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Cleveland neo-kosmische outfit Emeralds broke free of the underground in 2010 with the hallucinatory Editions Mego-released 'Does it Look Like I'm Here?', now been remastered and bumped up with seven additional tracks, including two Daphne remixes.
On this album Lucie Vítková and Merche Blasco explore cyborgness through their relationships with their instruments. Lucie perceives the accordion as an extension of their body - sound, matter, and movement locked in a self-generating cybernetic loop. Merche built Anette, a 3D printer, as her interlocutor and companion in the performance space; in return, Anette printed thimble-microphones Merche wears on her fingers, which render the machine's unique electromagnetic voice audible to human ears.…
Eternities is a collaboration between bass clarinetist Katie Porter (Utah) and sound artist Bob Bellerue (NYC). Their work is inspired by deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. Katie Porter is a clarinetist and curator specializing in experimental music. Passionate about fostering musical communities, she co-founded Listen/Space in Brooklyn, the Listen/Space Commissions in the mountains of Utah, and the bienni…
*2023 stock* "Much of the time creative inspiration hits you in a sudden, explosive burst, and other times it seeps into your senses slowly, through practice, repetition, trial and error, or wandering. But then there are those weird fractures that open up a rift in something, somewhere, that was already in motion. An interruption. A fissure pushing hot air right up into an area you were standing in, and the sound and pressure and heat are too much to ignore and you have to do something about it …
Long after the year 4000, it's highly likely the sun will shine a different light. Equatorial rain belts may have turned into white-ash flotsam. Animal forms will have undergone a major metamorphosis, with only the memories of danger still archaically intact.
Razen tackle the theme of reincarnation hypnosis on Hier L'an 4000, their new album for Hands In The Dark, set for release September '23. Inspired by the writings of Donoso and Slauerhoff, by 1940s SF drawings, sky burials and a fantasy of …
Tip! Banjo and woodblocks are the scarce ingredients of Poor Isa's second album, ‘dissolution of the other’. The instruments can be used not only in their usual form, but in alternative tunings, with preparations and additional attributes. This creates an otherworldly vacuum, rich in silence and shadow, with sounds that seem equally familiar as mystical. The music is broken up from its classical form and sounds like an instrumental eld recording or a musical ceremony. In contrast to the rst al…
*250 copies limited edition* A unique live concert experience from Club7 Norway 1973 – Organ trio w/ Christian Reim, Tom Karlsen and Swedish Rickard Rolf.
Enjoy Foat's rhythmic mastery, jazz-infused mood, and cosmic synths, accompanied by Finland's finest, including the legendary saxophonist Eero Koivistoinen.
Presenting the latest collaboration of Nigel Ayers (Nocturnal Emissions), PBK, and Allan Zane (WYRM, Nihilist Assault Group), recorded in 2023. The title "This home stands on ancient bones" reminds us that our present world is built upon a history of all that has gone before. Compassion, contrition, repentance—all the layers of emotions that rise from the surface of the earth—mingle and drift through the emptiness, existing all around us. This powerful work captures and embodies these emotions, …
*360 copies limited edition* "After a handful of whacked-out cassettes & CDRs, for labels as discerning as Chocolate Monk and Beartown, this Nottingham trio has final made their debut LP, and it is a beautiful, swirling cone of sounds.
Unlike some of their more savage kith, Food People‘s basic template is based less on explosive dynamics than it is on twisted invention. Their music is rarely overtly aggressive or ornery. Its power is drawn from quietly disorienting musical details that are assem…
Tip! Synth Soundtrack is a re-work of Sick Soundtrack, the first album by Gaznevada, the legendary new wave no wave rock dance punk band of the 70s-80s. The Sick Soundtrack multitrack no longer exists, it was lost many years ago: no multitrack no remixes.
And, in fact, Synth Soundtrack is NOT a remix. No possibility of removing or correcting sounds, synthesizers, rhythms, it was only possible to add. Basically today’s Gaznevada played together with original Gaznevada. A time machine jam …
*2023 stock* Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (EMOM) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a…
*2023 strock* As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk. The project was born across 2021, a period in whic…
*200 copies limited edition* “I decided to treat my process like gathering tiny beach rocks -- nothing stands on its own initially but after a few months you find yourself with a collection,” says Chicago cellist, composer, and improviser Lia Kohl. She’s talking about beginning work on her album Too Small To Be A Plain, which began as experiments in creating small bits of music every day. For years, Kohl has worked in collaboration with artists, ensembles, and bands, either in projects of her ow…
"Fantastic debut LP by this severely talented instrumental duo, currently based around Hampshire College unless I am much mistaken. Living Window is comprised of drummer Cameron Mitchell and guitarist Mila Dorji, who have create an album of pile-driving avant garde hunch reminiscent of pre-Mahavishnu McLaughlin’s slow-hand recordings with Tony Williams or Billy Cox.
Mitchell drumming mixes rock and jazz attacks in equal measure, either drawing out rhythms or pounding them straight into pumice. A…
*100 copies limited edition* LDSN is Todmorden-based writer and artist Lauren de Sá Naylor. Over the past number of years, she has released a string of highly hypnotic and intimate recordings on labels such as Chocolate Monk, Invisible Animals, Cardboard Club, and Fort Evil Fruit. Yakkida is Leeds-based artist Hilary Knott, who also performs as Basic Switches and is a member of indie-rock trio, Cowtown. Together, LDSN and Yakkida make rhythmic, dissonant and harmonious sounds using voices, loops…
2023 repress. "The Tribe co-founder's debut, remixed from the original mutli-track master tapes under the direction of its creator and lacquered by Bernie Grundman. Now-Again presents the defi¬nitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 2…
Tip! *Limited edition of 200 copies.* As per Marta Zapparoli own words: " After a long research focused on the Natural Radio phenomena (VLF) coming from the Northern Lights, I realized a live performance that inevitably inspired me to compose a piece for this release. The piece is composed with recordings I made in Norway mixed with studio recordings, using a self made crystal radio, in combination with a specific light, detectors, motors, and antennas, to simulate a technological audio version …
Cate Brooks is back with her seventh release for Clay Pipe Music. Never one to stand still, ‘Easel Studies’ finds her pushing the boundaries of sound synthesis and experimentation on the Buchla Music Easel while still sounding beautifully beguiling and hypnotically melodic.