New Arrivals / Last 4 weeks
Diana in the Autumn Wind
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
Batteaux
On their self‑titled 1973 LP, Batteaux turn baroque folk into ocean‑lit folk‑funk: lush West Coast arrangements, sky‑high harmonies and proto‑yacht grooves that feel as Balearic as they do Laurel Canyon, somehow both overlooked and timeless.
Cafetic Atom
On Cafetic Atom, Magic Nousiainen & Wonderful Lehtisalo turn the Finnish DIY cosmos inside out: ecstatic free noise, cosmic hiss and bliss‑bleeding feedback spirals coalesce into a strangely serene, meditative storm of pure, glowing otherness.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
Preludes
** 2026 Repress, revised artwork ** Artist and multi-instrumentalist Flaer looks to the landscape to explore pastoral melancholy on debut release, Preludes. Ensconced in his family home in rural Leicestershire in the early months of 2020, painter and musician Realf Heygate (b. 1994) picked up his childhood cello for the first time in several years and began to play. Setting himself parameters to only record onto 4-track tape with acoustic instruments – cello, piano and acoustic guitar – he assem…
Take me, I’m yours
On Take Me, I’m Yours, Alan Abrahams and Jan Jelinek dissolve the border between song and sound design: multi‑layered vocal sketches are stripped of harmony and beat, re‑sculpted into fragile, pulsing landscapes where house‑born emotion drifts through Jelinek’s grainy abstractions.