New Arrivals
Permanent Rain
‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XIII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer. This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a b…
Lord Sitar
*2023 stock* "Big Jim Sullivan's rock'n'roll credentials go back as long as British Rock's family tree existed. Big Jim's career started in 1959 after meeting Marty Wilde in the 3'i's coffee bar. He's played on fifty nine number one UK hit singles, and his lengthy career included stints with Tom Jones and the James Last Orchestra. Naturally, his Sitar technique was far superior to virtually anyone elses in the western world (yes even Bill Plummers!), although he still is no Ravi Shankar of cours…
Tempo Pra Tudo
Stunning private press album from 1981 by Minas Gerais singer-songwriter Fernando Oly. Fernando Oly is a musician who was part of Lô Borges' band and took part in the recording of the album "Via Láctea" in 1979. He placed one of his compositions among the album's tracks: "Chuva na Montanha," whose original version was also included on “Tempo Pra tudo.”
Habitat Ensemble
Music From Memory is excited to introduce the self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar.
Scompaio
"Delmore FX (moniker of poet and artist Elia Buletti) is a purveyor and craftsman of avant-world and post-world sounds. His sophisticated but straightforward electroacoustic language made of experimental novelty and folkloric ancientness has the oblique capacity of making one listen, dance and think astray at once. "Scompaio" (I disappear) is the new full length work by Das Andere Selbst label’s bright spark. Built around the mundane but magic disappearance of shapes, things and beings alike in …
Inner Roads And Outer Paths
*300 copies limited edition* Inner Roads and Outer Paths is Herefordshire born Vic Mars’ third release on Clay Pipe Music. It follows last years ‘The Soundtrack To The Hospice’ commissioned by Gideon Coe for BBC 6 Music, and 2015s critically acclaimed ‘The Land and the Garden’.
Inspired by in part by Alfred Watkins words and photographs of Herefordshire, the record also harks back to a period in Vic’s youth spent exploring the abandoned houses and factories on the fringes of his home town; the i…
Standards of Living
Standards of Living is a multimedia work that investigates the relationships between the desire for comfort and the forms of living in neoliberal society. The work highlights how our “standards of living” are reduced to surrogates for the utopia of contemporary comfort, with the aim of satisfying the global commodification of living. Standards of Living compares the authentic appeal of parquet flooring with replicas made of synthetic composite materials and adhesive laminates, which proliferate …
Future Chorus
*200 copies limited edition* “Future Chorus is a conceptual release curated by Eleni Ikoniadou, researcher in Digital Culture and Sonic Arts at the Royal College of Art. A collection of readings, spoken word, nonlinguistic sound, poetry, MCing, cello and animal sounds were combined with machine learning processes to artificially generate a new voice speaking a nonhuman language. The vocal database and AI voice then became the raw material for five remixes by AGF, Chino Amobi, Harrga, Savvas Meta…
Branes
*150 copies limited edition* In 2010 Giovanni Di Domenico formed a band called “Mo(ve)ments Ensemble” and released a CD on Belgian independent label Spocus. The concept and repertoire of that band reflected Di Domenico’s love for subtle orchestration and chamber music sensibilities, the basic idea behind it being the dissertation of the organic elements that form the instruments involved (in that case the wood of the strings and clarinet) and the re-construction of them by means of musical ideas…
Muted Language
“Brilliant drumming by two fearless artisans; hearing, resounding the real world around us. Truth is in our ears.” - Chris Searle, The Morningstar
The Undanced Dance
"Fractured grooves blend into dark, cinematic ambient drones and morph into spontaneous improvisations, colored by epic electronica and ornamented with raw noises." - Eyal Hareuveni, Salt Peanuts
The Way We Speak
"It is one of the finest documents of how improvisation is made that this listener has heard, on par with the two astounding The Life of a Trio albums (by Paul Bley, Jimmy Giuffre and Steve Swallow)" - George Grella, New York City Jazz Records
In Air
“Excellent testimony to the quirky and detailed improvisation of the British where the emphasis is on dynamics, the sporadic use of silence and restricted playing with a multiplicity of playful options (…)” – Jean-Michel Van Schouwburg
Decomposition Study
Decomposition Study is a collaborative process. The instrument featured here is an arciorgano, a special microtonal organo di legno with two manually operated bellows and 36-key octaves across two manuals, constructed according to Nicola Vicentino’s designs from 1555. The notes of the music, written according to the rules of canonic contrapunto alla mente, are passed between two organists while four other musicians disrupt and amplify the organ’s airflow, acting similarly to cellular enzymes in …
καῦμα (kaûma)
"The word καῦμα (kaûma) gave us the "calm" losing its primary sens of "heat". Here an archaic experimental music, a more or less advanced electronic technology with questionable sustainability, false loops, oscillations and glidings, between immutable harmonic series and dubious Chinese components. If "kaûma" also gives "chômer" ("not to work") (from occitan "caumar", "to rest during the heat"), another warming would call to disturb the calm, the pattern, to come out of our torpor (κῶμα, kôma ("…
In Real Life
Black Truffle present In Real Life, the latest in a flurry of releases from Berlin-based guitarist and composer Julia Reidy. Having drawn acclaim for solo performances on 12-string acoustic guitar that bridge microtonality, 'American primitive' stylings and classic minimalism, Reidy’s recent releases have utilised an increasingly broad sonic palette, fleshing out guitar-based composition with electronics, field recordings, and – most strikingly – heavily auto-tuned vocals.On In Real Life, Reidy …
Sense / Margin
*200 hand-numbered copies limited edition* Born and raised in Kanagawa, Japan, Iu Takahashi is a sound artist based in Tokyo. She produces her own musical worldview mainly using synthesizers, ambient sounds, and voices. Iu Takahashi used to do her artist activities as a vocalist before, and now she has created mainly ambient music since 2018, provided her tracks to background music such as exhibitions and introduction videos. Inspired by Japanese ambient music such as Hiroshi Yoshimura and Satos…
Audience
A group of people is looking back on a collective experience, unsure if they were part of this situation or merely outside spectators. While they talk them selves through the event, one starts to mutate as different objects in the environment starts to behave in strange ways. Then the space suddenly completely transforms, and they start to realise how everything in this reality has a changeable and rather diffuse nature. Performed by Karis Zidore, Miriam Kongstad, Jakob Littauer, Cæcilie Trier, …
T.O.
"Last time we heard the powerhouse duo of Chris Shields (Marcel du Swamp, Ro) and Alexander Holm (Sensorisk Verden label boss), they called an audience member during the show on a homemade telephone while shaking dice, giving each other unidentified signs and cues, and presenting their special flavor of musique concrete. Voice, tape, synth (?). Beautiful sound. New record is bonkers" - L. Dusk.
Variables of Uncertainty
"Have you ever sensed a landscape change in front you? The sand under your feet completely change colour or structure. Certain places we enter calls for a different mode of engagement. In front of me is a piece of paper. On the paper a hand have scrippled nervous lines and strokes. Some of these lines form what could be words, others look like broken tools or thoughts never materialized. When I pick up one of the broken tools, i notice how it turns into a word, letters of unknown origin grows ou…