New Arrivals / Last 4 weeks

The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.

Goblin's score for George Romero's Dawn of the Dead, released for the first time under the film's original title: New York Comic Con 20th anniversary edition on black vinyl with new artwork, limited to 750 copies.

Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transparent vinyl, gatefold.

The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.

A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.

Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.

Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.

William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.

First archival volume of the Swiss pianist and composer Lotti Tauber: minimalist, intuitive piano music from her privately pressed albums of 1981-1986, restored and mastered by Stephan Mathieu.

Third solo album by the Syrian keyboard master behind Omar Souleyman's sound: cosmic electronic dabke recorded in Iceland, produced by Randall Dunn with Mark Gergis.

Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.

David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.

Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.

Argento is David August's new project: an imagined soundtrack to the Tyrrhenian coast, synthesizers and field recordings with Lorenzo Setti on drums and percussion, in the wake of Italian library music.

Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.

Marina Herlop's most ambitious work, self-released: one unbroken body of music built on the Hero's Journey, with orchestral brass for the first time and gamelan recorded in Bali.

Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the trio trade instruments and roles.

Dark ambient pioneer Lustmord and drummer Dave Lombardo meet as Lustmord Lombardo: evolving walls of low-frequency sound shot through with percussion and synthesizers, mixed and mastered by Lustmord.

Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.

New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.

The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.

First vinyl reissue of the 1985 Pariah Tapes triple cassette by Toshiji Mikawa's Incapacitants: seven long tracks of pure electronic distortion, remastered by Andrea Marutti. Second pressing, 99 hand-numbered copies in a wooden box.

Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Operating Theatre's 1986 The Pentagonal Dream, read by Olwen Fouéré.

Seven unreleased BBC radio performances from 1969, the last year of the Don Rendell / Ian Carr Quintet with Michael Garrick, Dave Green and Trevor Tomkins, saved on the drummer's own tapes and issued on CD with notes by Richard Morton Jack.

First recorded work by Swedish drone composer Mats Erlandsson and double bassist Gus Loxbo, friends for 25 years: free improvisation, electroacoustic drone and doom, reshaped in the studio through digital processing and tape work.

Chicago trio Axis: Sova follow up 2023's Blinded by Oblivion on Ty Segall's God? Records: post-punk songs worked out live on tour, then recorded with Cooper Crain at Electrical Audio, all earworm hooks and phased, fuzzed guitars.

Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic process: an electroacoustic piece that sounds like an ensemble reaching across centuries.

Two pieces David Tudor composed in 1970 for the Pepsi-Cola Pavilion at Expo '70 in Osaka, built by E.A.T.: Pepsibird, from tapes of human and animal brain waves, and Anima Pepsi, from insect and animal field recordings.

Split LP in the Portraits GRM series: Amina Hocine blends sine waves, field recordings and her own foghorn organ in X3, while Espen Sommer Eide revisits his Phonophani years and the Tromsø ambient techno scene of the late 1990s.

Split LP in the Portraits GRM series: Jules Négrier’s two-movement electronic piece An Iris Crackled Like Eyelids meets Maria W Horn’s All Solids Melt Into Aether, organ chords pushed to their limits against computer-generated tones.

Electronic Sound issue 142 puts Faust on the cover, with a cover story on the four albums released on the same day by the band's four surviving original members, bundled with an exclusive clear vinyl seven-inch EP, Four From Faust, one track from each album.

Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.

Sarah Davachi's commissions and longform pieces from 2023 to 2026, for The Broad, MoMA, Sonic Acts, Ghost Ensemble and NO HAY BANDA: six works across six CDs in a rigid slipcase, companion to The Will of Tongues.

Lansdowne Books returns to World Countdown, the music newspaper that Charles Royal published in California every two weeks between August 1966 and July 1969. Original copies are very hard to find today. World Countdown - Volume 2 picks up where the first book stopped and reproduces every issue from July 1967 to May 1968. These are the months right after Monterey, when West Coast psychedelia was at full strength and the paper followed it issue by issue. In its pages: Love, Moby Grape, Spirit, Blu…

Limited edition hardback, quarter-bound in cloth, 372pp. Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack. This beautiful, limited edition hardback is the most comprehensive overview of the subject ever published. It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality images th…

Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.

With Yours Sincerely, Haruomi Hosono turns a lifetime of musical wandering toward compassion, memory and the unknown. Tender psych-folk and bubbling avant-pop frame his first new collection in seven years, while female voices open fresh emotional territory. Rather than settling into legacy, he makes curiosity the engine of a quietly adventurous renewal.

** 2026 limited edition double vinyl with the original cover by Tal R. ** After 14 years of filming/recording some of today’s most influential musicians, the music from Andreas Koefoed’s and Jørgen Leth’s celebrated film “Music For Black Pigeons” is now available for the first time (vinyl only). The soundtrack is based on compositions by Jakob Bro, performed by Bill Frisell, Lee Konitz, Craig Taborn, Paul Motian, Andrew Cyrille, Arve Henriksen, Midori Takada and many others. Venice Film Festival…

Boris and Michio Kurihara reunited at Tokyo's Fever club on 29 December 2018, playing nearly all of Rainbow plus Boris pieces, Kurihara solo songs and covers. Live sound by Soichiro Nakamura of White Heaven, on 2LP in a gatefold sleeve.

Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.