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*100 copies limited edition* Symmetrical analysis of 14 disused tunnels, developed on the basis of the theories of M.S. Lie about the continuous group. Sounds collected at the Lake of Garda in its north-western side, between the end 1987 and the early months of 1988."
*100 copies limited edition* Japanese musician Yutaka Tanaka released his works under the name S-Core. Early works are all cassette albums he put out on his own cassette label Afflict Records, many of those were recorded via mail collaboration with many sound artists from international underground scene, such as Stefano Biasin (Italy), Telepherique and Trigger B (Germany), Merzbow (Japan), Al Margolis/If, Bwana (USA), Rafael Flores (Spain).
*300 copies limited edition* Over the past several years, Toronto-based multi-instrumentalist Max Klebanoff, best known as the drummer for critically lauded death metal outfit Tomb Mold, has slowly expanded the purview of his Death Kneel project. From a spate of hermetic short-form tapes to the uniformly excellent “Dawn Simulation” on bellwether noise label Chondritic Sound, the project has blossomed into a distinct force within the landscape of contemporary experimental music. “Remembering Well…
A side project from North Sea Radio Orchestra members. A new duo with explosive creativity and an extraordinary musical level that explores the boundaries between Renaissance, classical, medieval, folk, and contemporary music. As usual for Craig Fortnam, best known as the mastermind behind the North Sea Radio Orchestra, and Laurent Valero, also a member of the ensemble on the occasion of the critically acclaimed tribute to the music of Robert Wyatt, Folly Bololey, issued by Dark Companion in 201…
This intimate trio is the perfect vehicle for songs composed by John Greaves in English and in French- poems by by Verlaine, Apollinaire and more set to music by John in a powerful and very personal style, far from the tradition of French “chansonniers” but just as endearing. Elegant music to match the exigencies of the lyrics.
It consists of 15 tracks beautifully composed and arranged by John who articulates a piano that is sometimes melancholic and sometimes rock. His inimitable sense of poetr…
A work in six parts for contrabassoon + electronics, timpani + syncussion, and activated snare drum. The genesis of The Shunned Path began with a simple question: if one orchestral instrument could be freed from its traditional context and presented through the bespoke electronic array developed for Thomas Stone’s solo performances — projected at full scale through a massive sound system — which would it be? The answer was immediate: timpani. Returning to formative influences such as the Jerusal…
Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psychedelic cosmology, distinct form his better known work with High Rise, Musica Transonic and Toho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album, Mort Nuit, that…
A collection of intimate songs traced from the spectral darkness by Asahito Nanjo, the notorious leader of some of Japan’s key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990’s. Remastered and available for the first time on vinyl and digital. “A compilation of secret projects recorded over a period of twenty years…
On Solid Static, Musica Transonic / Mainliner - Asahito Nanjo, Makoto Kawabata and Tatsuya Yoshida - turn late‑90s Tokyo psych into a feral laboratory, smashing motorik riffs, free‑jazz volatility and distortion worship into one long, white‑hot detonation.
On In Concerts, Mujician - Keith Tippett, Paul Dunmall, Paul Rogers and Tony Levin - are caught across 17 years of pure, pre‑verbal improvisation, four voices moving as one organism, forever searching and sometimes touching the truly uncanny.
250 copies. A third, extraordinary document. Purge.xxx continues its quiet, singular excavation of the work of Japanese composer Takashi Inagaki with Soundtracks for Toshio Matsumoto - five soundtracks gathered for the first time, newly transferred from the original tapes, mixed and mastered, and accompanied by an original essay by Jennifer Lucy Allan.
Toshio Matsumoto (1932-2017) was a foundational figure in Japanese experimental cinema - a film director, video artist, and theoretician best kno…
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
**3rd pressing with letterpressed insert** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project …