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In the fall of 1972 my brother Daryl Frazier [a/k/a Billy Nightshade] started school at Bemidji State College in northern Minnesota. I was 11 years old and Daryl was 18. Every weekend he would come home and bring me amazing used records of rock and roll bands. His good friend Gary Zerott from BSC knew music inside out, and turned Daryl on to all kinds of brilliant artists! Kinks, Bowie, Alice Cooper, Stooges, MC5, Patti Smith, Velvet Underground, Slade, Deep Purple...the heavier the better. Back…
Albert Ayler's 1970 release, "Music Is The Healing Force Of The Universe," encapsulates a profound and universal sentiment about the transformative power of music. The album's title, a simple yet evocative statement, speaks to the intrinsic connection between music, the listener, and the human experience. By employing concise and evocative language, Ayler's title evokes a sense of wonder and awe, suggesting that music transcends mere entertainment and possesses a profound capacity for spiritual …
This cassette was released in March 2024 in a limited edition of 50 by OORT, a duo of double bassist Michele Anelli and percussionist Nicholas Remondino from Turin, Italy. It contains five Lo-Fi concrète to collage noises with samplers, fold recordings, tapes, and electronics. dl code included.
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
*2025 stock* Beautiful work from Joe Haider – a lesser-known pianist on these shores, but an important force in the German scene – best remembered for some wonderful music on the Ego Records label! This set captures Joe in a very similar setting – working on both acoustic piano and Fender Rhodes – in a trio with Allen Blairman on drums, and the mighty Isla Eckinger on bass. If you don't know Eckinger, you're really in for a treat – as he's a tremendous talent who has this way of shaping notes an…
When in Rome... is a 1988 live album by the Penguin Cafe Orchestra, and was recorded at The Royal Festival Hall, London, on 9 July 1987. It was produced by Simon. The cover painting is by Emily Young. This iteration for the first time has the full gig and uses the 2008 remaster.
Signs of Life is the fourth studio album by the Penguin Cafe Orchestra. It was recorded at the Penguin Cafe between 1985 and 1987 and released in March 1987. It includes "Perpetuum Mobile", one of their most famous pieces. The album reached number 49 in the UK Albums Chart. This is the first re-press since 1987 and uses the 2008 remaster, pressed on Orange vinyl.
*2025 stock* Debut album from the Judy Bailey Trio, recorded 1962. The theme is the night and the trio give you new and exciting arrangements of 'night' tunes like 'Night And Day', 'In The Still Of The Night' and 'Night In Tunesia'. Possibly the swingin’est jazz album ever to come from Australia.Pianist Judy Bailey was active on the Sydney studio scene in the early '60s, and was the choice rhythm section of Australian bandleaders. It was as a composer that her reputation began to grow in the fol…
*2025 stock* It's a fact that Bjarne Rostvold has won relatively little recognition to this day -in contrast to some of his Danish fellow jazz musicians. Quite unjustly, as we think. For many years Rostvold played with the Danish Radio Big Band before forming the Bjarne Rostvold Trio (Bent Axen: piano and Erik Moseholm: bass) and the Bjarne Rostvold Quartett, which included the trio's musicians plus trumpeter Allan Botschinsky. Both groups represent brilliant Danish jazz from the '60s. That's wh…
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…
*2025 stock* Jazz in Australia at its best with incredible sessions by The Three Out from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall …
Three recent and typically exquisite chamber works by Swiss composer Jürg Frey, all written for and performed by the Prague Quiet Music Collective - one in collaboration with the Norwegian new music group asamisimasa.
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this year." - Clive Bell
"Kneel for Truth - اركع للحقيقة”, the 12” single by Egyptian artist Abdullah Miniawy, is finally available.The vinyl is the second release of a limited edition series curated and conceived by Chiara Lee, freddie Murphy and Davide Quadrio as audio catalogue for the temporary exhibitions hosted at the museum. This second output is released within the exhibition “Trad u/i zioni d’Eurasia”
The much anticipated sophomore solo album from Hugo Randulv (Enhet För Fri Musik, Amateur Hour, Makthaverskan etc). Following up the praised Radio Arktis that was released on Förlag För Fri Musik back in 2021, Drunkna I Ljus was composed and recorded mainly during 2024 and consists of two sidelong epics based entirely on electric cello with a sparse use of controlled guitar feedback. The overall ambience and cold yet weirdly encouraging harmonies from Radio Arktis are recognizable and still pres…
For Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, to be released April 4th on Leaving Records, is a searching collection of improvisatory, open-ended piano and keyboard experimentation. Threading the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured. Recorded between 2021 and 2023, Music …
*150 copies limited release* "Borrowed Out Of Time is the latest album by Kaurna Country artist and writer, Tristan Louth-Robins. It follows a steadily paced run of releases for labels like 3LEAVES (2013’s The Path Described) and his own Studio Maurilia which share an inquisitive spirit, informed by, but different from, influences such as Alvin Lucier and Rolf Julius. While Tristan’s compositions might be neatly situated somewhere adjacent to both sound art and acoustic ecology, they aren’t beho…
*150 copies limited release* “It's music where nothing happened. It's the kind of music somebody might write in Adelaide, Australia. Nothing happened.” - Morton Feldman
Theatre is De la Catessen’s second venture into the archive of Jon Dale. Originally released in a tiny CDr edition of 50 copies on Tristes Tropiques in 2019, Theatre now reappeares in an edition of 150 glass-mastered CDs.
Theatre sees Jon Dale eschewing the hearthwarm drones of his previous album on de la Catessen, Last Blues, an…
*150 copies limited release* "A mysterious folio of sonic snapshots, as much recaptured as composed, by Jon Dale’s project, Moth, in Adelaide in the late ’90s and early ’00s.
From the ready means of guitar, amp, and tape, a congruous but diverse selection of unnamed tracks emerge - musical moments borrowed from oblivion with the as yet unfulfilled good intention of returning them. Their sounds evoke abstract polaroids of winter seascapes flecked with spare, brittle detail, or the scaly-winged fl…