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*2026 stock* Motvind Records stalwarts Miman mark their 10th year as a working band with “X-IV”, their first release since 2021. Including four very different albums, it gives both old and new listeners the opportunity to get to know some of the different musical landscapes in which Miman are right at home. «It doesn’t make much sense to apply a lot of the usual metrics to both the music created by the Scandinavian trio Miman or the way the group operates. Its members possess deep curiosity and …
Jessie Marino is a Berlin-based composer, performer, and media artist. Her compositions and performances abstract ideas drawn from all stripes of popular culture and political discourse, girded by a definitively humanistic sensibility rife with equal doses of wit and pathos. “Murder Ballads Vol II: The Positive Reinforcement Campaign” is the first recorded output from an ongoing band project, launched in 2023, with the Norwegian percussion trio Pinquins (Sigrun Rogstad Gomnæs, Ane Marthe Sørlien…
Dålågjel is Hans P. Kjorstad's third album as a leader for Motvind Records. The music premiered in concert form in 2022, when he joined by the all-star ensemble of Rasmus Kjorstad, Helga Myhr, Kenneth Lien and Astrid Garmo enchanted audiences at Motvind and Jørn Hilme-stemnet, with timelessly transcendental renderings of old Norwegian folk music material. Dålågjel is based on archival footage of traditional tunes from the Gudbrandsdal, Østerdalen, Halligdal, Valdres, Setesdal and Telemark region…
The Common People are perhaps the greatest remaining enigma of the ’60s US rock music. Their sole album has belatedly been acclaimed as one of the most distinctive recordings of its time. Produced in 1969 by “Lord” Tim Hudson (The Seeds) and arranged by David Axelrod, it’s a superb blend of garage rock and orchestrated psychedelia!
Titled Of The People/By The People/For The People From The Common People, this ultra-rare LP—originally released in minuscule quantities—captures the raw energy of la…
For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own ear. Issued …