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A dark, choking, psychotropic immersion into abstract isolationist electronics, floating among rumbles, drones, bleeps, glitches...like a trip into the deepest corners of an obscure unknown galaxy, lost forever and glad of it! Everything is made with exclusive use of vintage equipment, no computers, no midi, no emulators…nothing can beat the sound of an unleashed vintage analogue synthesizer
Versatility has always been what sets Luca Sigurtà apart. His new solo album ‘Bliss’ out on Fratto9. Recor- ded in 2011 and Mastered by Giuseppe Ielasi, this new offering exhibits his most dreamy side. There are five tracks which sit between cinematic drone music and that of Angelo Badalmenti.
It a soundscape through a sunny afternoon in the North of Europe, filled with white light that illuminates the port and with the presence of distant noise.
Shared between the passion for silence and …
Julian Lynch and filmmaker Amy Ruhl first collaborated on Lynch's Seed video from his proper debut album (Orange You Glad) on Olde English Spelling Bee. Around this time, Ruhl was beginning work on her first film, an animated, allegorical biography of the courtesan, dancer & spy, Mata Hari. Spurred from talks about a using gamelan to score the film, Ruhl asked Lynch to contribute songs to the film & he delivered five new instrumentals. Drawing on both Indonesian music and his own bedro…
This is the official debut of the Opalio brothers' new project called MUSIC FOR PHANTOMS. It is a totally acoustic and a very ambitious project dedicated to "total quietness", recorded in the mountains and ONLY during the night. This is the most haunted music you can ever imagine, created playing exclusively wooden instruments: a classical guitar, and an acoustic guitar; all instrumental. This music makes you taste the distant echoes coming f…
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…
After 2 full-lengths mining vintage horror scores and Italo/Goblin-isms for inspiration, Kansas City riddler and composition whiz Umberto slow-pans his focus out of the graveyards and black widow cobwebs into the celluloid-stained artificial streets of Beverly Hills police beats and pop culture ghost-busting. Freeze! is an inscrutable but impressively legit reinvention of Jan Hammer-style 80’s soundtrack cheese: soaring keyboard lines, fast-tappin’ piano, locked-in bass grooves, goofy canned dru…
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
A vinyl rarity from Andrew Liles, known for his collaboration with Nurse with Wound. Velvet box containing 4 7-inchers (all in separate picture sleeves), a poster and a set of postcards. On the vinyls one can find an odd mixture of ambient and experimental music.
To Describe George Washington Bridge is Stephan Mathieu’s 2nd Dekorder release in the 10inch format (reflecting his interest in old 78rpm records) after 2009’s sold out The Key to the Kingdom, and, we’re happy to say, again it features two of the composer’s most outstanding short pieces. Both are recorded utilizing similar methods as used on his most recent album “A Static Place” on 12k yet they are presented in an even more condensed and melodic way. As source material he used transcript…
Finally arrived, very few copies available left, both wooden Boxes (VOD74 and VOD75) delivered in deluxe silk-screened and embossed fine-linen folder to complete and protect the 2 wooden boxe. Already sold out at source, an extraordinarily beautiful and monumental release from Vinyl on Demand
LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…
Amazing box containg the entire Polyphonic Size discography, with all singles, maxi singles, 1st lp produced by JJ Burnel (live for each moment), b-sides and rare tracks, plus superb unreleased material (in excellent sound quality), carefully selected and remastered from roger-marc vande voorde's archives. including unreleased songs (Me Or You, Citizen Of Science, Asakusa Dub, Her Toys Dub), unreleased electronic instrumental tracks (Electronic 14-7, Electronic 65-4, Electronic 69-7, Electronic …
A new decade begins with a very belated release for us here,that of Marsfield's second album recorded in 2005. Brendan and Andrew already published an album 'This Growing Clearing' in 2004 under their own names but decided on Marsfield as a name for future projects.We hope to publish the second thread of the story in the first quarter of 2010 'Three Sunsets Over Marsfield'.. 'The Towering Sky' is packaged in a mini LP style gatefold sleeve with hand tinted front cover image and Japanese obi.
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
The piece “Radio-Imitat (Radio Imitation)” by the German artists and musicians collective Insitut fuer Feinmotorik was produced in 2009 for the monthly radio show “Radio Arthur” on Radio LoRa. In addition to its reconstruction of advertising, music and jingles, imaginative room is also made available for talk and discussion. A facsimile of radio is thus painstakingly manufactured, as if by someone who for cared very much less for sense and signification than they did for the weird flow of sound …
This volume presents Violette's recent two-part exhibition at Barbara Gladstone and Team galleries in New York in 2007, and includes a 12-inch LP of his five-channel audio installation for Gladstone. Recorded at Team Gallery, it was composed and performed by frequent collaborator Stephen O'Malley of Sunn O))) with vocals by Attila Csihar.
The latest project from sheffield based artist and electronic musician mark fell, multistability is primarily an exploration of erratic and non-regular rhythmic patterns. drawing equally from his work with snd and his many solo projects fell's most recent work promotes a minimal complexity; combining meticulous synthetic chordal layering with convoluted, chaotic yet fundamentally engaging temporal structures. (label info)
an amazing release by the Czech electronic pioneer. In spite of his picaresque life and many eccentricities, it ought to be, and is, as a composer that Rossmann is best known. His artistic output was not only music, of course, and his output in any case was not particularly large. There are about 30 works in all and there are occasional gaps of up to three years between one piece and the next. But what he did produce shows that he was one of the few truly original Czech composers of the last cen…
The second release from Dieter Moebius and Karl Renziehausen. The tracks were recorded in 1991-92 and released on Nova Era in 1992. Reissue with special miniature paper sleeve. Digitally remastered version, limited to 1,000 copies