New Arrivals
Yaho-Niwa
Masami Akita alias Merzbow, the king of noise music, the defender of the vegan cause, the animals lover is coming back with a cosmic and devastating magma, a spinning metal tapestry-work with loops of echoes in a whale rutting way. As usual, to be listened to very loudly. Mix realized at Munemihouse in Tokyo during the month of April in 2011.
Papercuts Theater
AWESOMEEEE!!!! The construction of this latest opus from C. Spencer Yeh's Burning Star Core comes from the collaging of sixty-six live recordings, captured over the course of an eleven year-period. The editing time for this monstrous undertaking was fairly substantial too, taking up two further years of on-and-off assembly. In addition to Yeh himself, the list of contributors takes in an expansive cast of notable noise and improv artists, including Hair Police's Mike Connelly, Trevor Tre…
Nowhere
1998 reissue, orginally released in 1984. A combination of spacey electro-pop, dub and dark avant-rock influences, Phantom Band is one of the most authentically weird, essential and yet surprisingly overlooked organisms orbiting the Can universe. This is the third and final album from the project, masterminded by Can drummer Jaki Liebezeit, featuring Dominik von Senger (Dunkelziffer, Damo Suzuki Band/Network) on guitar, Helmut Zerlett (e.g. Dunkelziffer, Unknown Cases) on keyboards and Sheldon A…
The finishing line (Film music volume 2)
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
La Sala Dei Cristalli
Using selected sound materials from Sonorous stones, Stalactites, Bat calls, Flutes, Field recordings collected by Mariolina Zitta in different caves in Liguria a Sardinia, Italy, processed and edited by Alio Die. In "Lithos" the drones are played by the authors on a set of long stones that goes in resonance, caressed by a bathed hand, by the same principle of the crystal's glasses. A very immersive and obscure traveling, an underground meditation with a ritual touch, in accord with the "natur…
Northern
The inspiration behind Northern (including its music, title and photography) comes from Deupree’s recent relocation from the heart of urban activity in Brooklyn to the tranquility of the forest in upstate New York. Inspired by nature and the winter during which it was created, Northern, like much of his recent work, explores Deupree’s interest in stillness and a slowed sense of time. Through quiet textures, subtle movements, faint loops and echoes, it was his goal to create the type of music tha…
Spiritual Jazz 3: Europe
Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along ancient routes of communicat…
featuring Ginsberg, Hentz, Irmler
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
We Are the 21st Century Ambassadors of Peace & Magic
In May 2011, Foxygen's Sam France and Jonathan Rado nervously handed off a CD-R of their homemade mini-opus Take the Kids Off Broadway to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift's outsider-pop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock n' roll (At least a dozen records were finished before they …
13 13
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
As a Leaf or a Stone
For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…
The Yelm Sessions
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
Charlemagne & Pippin
Single 35+ minute excursion in typical BtC drones w/ added violin. Really organic sounding, loads of textures.
Map in hand
Seaworthy, a three piece collective based in Sydney, Australia that revolves around core member Cameron Webb as well as Sam Shinazzi and Greg Bird, was formed in early 2000 to explore melodic and experimental approaches to the construction of minimalist sound scapes from looped guitar, warm drones, piano, electronics and field recordings.Map In Hand often blurs the lines of conventional categorisation with elements traditionally considered part of “indie” or “post” rock blended with processed mu…
Malpais
Malpais is the first collaborative effort between William Fowler Collins and Gog. With both musicians based in the American Southwest (WFC in New Mexico and Gog in Arizona), the music is layered with hallucinatory visions of abandoned mines, atomic bomb blasts, genocide, and space travel. The listener is taken to a place that feels as though it could be the surface of the moon or a scorched earth strewn with bone dust and ash. Photograph by Max Aguilera-Hellweg.
Okkupation
Thomas Rehnert lives and works in Berlin. He was deeply influenced by the European free jazz of the 1970s, and in West Berlin in the 1980s he played percussion in various punk bands. In the world of punk and experimental music of these years, he began to occupy himself with electro-acoustic music, machine music and automata. He builds sound machines from analogue modular synthesizer systems that are voltage- controlled and steer themselves.His formative principle of organization is variation by …
Ural Umbo
Ural Umbo is Reto Mder (Sum of R, RM74) and Steven Hess (Fessenden, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mder and Hess displace sound from the veil of the supern…
Live at the Vortex
A 2006 concert recording at London's legendary Vortex by Evan Parker (tenor saxophone), Steve Beresford (piano), John Edwards (double bass) and Louis Moholo-Moholo (percussion) with special guest Kenny Wheeler (trumpet & flügelhorn) joining the band for the second set."-psi
Window dressing
'Jean-Luc Guionnet and Seijiro Murayama have been playing and performing a lot over these last past years. Their unique approach is based on space exploration and intensive relationship to sounds and silence. The first piece - Procédé - was recorded live at Radio Slovenija (Ljubljana - Slovenia) on june 2010. The three other pieces - Processus, Procession, Procès - were recorded by Eric La Casa in Paris on december 2010. The main purpose was to work out a specifically designed process for…
Aun – The Beginning And The End Of All Things
This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. Intention : 'AUN Ð the beginning and the end of all things' tells the story of mankind's quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the…