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"For the years Columbus was lucky enough to call him ours, drummer Ryan Jewell was our leading proponent of Emily Dickinson’s maxim “tell the truth but tell it slant.” He placed an idiosyncratic, indelible, and always swinging stamp on any context he…
Detroit saxophonist Skeeter Shelton and Chicago percussionist Hamid Drake didn’t know each other before Skeeter was subbed into a duo gig at Trinosophes (Detroit) after Hamid’s partner fell ill. Shortly before the performance, it was discovered that …
In the late 1980s / early ’90s, pianist Matthew Shipp and drummer Whit Dickey were young musicians taking part in the cultural ferment happening on New York City’s Lower East Side, a place where free jazz, avant-rock and all manner of creative arts a…
Calvin “Popcorn” Ward put out just one album and a couple of EPs during the height of his musical career, which were held in particularly high esteem by Soul and Funk afficianados in Europe, less so in the states where his work generally remained can…
From its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it p…
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, S…
Featuring Mike Taylor (piano), Dave Tomlin (soprano saxophone), Tony Reeves (double bass) and Jon Hiseman (drums), this is the first ever release of a newly discovered tape of this legendary British jazz quartet’s final rehearsal before going into th…
This album is about trauma and PTSD. The music portrays the emotional loop... the continuous reminiscing about the traumatic event the never-ending anxiety and paralyzing panic attacks... ... from which a traumatized person simply cannot escape. I ca…
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer B…
**300 copies limited edition** "When the Nihilist Spasm Band's first album was released in 1968, no other band in the world recorded such a racket. For these Canadians, who had been practicing for three years in their London (Ontario) rehearsal room,…
Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attentio…
Evan Lindorff-Ellery is a visual and sound artist based in Kingston, New York, and co-owner of Notice Recordings. "No Water Recordings 2011" was created in Ravenswood, Chicago using a hydrophone against a bridge, above water, and a contact mike and c…
Fieldwave, Vol. 2 is the second release in our compilation series created by broadcaster, sound collector and Nonclassical A&R consultant, Nick Luscombe, bringing together artists with field recording at the heart of their work. This second volume fo…
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde tou…
* 100 copies limited edition, orange vinyl, includes a one-sided insert + a hand numbered envelope containing four additional prints * Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different …
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedeli…
A photographic essay by David Sylvian. A limited edition publication: 500 copies signed and numbered by the artist. 50 signed, unnumbered copies randomly distributed among the remaining edition.
*2022 repress* Exmagma's eponymous first album, recorded in 1972 and released in 1973, reminds a lot of late '60s Soft Machine. Others compare the album to Wolfgang Dauner's output or tracks by Et Cetera. Exmagma's music goes beyond jazz and rock, us…
**Limited to 300 copies** Stunning choral smoke from the ever wonderful Tape Loop Orchestra, here shedding the blissed drone energies of his best known material in favour of a more lucid expression of ideas constructed almost entirely from the human …