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Nine long and extraordinary tracks collected in a 3 CD, among fluctuating ambient atmospheres, hypnotic rhythmic progressions, circular and motionless stasis, acid psychedelic escapes, evocative electronic reflections... Slow suites of "classic" ambient music suspended and dilated, soft and wrapping sonorities alternated with evocative and dramatic crescendos, through progressive sounds layerings, drones, pulses, distant echoes of human voices and subliminal perceptions of ethnical vibrations...…
Terrific triple CD set...Formerly of 1990's dark ambient pioneers Endvra. Three previous full lengths on U.K. label Cold Spring. Over three hours of music focusing on subtle changes that command attention and focus; imagine if Philip Glass composed a three hour drone piece... Triple disc set, each disc with its own artwork, held together by a custom band with genuine letterpress printing. Original landscape photos reflecting the mood of each disc by Chris Walton himself, and packaging design by …
'We kick-off 2010 with possibly the most essential Merzbow release for many years. This 3CD set is culled from appearances on various compilations, ranging from the most obscure cassette releases, to long out of print gems on labels such as Blast First and Susan Lawly. This material spans an entire decade from 1991 to 2001 and as such, tells its own story of the development and sonic chicanery that is the Merzbow sound during this time. If you only own one Merzbow work, this is the one to…
Deluxe triple-pack CD that restores two classic Skullflower albums to print, with a bonus disc of contemporaneous singles. Recorded together and originally conceived as a double CD back in the dark ages of 1995, "Carved Into Roses" and "Infinityland" find the band making a transition from the "heavy" riffs of their early days to a more free-form sound that continues to this day to drive leader Matthew Bower's many guises (Skullflower, Sunroof!, Hototogisu, Mirag, etc). Sporting a revamped …
3CD live retrospective covering '98-2006 & incl. shows in New Zealand, Japan, Denmark & Scotland. Shows the evolution of sound from the mid 90's slowly emerging drone-fields to the more dynamic sound. He's assembled the best possible overview of his work under one title, w/out rehashing any material from previous releases
For Christian Wolff is one of Morton Feldman's final compositions, and stands alongside the four-hours-plus For Philip Guston, the 70-minute For John Cage, and the six-hour String Quartet II. Writing about hearing this work, Christian Wolff says that 'I found the experience of listening to it beautiful and interesting -- it moves away partly from our (Morty's, John Cage's and mine) original preoccupation with just sound and sonority into areas of self-awareness about listening, being a listener,…
The monumental set 'What Space Is Made For' has been recorded in their secret base on the Western Alps, and unlike MCIAA's previous works, it's mostly made of short pieces and songs. In addition to their (un)usual instrumentation (electric and acoustic guitars, space toys, percussion), MCIAA have self-made, modified, and assembled / disassembled primitive electronic equipment. So the result may sound their most 'experimental' as well as their most 'accessible' work to date. An alternate edit of …
Awesome reissue: presenting yet another collection of 'absent' works is an evidence of their creators' critical approach and lack of consent to political pressure, under which they had to function. This album is only a selection of compositions belonging to this trend. Under the wing of the Warsaw Polish Radio Experimental Studio emerged dozens of hours of socially engaged music. These compositions to a various degree alluded to the current events but also pointed to the broader historical…
CD, 3-panel engraved sikscreened cover ltd. 500ex. Perhaps I told this before: one sunday afternoon two years I went out to see the farewell event of a band that I never heard of, Dagpauwoog, but I knew all of its members (including Rutger Zuydervelt) and was pleasantly surprised by at least two concerts: soccerCommitee use of voice and guitar blew me away (the female answer to Oren Ambarchi I thought) and Wouter van Veldhoven, who played some analogue synthesizer, a music box, an ancient tape d…
Both of these projects hardly need an introduction. Merzbow is since the late '70s the project of Masami Akita working in the field of noise music, having released a few hundred CDs/LPs/cassettes by now. In 1987 Kapotte Muziek was then the solo project of Frans de Waard, after Christian Nijs left the group early '87. De Waard concentrated on working with other musicians, and started trading tapes with a few musicians he was already in contact with, and one of them was Merzbow. The first release …
A treasure trove of archival articles and interviews with the great one. Hard to find. This book compiles tons of articles interviews, and press clippings about Captain Beefheart and the Magic Band. It contains 40 separate pieces of writing, including Lester Bangs original reviews of Trout Mask Replica and Lick My Decals Off, Baby, interviews and articles from such diverse sources as Rolling Stone magazine, ZigZag, Hot Wacks, and New York Rocker, and transcripts of interviews from Late Night W…
As a cultural clue and a discipline subject to codes other than those of the visual arts, music turns out to be a medium and a bundle of eclectic references based on which it seems possible to spell out alternative conceptions of the world, and cast a critical eye over certain mechanisms at work in our societies. So-called 'popular' forms of music represent an inexhaustible source of inspiration for artists, whether they are raising the issue of their fetishization and their museification, or e…
the sixth issue in a series of monthly magazines collecting activities and changes in general.Every visit to antwerp by the icelandic showmaster Sigtryggur Berg Sigmarsson in the last few years has been spiced by up and down outbursts of colaborative drawing sessions.This issue of mss meesterd collects over 200 colab drawings by dennis tyfus and sigtryggur Berg sigmarsson, which were done in 2 days! this issue is way thicker than the other issues of mss meesterd, it's printed on newspaper paper …
One of the most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of "T. W. Adorno, Essays On Music" "A model of interdisciplinary…
a 60 pages zine made as a contribution to the "changez, een belgenshow" exhibtion at 21 rozendaal in een schede/holland. this zine collects the short period right before this exhibition. all work is made or found between november 4th, when tyfus joined the subhumans of hair police on a tour through europe and december 31st. besides a lot of drawing in the tourvan, this period included a residency at codalunga in vittorio veneto (which also resulted in a exhibtion), a sinterklaas performance with…
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
"the third issue in a series of monthly magazines collecting activities and changes in general.this third issue collects 20 full colour silkscreens of photographs and photo collages, of recent and/or good times, some may recognize the likes of Vincent Snoop, Spencer Clark, Tazartez Ghedalia, Vaast Colson, Guy Rombouts, Jah Matthé, Chris Corsano, Hendrik Hegray, LVMM or Peter Fengler within this blurryness.this issue was silkscreened by Gerard Herman, lay out by Jef Cuypers, limited and numbered …
an amazing book that xplores the influences on the four musicians in the early 50s who, because of their deep interest in art, associated closely with the New York School of painters: Varese, Wolpe, Feldman and Cage. Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David Tudor, formed friendships wit…
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
An interdisciplinary compendium of audiovisual culture, this very nice art catalogue explores the connections between image and sound in art, media and perception. "Artists today take an engagement with the sound of this world for granted. The former predominance of the visual has meanwhile been replaced by a multifaceted interplay of image and sound. Even though contemplative quiet still largely predominates in museums, sound, experimental composition, audiovisual media and pop culture have bec…