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New Arrivals

Dragging Her Wings of Rusty Knives: Selected Recordings 1994-201
A Handful of Dust was founded over three decades ago by two giants of the New Zealand underground, Bruce Russell (The Dead C) and Alastair Galbraith. Declaring their raison d'être in the now infamous Free Noise Manifesto the group has advanced a radi…
Home Fi
Edition of 400. "Vinylization of the recent Home Fi cassette (originally released on the Australian Brierfirld Flood Press label) by this magnificent New Zealand singer/songwriter. We were never able to score a copy of the tape, despite the fact we r…
freeHorn
The form of both freeHorn and ii-v-i consists of a continuous modulation between three different harmonic series. freeHorn weaves together the live interaction of acoustic instruments and computer software written by Larry Polansky and Phil Burk. ii-…
Windmill
Stephen Whittington writes:“…from a thatched hut draws upon a particular strand of Chinese culture: the Chinese scholar who withdraws, temporarily or permanently, from society. The thatched hut was the place where the great Tang dynasty poets Du Fu (…
Bhajan
Nicholas Chase's Bhajan, described by one critic as “a pas de deux between violin and electronics,” is in four joined/continuous sections. Influenced by many musics from around the globe, the work tantalizes and bewitches the ear with a breadth of so…
Ecstatic Descent
Erik Griswold's Ecstatic Descent is a prepared-piano work that melds composed and improvisational elements to create an intensely animated, one-of-a-kind textural sound world. Performed here by the composer, at times it may call to mind an enormous o…
Twilight Of The Dreamboats
Chas Smith's Twilight of the Dreamboats, one of his quintessential electro-acoustic work, is an ever-evolving single gesture, a seamless blend of tones and timbres from his metal sound sculptures (instruments with such names as Bertoia 718, Que Lasta…
After the Wars
Peter Garland's After the Wars, a resonant, sometimes clangorous four-movement piano solo, displays a unique sense of grace and a sincerity of expression that is quintessentially Garlandesque. In some ways it marks a slight shift of focus from his mo…
In the Village of Hope
Michael Byron's In the Village of Hope is a restless (and in some ways relentless) virtuosic harp solo performed by Tasha Smith Godínez, who commissioned the work. This ever-changing, ever-churning, ever-developing music is unlike anything else in th…
In The Sea Of Ionia
In the Sea of Ionia is a wildly spinning, charismatically eclectic album containing four of Daniel Lentz’s recent piano works: (1) 51 Nocturnes (2011), a set of very short, contrasting nocturnes that are played without pauses, as one continuous work;…
35 Whirlpools Below Sound
35 Whirlpools Below Sound presents a fantastical soundworld of 19 short, richly detailed, multilayered electro-acoustic soundscapes jointly composed by Thomas Newman and Rick Cox, whose musical friendship and ongoing working relationship date back to…
From A Folio
Michael Jon Fink's From a Folio, a suite of six short pieces for cello and piano and one central piece for six cellos, a set of songs without words, was composed for new-music cellist Derek Stein, with whom Fink has been performing in various small g…
Music For Airport Furniture
Music for Airport Furniture is Cold Blue’s first release of Stephen Whittington’s refined, beautiful music. Whittington is something of a musical vagabond, traveling widely and writing music that is often multicultural in its inspiration. With this i…
Long Night
Kyle Gann's Long Night is exquisitely drifting, ever-unfolding music for three pianos that sometimes play independently and at other times in synchronization with one another. Gann calls this “the most successful piece from my early, Brian-Eno-influe…
Ragnarok
Silence present a vinyl reissue of Ragnarök's self-titled debut album, originally released on the same label in 1976. Some music never becomes dated and this debut record by Ragnarök from Kalmar in Sweden is just filled with that kind of music. Ma…
A Jamais / Ping
This is the third album by Laurent Perrier’s “Pylône”, Laurent’s experimental electro-acoustic project. Entirely composed and performed with modular synthesisers, it consists of 2 long tracks stretching across each side of the LP. Side A: “A jamais” …
Steadfast on our Sand
Steadfast on our Sand is a documentary about landscape creation and nature control. A mesmeric film about the islander community and its contradictory habits and traditions. A cowboy movie with herds running in the meadow at sunset and white horses r…
Bloom Into Night
Bloom Into Night is the new album from ByMyDelay, the solo project of Marcella Riccardi (Blake/e/e/e, Franklin Delano, Massimo Volume) started in 2011, initially as a one-woman band with an array of loopers end effects to accompany her own songs. Dur…
Black Water
Jim Fox’s music is usually noted for its quietude and ambling pace. In the mid-1980s, however, he drifted from these defining stylistic penchants for a couple of years, penning music that often bounced along, energetically and loudly, at a good clip.…
Four Voice Canons
Over the past 25 years, Larry Polansky has been composing a series of fascinating mensuration canons (a formal concept dating back to the Renaissance) that run a sonic gamut from wildly boisterous (#6) to serenely introverted (#17, Guitar Canon). Thi…