New Arrivals / Last 4 weeks
Bo Harwood
Bo Harwood (1946–2022) was one of those behind-the-scenes figures of American independent cinema: a self-taught musician, composer, sound editor, sound mixer and songwriter.
Harwood started out as the lead singer and guitarist of a Southern California rock band before a chance meeting with John Cassavetes changed the course of his career. He scored his first feature, The Bach Train, in 1969, and later joined Husbands as an inexperienced assistant in the editing room. He gradually became Cassavet…
Pierced (June17th)
To be pierced is a process of change: what’s inside opens to what’s outside, and vice-versa. 'Pierced (June17th)' is a document of such a process, a series of reorientations following a rupture.
噪音 Noise
Massive, piercing, and raucous - deliberately raw and disorienting, "Noise" features tracks by musicians from mainland China, Hong Kong, and Taiwan: Torturing Nurse, Wang Changcun, Mei Zhiyong, Ronez, Wang Fujui, Orgasm Denial, Li Jianhong, Xu Cheng, Zafka, and more... Originally released in a small edition China-only 2CDR 15-track set (2012, Kwanyin Records), this new edition of "Noise" incorporates seven additional sets of works; 22 tracks in total. Scattered throughout, they feel entirely nat…
Ithā Sajā
Ithā Sajā is an ode to dusk, dawn and what’s in between. Or, Ithā Sajā is a collection of piano recordings I made in my Berlin studio
wal-Leil [by the night] is inspired by conversations with my friends Hend Alkahwaji and Wejdan Nassif during theatre rehearsals. wal-Leili [by the night II] is an imagined conversation with my friend Raman Khalaf. An homage to the jurjina rhythm found in folk music of northern Iraq and Mesopotamia. In wan-Najmi [by the star], one phrase repeats over and over with …
Birmingham Frequencies
Birmingham Frequencies, a landmark ambient classic recorded in 1997 by Higher Intelligence Agency and Biosphere, receives its first release on vinyl. The follow up to Polar Sequences, a previous collaborative project between Biosphere & HIA, Birmingham Frequencies features location recordings of the city’s sonic landscape, captured by Bobby Bird and Geir Jenssen, which form the basis of the compositions.Birmingham Frequencies was first presented in concert on 4th October 1997 within the sublime …
World Jazz Sound
Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider. After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz.
A…
Space Guitars
Music for New String Instruments, composed and performed by Allan Bryant. A pioneer of underground American electronic music, Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019. During a period in the early to mid 1970s, Bryant channelled his …
Music By Earle Brown
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
Synthesized Voices
DINTE reissues Charles Dodge’s 1976 LP collection of synthesised speech music, 1972-1975. Using mainframe computers at Bell Telephone Laboratories, Dodge analysed and dismantled audio recordings of surrealist poetry by Mark Strand, mathematically and meticulously reconstructing them in synthetic form, resulting in these uncanny, landmark pieces that spearheaded early computer speech synthesis as a form for musical composition.
Almost Starlight
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space.
The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …