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*2023 repress!!* Long out of print the 4th issue of archive series of NHK electronic music studio. Originally, Kosugi's “Catch Wave '71” was included in this issue, but, by a problem between composer and publisher, the CD was cancelled after several days of selling! Eventually, instead of Kosugi, Ranta's “Kagakuhenka” was up for renewed issue.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until the…
*2023 stock* Ireland's answer to the Incredible String Band, Dr. Strangely Strange engaged in the same type of psychedelic acoustic music with folksy arrangements. With traditional instruments like penny whistle, fiddle, harmonium, and mandolin, Dr. Strangely Strange was more solidly rooted in melody and structure than the group's flaky Scottish counterparts. Produced by British modern folk guru Joe Boyd, Kip of the Serenes is built around simple and repetitious melodies occasionally interrupted…
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…
Specifically written and recorded by Tony Rolando to be paired with Absent In the Void, a California grown, direct pressed, native yeast fermented Chardonnay wine.
Specifically written and recorded by Ross Gentry to be paired with Sink into Seclusion, a Mendocino grown, amphora aged, skin contact Sauvignon Blanc wine.
*200 copies limited edition* It dawns slowly here in Appalachia, summer's persistent pulse, that seething solidity of buzzing insects, flowers bursting into wilt, animals waking and returning in preparation to leave and sleep again. It's the peak and the decline, the sun's summit and sinking, the heat blast of day and the cool pall of night. There never seems to be quite enough time. Summer begs us to hold onto it, to be asked to stay, even in its heat and the incessant light, to allow it to con…
Peaking late, rising slowly and crashing gently, in other words dialing in the perfect extra sensorial experience. Giulio Stermieri’s first solo outing ‘Fort Da’ is a nuanced ultra hypnotic work of art, six movements that blend ascetic minimalism, polyrhythmic trance and ecstatic tension with surprising detours into primitive techno and abstract jazz. Based in the smalltown of Saliceto Buzzalino, Giulio Stermieri is a pianist and composer, founder of the collective Impulse Response (with Laura A…
A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as "a navigation", a search through "the personal, familial, cultural, folkloric and geographic of her past and present." Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an alb…
Pascal Comelade, Lionel Limiñana and Marie Limiñana reunite for a new album entitled 'Boom Boom', the follow-up to 'Traité de guitarres triolectiques à l'usage des portugaises ensablées', their first trio work released in 2015. The new recording by this short-lived trio is built on common sonic lines: the riff, repetition and melodic prestidigitation. "Boom Boom' contains 12 previously unreleased tracks, recorded in early 2023 during a break in their respective activities. After his album releas…
*2023 stock* "The four works for piano recorded on this CD were written between 2017 and 2021. All were composed using a random number method. More precisely, each of the sonic components of sounds made from random numbers was changed, based on my own sensibility, into another sound that I was happy with. This transformation was carried out little by little every day, like writing in a diary, resulting in the creation of each individual sound. I always write similar things in explanatory notes a…
*2023 stock* "The four tracks on this album are piano pieces I composed between 2007 and 2018, performed by pianist Satoko Inoue. A live recording of a 2018 solo recital by Inoue-san has been newly mastered for this release. The three tracks other than "Containing Time" are pieces I composed for Inoue-san. Around 2007, when I wrote "Cosmetic Dance," I often went to her concerts, as I liked the way she played. One day soon after I'd finished the composition, I went to hear her perform. After the …
*2023 stock* "I composed this piece in 2011 on a commission for the concert "Sonorous Solitude / Hidehiko Watase Solo Flute Recital," produced by image/air_ (Ippei Hosokoshi). The conditions were that the piece should be as long as possible and written for baritone (Homei Kamie) and flauto traverso (Hidehiko Watase), and that I could use any lyrics I liked. Simply put, the flauto traverso is an ancestor of the contemporary flute. First, Watase-san told me about the instrument's characteristics. …
*2023 stock* Contemporary classical composer Masamichi Kinoshita was born in 1969 in Ono, Fukui Prefecture. He currently lives in Tokyo. Kinoshita regularly performs at Ftarri in Suidobashi, Tokyo. In February 2020 he held the first concert in the series "Ftarri's Harmonium," featuring the harmonium housed at Ftarri. The series has since continued at a rate of one concert every few months; the fifth was held on July 3, 2021. In each concert, Kinoshita (on harmonium) performs his own compositions…
*2023 stock* This CD documents a series of works that I call "Musical Procedure." In composers' usual works, the sounds to be performed are written in a score; but in these pieces the procedures (which could also be called programs, algorithms or specification sheets) for shaping music, such as performance methods and the general ideas of the works, are written as concisely as possible, and the type of sound to be produced is left largely to the performers. The score is merely an arrangement of …
*2023 stock* Published in the Edo era (1664), "Shichikushoshinshu" is a beginner’s guide to three musical instruments—the "hitoyogiri" shakuhachi, the koto, and the shamisen—which includes lyrics and fingerings for songs believed to have been popular at the time. Tai decided to create a new musical instrument in order to perform the shamisen music in "Shichikushoshinshu" (Japan’s oldest shamisen “scores”). The result was the self-made electric stringed instrument he calls the coiled cello. In 20…
In 1948, Moses Asch founded Folkways Records with a self-proclaimed mandate to record the sounds of the entire world. From the Sounds of North American Frogs to Speech After the Removal of the Larynx, Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape. Seventy-five years later, electronic music duo Matmos have diced, looped, stretched, and recontextualized th…
Three years after the release of Black Angels Songs, Miroslav Tóth together with Dystopic Requiem Quartet comes up with a rare album inspired by non-places, i.e. buildings and objects that were either unfinished, abandoned, over-multiplied, or were marked by mining and yet had no meaning in the end. Also featured on Non-places is Nénia, a track dedicated to the victims in Ukraine, written three days after the outbreak of war during the album's creation. The recordings were made in the Czech Repu…
Zach Rowden's new album, titled "No Middle Without The Beginning", radiates the current musical concrete. Two pieces, each spanning a single side of the LP. Distinct & comprehensive as a whole. Letting Such Evil Occur samples and resamples acoustic instrumentation with minimal effects, allowing the artifacts of the source to seep into the composition. Grainy and slowly groaning along. A singular loop respirating upon each hit, holding itself to its core, living all its own. It's The Light That M…
Javier Hernando's musical journey began in 1979 with his first band, Xeerox. In 1981, he embarked on his first fully electronic project, Melodinamika Sensor, which continued until 1985. During that year, three tracks by M.S. were featured on a compilation LP titled Grupos de Barcelona, released by Discos Esplendor Geométrico. This compilation showcased four bands from the thriving Barcelona underground scene. From 1985 to the early nineties, Hernando co-directed the cassette label Ortega y Casse…