download also comes with extra files and the audio samples shown on this page.
Audion is copyright registered with the British Library,…
A Time Within: Live at the New York Jazz Museum, January 14, 1977
Tip! Featuring William Hooker (drums), David S. Ware (tenor saxophone), and Alan Braufman (alto saxophone), this recording captures a rare and electrifying moment in time. Recorded live at the New York Jazz Museum on January 14, 1977, the album has been newly mastered by Joe Lambert and is now released for the first time on March 28, 2025 via Valley of Search.
This album was recorded at a pivotal moment in each musician's career. William Hooker, already recognized as one of the most innovative …
watergh0st songs
"Is there only one room? When the listener listens do they stay in their room and the room in which the songs were recorded comes to the listener? Or does the listener go to the room in which the songs were recorded? Or maybe the two rooms come together side by side in tandem, in balance, or in parallel, somehow joined?
Songs of a person in a city going out of a room, looking. Easily walking down a familiar staircase. Foot leaving the last step before the landing. Standing briefly before the swi…
Noise Toys
Tip! *2025 stock* Noise Toys are a series of ready-to-go synthesizers created by the long-running Brooklyn circuit-bending trio Loud Objects, who are known for building and programming their own audio hardware. The Noise Toys are portable versions of the music chips Loud Objects use in their live performances, and come in five different glitched-out sonic flavors. Each Noise Toy is programmed with its own 1-bit generative sound pattern, armed with an old-style toggle power switch, two buttons th…
0.01s (Book)
*2025 stock* 0.01s, Perich's companion to 1-Bit Symphony, is a voluminous synthesis of sound and computation in book form, giving a tangible mass to the code behinds its music. Digging even deeper into the basic operations of computation, 0.01s captures the inner workings of 1-Bit Symphony over the first hundredth of a second after it is switched on. In just 0.01 seconds, its processor executes 80,000 computational cycles, enough information to fill a 695-page book with austere tables of numbers…
Pseudorandom (Book)
*2025 stock* A companion release to Tristan Perich's circuit album Noise Patterns, Pseudorandom is a massive, unabridged 1024-page printout of the 16,777,215 numbers that comprise one complete cycle of the 3-byte random number generator from its code. Originally released as a circuitboard that plays its music through a headphone jack, Noise Patterns employs randomness at the core of its sound synthesis. However, true randomness is beyond the limitations of any deterministic computer algorithm. B…
Vandalia
2025 Small repress, few copies available. With Vandalia Walter Marchetti is focusing his concrete and radical themes. Also including is an homage to John Cage. Action Music! Vandalia includes 'Perpetuum Mobile' (1981), 'Song for John Cage' (1985) and 'Le Secche Del Delirio' (1989). The 8-page booklet presents the photo of the 'Perpetuum Mobile' performance at Musicalia in 1981, the score of 'Song for John Cage', the photos of two 'Musica Da Camera' installations, as well as the reproduction of t…
In Terram Utopicam
2025 Small repress, few copies available. LP version, previously released in the Il Divano Dell'orecchio 5LP box. Includes the same materials as the original 1978 Cramps LP titled In Terram Utopicam, or "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/1975), "Adversus" (Home-made electric music) (1966) and "Osmanthus Fragrans" (Home-made electric music) (1973). The LP sleeve reproduces the original scores of "J'aimerais jouer" and "Adversus," and includes photos of the performa…
1-Bit Symphony
Tip! *2025 stock* Tristan Perich's 1-Bit Symphony is a dazzlingly low-fi electronic composition in five movements on a single microchip. A complete electronic circuit utilizes on and off electrical pulses, synthesized by assembly code, to manifest data as sound. The Wall Street Journal wrote, “Its oscillations have an intense, hypnotic force and a surprising emotional depth.” The device treats electricity as a sonic medium, making an intimate connection between the materiality of hardware and th…
Noise Patterns
Tip! *2025 stock* Circuit board with headphone jack, packaged in a card tray, housed in a jewel case which includes a poster. The device plays back 32 minutes of low-fi 1-bit electronic music. The final track plays indefinitely until switched off, starting at the point given above. Album gives its length as ∞. Matte-black circuit board with surface mount parts. FCC Part 15 compliance text and CE certification screen printed on rear.
Composition For Three Small Speakers
Tip! *2025 stock* Tristan Perich's circuit album, Composition for Three Small Speakers, comes as an electronic device that plays its three-channel music live. Following on his previous circuit albums (1-Bit Symphony, Noise Patterns, 1-Bit Music), Composition for Three Small Speakers is both a composition and a performance. When turned on, its music is synthesized in real-time by code programmed by the artist. Making a physical connection between code and hardware, the music was written to be pe…
Parallels
*2025 stock* Electroacoustic composition by Tristan Perich. Meehan/ Perkins Duo Percussion and 1-bit electronics.
Telescope
*2025 stock* Telescope is the second release of Tristan Perich's Compositions. The short, contemplative work, scored for two bass clarinets, two baritone saxophones and four-channel 1-bit electronics is performed by Sara Budde, Eileen Mack, Argeo Ascani and Alex Hamlin. Produced, mixed and mastered by Michael Riesman.
Dual Synthesis
*2025 stock* The third release of Tristan Perich's "Compositions" is "Dual Synthesis," a dense cascade of 1-bit electronics and harpsichord, performed by Daniel Walden. Produced, mixed and mastered by Michael Riesman.
Active Field
*2025 stock* Electroacoustic composition by Tristan Perich 10 violins, 10-channel 1-bit electronics
Chromatic
*Limited Edition of 100 copies!* Commissioned by 180 Studios as part of the UVA exhibition Synchronicity, Chromatic is a software-driven optical instrument that explores the harmony of form and the interaction of colour and sound. Each line, shape, and colour plays a role in constructing this generative audio-visual installation. A computationally programmed, rule-based system endlessly assembles and re-assembles abstract formations and harmonic sequences, producing geometric compositions that p…
Mr. Bloomfield, His Spacing = ブルームフィールド氏の間化
A masterpiece album released in 1976 by the Japanese contemporary musician Yuzuru Kondo, whose main contributions to the sombre labyrinths of post-1960s musical modernism is something that the composer conceptualised as 'linear music' (or line and shadow as "Sen no ongaku' is sometimes translated). Then there's beautiful piano solo puzzle "Sight Rhythmics" that's a bit like Messiaen's total serialist one-off “Mode de valeurs et d'intensités". Plus semi-concrète essay "Summer Days" where muffled…
A Shape Of Time / Strands III / Duo / Still Life
This 1983 collection on ALM compiles what is generally considered to be one of Jo Kondō's last linear pieces - "A Shape Of Time" - which he describes as a "duo" for piano and orchestra. The classification is appropriate since the overall concept is focused on basic dynamic arc applied to individual pitches or sound-blocks. In this way each of the individual 'linear' sound-events is started out by the group of orchestral instruments which play crescendo part of the dynamic shape - piano to mezzo …
Sweet Distractions
Sewer Election started blessing the underground noise scene around 2002 and has since released tons of stuff, from harsh noise to raw musique concrète-like things and tape works. ”Sweet Distractions” is a long piece sitting comfortably in the corner of his more laid back and ambient works. Sounds a bit like William Basinski never cleaned his reel to reel machines. Broken, beautiful and strange in the best possible way. Recorded in parallell w Kassettmusik back in 2007. Same technique with crude …