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Magic Tuber Stringband probes the undercurrents of the landscapes around them. Highly skilled players and writers, the trio are leaders within the burgeoning avant composition world utilizing folk instrumentation. Their music appears to weave in and out of the fabric of their surroundings, reflecting their time spent living across the Southeast and studying its regional folk traditions and natural histories. The ensemble continues to stretch the parameters of acoustic instrumental expression wit…
Tip! Man Eating Tree is the first solo album by Belgian-born, Oslo-based pianist Jonas Cambien. On prepared piano and electric organ, Cambien channels a soundscape of meditative repetition and oscillating rhythms. Cambien's background is dappled with diversity. While training in classical piano at the Conservatory of Brussels, he focused on contemporary repertoire. This would deeply shape his playing and ensuing projects, largely in Norway, where Cambien has embedded himself as a pillar of Oslo’…
Sirenjaw documents the first meeting of three musicians who, while previously connected through various collaborations, had not performed together as a trio before this recording. The project brings together long-standing musical relationships: Lukas Koenig and Vinicius Cajado share a deep-rooted connection within the Viennese music scene; Koenig and Kit Downes have collaborated both live and on record; and Downes and Cajado have recently worked together in a range of ensemble contexts in Berlin…
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…