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*300 copies limited edition* Berlin-based percussionist and vocalist Teresa Riemann presents Can I stare at you publicly?, a new collection of solo works for percussion and voice. The pieces are meticulously composed, while their origins lie in improvisation, and improvisation remains part of the way Riemann performs them. The compositions stay open, allowing her to interpret them differently each time and keeping the music in a state of movement rather than fixing it into a final form.
On “The …
Twenty years on, Prurient's Pleasure Ground returns in the edition it always wanted. This is the hinge record in Dominick Fernow's catalogue, the one that opened the electronic chapter of the project: the scorched power-electronics of the early years meeting synth tones, slow doom weight and the meditative cold of Nordic black metal. Recorded in a single day, 14 February 2006, it first surfaced as a self-released double cassette sold at Carlos Giffoni's No Fun Fest in New York, then arrived in s…
Aux Armes returns with Siege, a merciless and deeply charged new album released by Minneapolis-based label Phage Tapes.
Built from punishing industrial electronics, stark rhythmic structures, and an atmosphere of permanent confrontation, Siege is music shaped by endurance. Its nine tracks move through tension, resistance, sacrifice, and remembrance, balancing mechanical force with a stark emotional weight. There is no release from the pressure: every pulse feels like a warning, every repetition …